Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. This alleged thriller, which might be described as "'Gaslight' Goes to College," is one of the most incoherent features in recent memory.
    • 23 Metascore
    • 30 Critic Score
    If explosive defecation is your idea of a laff riot, this picture -- and the Headrillaz soundtrack, by extension -- should be perfect fun.
  2. A deviously engineered parasite that'll crawl under your skin and live in your nervous system for a while if you give it half a chance.
  3. Kinnear's performance has to be one of the most sympathetic acts of decency one actor has ever extended to another. Crane always wanted to be a real, respectable movie actor. Channeled through Kinnear, he finally gets his wish.
  4. The new black movies make those of us sitting in the theater watching feel as if we actually count for something. That good feeling can carry you through this movie's silly and dull patches.
  5. One of those strained caper movies that's hardly any fun to watch and begins to vaporize from your memory minutes after it ends.
  6. There's plenty to like here, especially for connoisseurs of the action genre, and there's also plenty to make you wonder whether Besson and co-writer Robert Mark Kamen scribbled their screenplay on a batch of Marseilles cocktail napkins and then lost one or two.
  7. A neo-vampire movie for tender-hearted preadolescent girls who are afraid of sex. If that's your thing, go for it. But there's something genuinely creepy, and not in the good way.
  8. Isn't dubbed. But it sure feels like it. The characters open their mouths and their lips don't seem to be shaping the right words -- you can't believe any human beings would ever utter such ludicrous dialogue, with so little conviction.
  9. Maybe it's only half of what it could be, but at least it's a healthy half. And in this era of mainstream cookie-cutter moviemaking, that's a feat in itself.
  10. Something we haven't seen before: a manic-depressive romantic comedy that aspires to the soul of a musical. It's a new-fashioned love song.
  11. A bigger problem is that since the movie is a straight remake that reprises many of the original's scenes, we have those scenes playing in our heads, and the Russos' execution just isn't up to Monicelli's. It's painful to see gags that worked so beautifully fall flat, or wither and die because of indifferent timing.
  12. Tykwer's actors seem completely clued in to his intentions. Both Blanchett and Ribisi give performances so restrained they're almost subliminal.
  13. If you buy the overprocessed headcheese of the serial killer as refined genius, you'll love Red Dragon. Or maybe not. Even Hannibal Lecter devotees may lose patience with this picture's grandiose, self-serious ponderousness -- that's Lecterese for, "It's kind of boring in patches, actually."
  14. Mick Jagger acts his age, finally, in an entertaining but ultimately disappointing fable.
  15. Jackie Chan is thoroughly wasted in a bad suit and a witless comedy.
    • 63 Metascore
    • 40 Critic Score
    It's no exaggeration to say that roughly half of the interviews in Biggie and Tupac are worthless, offering no new information or insights about the rappers or their deaths.
  16. A good-natured but massively flawed little comedy.
  17. A dazzling true-life comedy that might be the funniest movie about grief ever made.
  18. A highly entertaining and refreshingly nonjudgmental movie
  19. Hoary epic of British Empire valor and cowardice, remade for seventh time, remains rot, old boy.
  20. It's a liberating, kindhearted picture, one whose ending brings with it the feeling that something has finally been shaken free. How comfortable you feel with that is completely up to you.
  21. I don't even care that there's no plot in this Antonio Banderas-Lucy Liu faceoff. It's still terrible!
  22. iIt sits on the screen in the flattest way imaginable, and the brightest colors in the world can't make up for all that's missing. 8 Women is perfumed kitsch, and it reeks.
  23. It will disturb you as much as thrill you, make you wonder whether the boundaries between life and death, reality and fantasy, imagination and insanity are ever what they appear to be.
  24. This quiet French thriller gets to the heart of motherhood, and then pays off with comfort and calm.
  25. Witty and intelligently made. It's also utterly baffling.
  26. So often loose and funny that you'd have to be pretty stingy not to get some pleasure from it.
  27. Robert De Niro and Frances McDormand almost rescue this lifeless, clichéd cop drama! Close isn't good enough!
  28. Gives no indication that Jean-Luc Godard has anything left to say that is worth hearing, no indication that he has any drive or passion to continue making movies. What's on the screen is habit -- accomplished, rote, empty.

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