Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. So wearying that it makes you feel duped for being open to it in the first place. Hamlet 2 works so hard at being entertaining, in that quirky, Indie 101 sense, that it just grinds you down.
  2. If possible, Roberts' movie-within-a-movie is even more amazing than it sounds. She captures a tale of courage, heroism and tragedy more thrilling than any Hollywood spectacle.
  3. A highly unusual combination of craft, emotion and integrity.
    • 53 Metascore
    • 50 Critic Score
    A pleasant but unimpressive experience.
  4. Gets more cluttered and confused as it moves along.
  5. It's literally difficult to believe that the person who made this picturesque, clueless, oddly misanthropic picture also made "Annie Hall" and "Crimes and Misdemeanors."
  6. Arguably, A Girl Cut in Two is more fun around the edges, as an assemblage of bizarre supporting characters and throwaway comic bits, than it is down the middle, as a classic French morality tale.
  7. An imperfect work of genius, a satire of Hollywood excess and vanity that dares to tread territory laden with minefields.
  8. While excellent in many technical respects, is a muted, pretty, anesthetic concoction that's never fully satisfying.
  9. Alternately winsome and irritating documentary.
  10. This isn't a boring movie or a dishonest one. But it's a relentlessly literal-minded one, light on vision and atmosphere, that moves through the history of the Germs with a checklist.
  11. The picture is resolutely unhip and proud of it, which can be a good thing in the right hands or, in the wrong ones, just a gimmick. Nearly everything about Pineapple Express is a gimmick.
  12. Frequently beautiful and intermittently haunting and could be called a meditation on aging and mortality, an intimate study of a peculiar variety of fame and a portrait of a genuinely remarkable person.
  13. It's a relief to go to the movies and see teenage girls acting like teenage girls, as opposed to grown women acting like teenage girls.
  14. It's impossible to tell what's going on at any given moment in Tomb of the Dragon Emperor; it's even harder to care about being able to tell.
  15. A maddeningly indistinct picture.
  16. Profane, hilarious and ultimately heartbreaking, Alex Holdridge's black-and-white feature In Search of a Midnight Kiss has a gutter purity that makes you root for it all the way and forgive its patches of ultra-indie awkwardness.
  17. Frozen River isn't cinematically ambitious or formally adventurous, but it's built around powerful and nuanced performances by Leo, Upham and Charlie McDermott.
  18. Duchovny gives a nicely shaped performance here -- he still has the ability to suggest the boyish eagerness beneath Fox's blasé demeanor. But the movie really belongs to Anderson.
  19. Stupid, crude and hilarious, Step Brothers works by sneaking past our better judgment.
  20. Baghead is a kick in the pants.
  21. Speaking as one New Yorker who lived through 9/11 and saw this film with a packed house of natives at its Tribeca Film Festival premiere, I experienced Man on Wire as an almost mystical incantation.
  22. Moving and surprising documentary.
  23. A compelling, compact melodrama that packs an emotional wallop. It's my nominee for sleeper surprise of the summer, at least so far.
  24. Nolan may want us to believe in the darkness that lurks within each of us, but instead of leading us to it visually, he chops it up and sets it out in front of us, a grim, predigested banquet.
  25. Watching Streep and her two BFFs, played by Christine Baranski and Julie Walters, grinning and giggling their way through Mamma Mia! I felt I was being thoroughly, and unenjoyably, punished.
  26. Investigative journalist Donal MacIntyre's film is fairly standard British TV product, closer to a glorified "60 Minutes" segment then to cinematic art. But never mind -- its subject is, as he might say, feckin' amazing.
  27. Before I Forget is, in the broad sense, "gay-themed." But it's also one of the loveliest, most direct and most devastating pictures about aging that I've ever seen.
  28. Poetic, funny, darkly romantic and beautifully structured -- is a very different picture from "Pan's Labyrinth." But there's no doubt that it springs from the same cathedral.
  29. The picture works because Brevig and his actors -- not to mention his effects -- maintain a sense of humor and lightness. It doesn't hurt that Fraser, a fine actor who's made a name for himself not with his serious performances (which are reliably solid) but for his recurring role in the "Mummy" series.

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