Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. A very mixed bag. Despite some faint gestures in the direction of journalistic balance, it plays a lot like a two-hour infomercial for the Playboy publisher's historical importance, philosophical depth and personal greatness.
  2. You'll either find The Extra Man utterly charming or thoroughly mystifying, but either way Kevin Kline, playing a community-theater version of himself, with all the foppishness and Shakespearean pretension but half the talent and none of the luck, inhabits its peculiar soul.
  3. Highly entertaining and skillful documentary.
  4. This is a daring, audacious and sometimes terrifying movie -- purely as a thrill ride, it's probably the summer's best offering so far. That doesn't mean it left me feeling entirely satisfied. There's an emptiness at the soul of Salt -- again, meaning both the movie and the character -- that's extremely disturbing, maybe on purpose.
  5. A terrifying and highly effective documentary.
  6. For the most part "Inception" is a handsome, clever and grindingly self-serious boy-movie, shorn of imagination, libido, spirituality or emotional depth. Nolan establishes a fascinating world, loaded with trapdoors, symbols and hidden secrets, and then squanders the opportunity on an overpriced "Twilight Zone" episode.
  7. Lots of movies about the Middle Ages can do the mud and blood -- though we sure see a lot of both here -- but in this movie it's like Refn has ripped you out of time and dropped you there.
  8. Coffin and Renaud's execution is fresh, sincere, often lovely and a great deal of fun -- and in this kind of movie, and this kind of movie summer, execution is everything.
  9. Tracking down Rebney proved to be no easy task. But Steinbauer found him, living on a mountain in California, and spends much of the film trying to get Rebney to reckon with his unsought celebrity, which Rebney had only recently become aware of.
  10. [Rec] 2 is a pell-mell, edge-of-your-seat, theme-park ride through hell, and I strongly advise you to ignore the aspersions cast upon it by snooty critics and random Internet fanboys alike. I am your friend, horror fans! I know what you need, and this is it.
  11. The Kids Are All Right ranks with the most compelling portraits of an American marriage, regardless of sexuality, in film history.
  12. There's way too much plot here getting in the way of the story, which makes it tough for Alfredson and cinematographer Peter Mokrosinski to focus on the series' strongest elements. Of course it's the character of Lisbeth that has made these books and movies into a worldwide phenomenon.
  13. It's a little bit Tolkien, a little bit Lucas, a little bit "Matrix," a little bit "Dune" and rather too much Philip Pullman, all stuck together with some powerfully expensive effects and lots of cute kids doing tai chi.
  14. One of the better multiplex options of this legendarily dismal summer.
  15. The guys abuse each other in what's meant to be fraternal affection but feels more like the discomfort of being stuck together in a terrible movie.
  16. Junger and Hetherington take our conflicted ideas about war and its let's-make-a-man-out-of-you purpose and throw them in our faces, in a way "Hurt Locker" never does.
  17. Roy is like a meta-Cruise or a Cruise pastiche; even the disturbing, stalkerish aspects of his character seem as if they were constructed from tabloid stories about the actor's marriage, his religious affiliation, his sexual identity.
  18. A bona fide summer delight loaded with action, humor, nostalgia, a veritable blizzard of pop-culture references and general good vibes.
  19. It's a challenge to take a comic-book adaptation that stars Josh Brolin, John Malkovich and Megan Fox and drain nearly all the fun out of it. Jonah Hex is one of those movies that combines a certain amount of being ridiculous on purpose with a great deal of pseudo-profound silliness.
  20. An enjoyably off-kilter romantic comedy with a touch of madcap farce and just a hint of darkness.
  21. At times, the movie feels less like a coming-of-age tale and more like an extended promo for the Chinese tourism bureau.
  22. Reasonably good fun. If you're a 12-year-old boy riding an intense Cherry Pepsi buzz and totally devoted to destroying some brain cells, that is.
  23. Maybe Joan Rivers is a high-powered engine of self-debasement who will go lower than anyone else for a laugh and a dollar, and maybe she's a skilled actress who has spent her whole life playing one. Either way, yes, she's quite something. And I'd rather appreciate her from a distance.
  24. This movie's an absolute knockout. I know it's only June, but I'm damned if this isn't the breakthrough American film of the year.
  25. Dark, sleek, funny and creepily infectious, the genetic-engineering horror-comedy Splice is a dynamic comeback vehicle for Canadian genre director Vincenzo Natali, who made a splash a few years ago with "Cube."
  26. An uneven but surprising movie, often outrageously funny and just as often completely flat.
  27. Somehow Kutcher and Heigl and Tom Selleck and Catherine O'Hara (as her parents) are all fun to watch a fair amount of the time, without the movie they're in being any good at all.
  28. Indeed, this movie's offensive on many levels, but Arabs and Muslims don't get to feel special. It relies on stupid stereotypes because it's a stupid movie that's offensive to virtually everyone.
  29. After an uninspired middle period, the "Shrek" series has, like the revitalized character himself, roared back to form.
  30. MacGruber dutifully rehearses the genre's standbys -- so dutifully, at times, that the joke disappears altogether.

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