Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. You can't call W.E. a total disaster; it's too pretty, too nonsensical and finally too insignificant for that.
  2. Overall Seven Pounds is too heavy-handed and maudlin to be comprehensible, let alone moving. The real shocker is that not even Smith can rescue it.
  3. The disgrace of Steal This Movie isn't just that it fails to do justice to its subject, but that, as a movie, it's barely competent.
  4. This clunky TV remake is stiffer than an iron curtain.
  5. The movie can't distinguish between what's likable and human and funny and what's simply repellent. In that respect, it's just as indiscriminate as the reality TV it shakes its finger at.
  6. Misfires on multiple levels but isn't all that terrible.
  7. Despite its problems, the picture still satisfies -- more than a lot of allegedly worthy "A list" movies do. In a movie world where heavyweight often means top-heavy, Against the Ropes shows some pretty fleet footwork.
  8. This alleged thriller, which might be described as "'Gaslight' Goes to College," is one of the most incoherent features in recent memory.
    • 36 Metascore
    • 30 Critic Score
    There's not enough fast and even less furious.
    • 36 Metascore
    • 50 Critic Score
    There's not a single moment when you wonder what might happen next or when the spectacle simply leaps off the screen. You've seen it all before.
  9. As a visual symphony, The Canyons is often masterful, and while it may be pornographic in places, it’s never campy. At the center of its cold, beautiful and half-dead world is the almost incandescent Lindsay Lohan, burning like a flawed diamond.
    • 36 Metascore
    • 50 Critic Score
    Generally succeeds. But with just a bit more effort the movie might have been funnier and a lot more fun.
  10. As lousy as it is, Diary of a Mad Black Woman is weirdly fascinating.
  11. It's kind of fun to watch Pacino and Liotta and Tatum and James Ransone, as Jonathan's foulmouthed partner, as they roar at each other and suck the marrow from the hambone. You can see why actors want to work with Montiel, but actors are notoriously bad judges of whether good scenes will ever add up to a worthwhile movie, which is exactly the problem here.
  12. The plot is so convoluted that missing even five minutes at a stretch won't make any difference in your comprehension of the story.
  13. An awkward and distinctly unsexy farcical misfire.
  14. This film's dithering, handsome, morally ambivalent Hamlet, is a profoundly unsatisfactory character.
  15. A grim, sour view of single life.
  16. Despite how easy it would be to write off Righteous Kill as one sorry excuse for lazy filmmaking, there is still something utterly mesmerizing in the palpable chemistry between the two leading men.
  17. Some viewers may find this movie sexist or misogynist simply based on its premise, but it's a mistake to take Greenaway's symbolic narratives too literally.
  18. Challenges us to believe in the power of myth. But the big challenge here is surviving the tedium of Shyamalan's meandering inventiveness. What's supposed to be fanciful storytelling is really just audience punishment.
  19. Unwatchable.
  20. Sells ignorance as a refined evening's entertainment.
  21. The movie's ridiculous good humor -- laced with just enough barbs to keep it from going soft -- suggest that it's been made with some thought and care. I often found myself laughing in spite of no one, not even myself.
  22. Between the 12th floor and the 14th floor, boredom awaits!
  23. It was boring and silly but not atrociously bad. No, that's much too glowing; allow me to back up and rephrase. It is atrociously bad, basically.
  24. As it is, it's too restrained, too often -- too eager to gallop toward postcard sunsets on the beach when tequila shooters and lap dances are what the moment calls for. You'd think the combination of Diaz, Kutcher and Vegas would be good for at least a little sexy, silly fun. But don't bet on it.
  25. One of the most dreadfully unnecessary movies in recent memory.
  26. May be far from perfect, but those small, odd Hartley touches help you warm to it.
  27. There's nothing unconventional or daring about On_Line, but considering how cheap it undoubtedly was to make, the acting, writing and direction all stand up pretty well; this is more intelligent and better structured than at least half the Hollywood movies I see.

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