Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. Watching it is a little like stumbling upon a frayed valentine you put away years ago and then laughing with pleasure at how much it still means to you.
  2. Take This Waltz is frank, erotic, often very funny and sometimes startling, with an underlying tragic sensibility.
  3. If this isn’t quite a great movie, it should be an immensely gratifying one for sci-fi fans tired of the conceptual overkill and general dumbness of “Prometheus” or “Star Trek Into Darkness.”
  4. A tantalizing and beautiful picture made with tremendous integrity, and anchored by two marvelous performances, Isabel Coixet's The Secret Life of Words still, somehow, doesn't quite work.
  5. Beautifully executed, loaded with sharp observational moments, and never cheats either its characters or its audience by descending into raunchy teen-movie cliché. This is a delicately balanced and often very funny holiday alternative suitable for pretty much the entire family.
  6. If Client 9 plays a lot like a murky, gripping political thriller, it lacks a fully satisfying ending -- or a fully satisfying hero.
  7. A film that stands out for its passion, ambition and clarion-call sincerity, even amid the contemporary onslaught of political documentaries.
  8. When it's all over and you don't have to spend any more time smoking pot with Karl and Bill in their horrid little house, you may feel the elation of tragic catharsis. Then again, you may feel as if you just drank a bottle of drain opener; the difference between those states is subtle.
  9. I kind of enjoyed Rise of the Planet of the Apes despite its evident silliness and the fact that nobody's likely to remember it three weeks from now.
    • 68 Metascore
    • 70 Critic Score
    Crisply agreeable picture.
  10. This is a dense and sophisticated work about mortality, materialism, madness, jealousy and pity.
  11. In some ways, X2 is an obvious improvement on its predecessor: It looks more expensive, and its special effects seem to swoop out of nowhere...But "X-Men" was undoubtedly the most elegiac comic-book adaptation of the past few years.
  12. Greenwald isn't capable of the magisterial, mournful manner of, say, Eugene Jarecki's "Why We Fight," but the two films would make a natural double bill.
  13. Among DiCillo's best, and returns to the central theme of his career: the elusive and destructive nature of fame.
  14. It's a hit for the most surprising reason of all: because it's very good.
  15. Honeydripper offers a leisurely, atmospheric production with lots of time to appreciate his largely African-American cast, along with rocking musical interludes and just the faintest wash of spirituality.
  16. As a pure head-trip visual and auditory experience it feels like one of the biggest discoveries, and biggest surprises, of 2014.
  17. A memorable, haunting and highly original American movie.
  18. A spiny, puzzling and highly entertaining film, and whatever you go into it thinking, you're likely to come out thinking something else.
  19. I never stopped being interested in The Place Beyond the Pines, and never stopped rooting for Cianfrance to make the hubristic ambition of his immense tripartite scheme pay off, even as it evidently falls apart.
  20. It's an English movie doing its best to masquerade as the shallowest kind of Hollywood romantic comedy, as if somewhere along the way someone had made a calculated supposition that would be the only kind of comedy American audiences would buy.
  21. Rossi's film makes a compelling case on behalf of the traditional values of journalism.
  22. Every minute he's on screen, Whitaker makes Ghost Dog worth watching.
    • 68 Metascore
    • 80 Reviewed by
      Max Cea
    The discomfort that Arteta elicits serves a purpose and is buoyed by a few very funny moments.
  23. Stephen King reportedly loathed the liberties Kubrick and co-writer Diane Johnson took with his story, but King's ur-villain, the emasculated husband from hell, has never been more clearly presented on-screen.
  24. I suspect this picture is pretty close to what fans were hoping for, and for their sake, I'm glad it's markedly better than the two that preceded it. But Revenge of the Sith is still crap.
  25. Fratricide marks Arslan as one of Europe's hottest young talents, drawing simultaneously on the film traditions of America, Western Europe and the Middle East.
  26. Represents a breakthrough in the moviegoing experience. It may be the first time we've been asked to watch a book on tape.
  27. The picture is clever, somber, quiet: There's just no reason it has to be as deadly boring as it is.
  28. El Crimen Perfecto is a joyride that leaves you feeling drunk and dizzy and swearing that you haven't touched a drop.

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