Salon's Scores

For 3,130 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Event Horizon
Score distribution:
3130 movie reviews
  1. I'm not ready to proclaim Looper a sci-fi masterpiece just yet; let's let it sit awhile. But it's a lean, mean, smart, violent picture with a bit of Stanley Kubrick edge, fueled by the terrific Gordon-Levitt.
  2. As a piece of craft, and with the exception of "Harry Potter and the Prisoner of Azkaban," it's miles beyond any studio film this summer.
  3. You can't imagine a soapier setup, but Gilles' Wife taken on its own terms is a spectacular achievement, a heartbreaking cinematic work that finely balances melodrama, family love story and devastating tragedy.
  4. Anguished, beautiful and desperately alive, Oldboy is a dazzling work of pop-culture artistry.
  5. You can argue that the plot of The Martian doesn’t offer many surprises, but this is a movie of innumerable delightful moments and small discoveries, and even more of infectious enthusiasm.
  6. It Follows pretty much earns its buzz as the scariest and best-engineered American horror movie of recent years, and that’s all down to Mitchell’s sophisticated understanding of technique and the trust and freedom he accords his youthful cast.
  7. An affectionate, exuberant picture that seeks to bring even those who don't know Klingon from Portuguese into the embrace of a pop-culture phenomenon.
  8. It's a lean, mean movie, and not a pretty one, but it leaves no question as to Breillat's angular originality as a filmmaker.
  9. This may test your patience, it's not for everyone, it's a stretch to call this "entertainment" and so on. As far as Heathcliff being black – well, deal with it. Arnold's simply right about that one, and it's Laurence Olivier and Ralph Fiennes and all those costume-drama versions of the story that are wrong.
  10. No
    A troubling, exhilarating and ingeniously realized film that’s part stirring political drama and part devilish media satire.
  11. To Ben Affleck's credit, he's made a terrific, pulse-elevating thriller that will leave the audience cheering.
  12. A vital documentary in the truest sense.
  13. Serenity is a trim little picture of epic proportions.
  14. It's a marvelously constructed personal journey, both wrenching and bittersweet, whose emotional ripple effects stay with you for days and weeks afterward.
  15. With its cartoonish pace, larger-than-life characters and detours into farce and agitprop, this movie captures the accelerated pace of life in the financial markets and the vast scale of their mendacity far more vividly than a naturalistic drama could.
    • 83 Metascore
    • 90 Critic Score
    Stanley Donen's classy crime caper has charm, wit -- and Cary Grant.
  16. Arias' blend of traditional cell animation and 3-D CGI effects is thoroughly mind-blowing, and the film's visual sensibility is utterly distinctive.
  17. Amy
    Kapadia is a London-born filmmaker who approached Winehouse’s life, as he did that of Brazilian racing legend Ayrton Senna in his thrilling 2011 “Senna,” as a dramatic story with numerous twists and turns and a magnificent and tragic figure at its center.
  18. A triumphant movie about failure.
  19. Affliction is a harsh experience, but the harshness isn't a matter of punishing the audience or of the director, Schrader, showing off his toughness: That unvarnished harshness is the very essence of the material.
  20. Venus belongs to O'Toole. This is, hands down, my favorite performance of the year, largely because I love the way O'Toole (and the filmmakers) refuse to yield to the all-too-pervasive idea that it's "icky" for old people to even think about sex.
  21. This is a noisy, chaotic, technology-crazed 21st-century action film, but also one made with tremendous excitement, vigor and heart, along with a myriad of wonderful details.
  22. Its stars, Emily Blunt and Natalie Press, are film newcomers who give startling performances. The photography is often breathtakingly original.
    • 93 Metascore
    • 90 Critic Score
    The film succeeds, and for many reasons: because of Fellini's wonderfully self-deprecating humor — the way he mocks the idea of the director as a genius, the artist as romantic hero; because of his honesty in expressing both his dreams of glory and his self-hatred, anxiety, and dread; and because visually it’s stunning and exhilarating.
  23. A terrifically crafted little movie that bounces off current events and the nation's downbeat mood ingeniously, and that it variously suggests comparisons with the early work of Terrence Malick, Stanley Kubrick and the Coen brothers. Yeah, I think it's that good, but please note that I also said "little."
  24. For the most part, 20,000 Days on Earth – the approximate amount of time Cave has been alive on this planet – is an imagistic and impressionistic work, a Nick Cave-esque tone poem driven by moments of visual and thematic juxtaposition you either have to reject or accept.
  25. It will disturb you as much as thrill you, make you wonder whether the boundaries between life and death, reality and fantasy, imagination and insanity are ever what they appear to be.
  26. Fast-paced, often hilarious fun and involves an imaginative and deeply weird use of cutting-edge digital animation.
  27. A memorable, haunting and highly original American movie.
  28. What contemporary relevance you may find in Alfredson's chilly, marvelously acted and gorgeously composed new film of Tinker Tailor Soldier Spy - is a highly individual question.

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