It’s almost ridiculous, then, what’s been achieved here. Baldur’s Gate 3 isn’t without its technical wrinkles, but it’s a full-fledged, fully fleshed-out, absolutely massive title with lofty production values across the board. That Larian Studios has intentionally willed something like this into the world at a time when AAA projects in this vein are so scarce only helps it shine, and serves as a fine reminder that the genre doesn’t need to transform, no matter what some publishers may believe - it just needs to adapt, to evolve, and to boldly present a compelling and cohesive vision all its own. And be thought-provoking. And have witty banter. And look really pretty. And let us get told off by territorial squirrels...No pressure on your next project, Larian.

While built around the framework of its predecessor, Tears of the Kingdom cleverly recontextualizes the world and systems of this iteration of Hyrule. Through that it is fresh, thrilling, and one of the best games in recent memory. It's also every bit as ground-breaking as its predecessor.

Hades II is a triumph in every way, and the degree to which the studio has built on the original makes it feel like we have gotten two sequels in one.

Persona 5 Royal isn’t just my favorite Atlus re-release, it might just be my new favorite Atlus game of all time.

Tsukihime -A piece of blue glass moon- is simply a fantastic visual novel to read from beginning to end. It is single-handedly the closest example of what a modern AAA visual novel would entail; the amount of care put into its production values is incredible in the realm of visual novels. The English localization does a magnificent job matching the tone, spirit, and meaning of its source material as every character’s personality shines through their dialogue brilliantly in English. A few blemishes in the clumsy nature of its flowchart navigation hold it back slightly, but I couldn’t be happier with how the official English release of the Tsukihime remake has beautifully turned out.

After having finished my first playthrough of Elden Ring. I immediately want to play it again. I have never experienced that with an open-world game before - usually, I find myself thankful such behemoth games are over. FromSoftware has managed to nimbly incorporate its deliberate and challenging action RPG gameplay into an open world with a huge sense of freedom. The fact that they accomplished this feat without compromising on difficulty or narrative is a true marvel. Managing to also avoid almost all of the pitfalls of conventional open-world design is a step beyond even that. Even if you're fatigued over the familiar trappings of dark fantasy soulslike games in particular, Elden Ring is a masterful refinement of the formula that is the current zenith of its form - and it deserves glowing recognition.

For me Hades represents one of those magical moments where a game takes you completely by surprise. For a long time Hades wasn’t even on my radar despite the pedigree of its developers - but now it’s easily standing as one of my games of the year and something I consider absolutely essential for fans of the roguelike genre, Greek mythology, emergent storytelling or all of the above.

Divinity: Original Sin II has such a wide scope and is such a dense, feature-rich game that it's easy to lose track of time and get completely immersed in its writing, characters, and raw inventiveness. There's a never-ending draw to see one more quest to completion, to try out one new ability or tactic in one more encounter, or to explore just one more location. Divinity: Original Sin II will relentlessly test your own creativity, demand your attention, prove your abilities, force you to question your own decisions, and overall keep giving reasons to continue playing and never lets go.

You'll struggle to find a more complete, self-assured, forward-thinking, and simply joyous example of the modern JRPG than this. Persona 5 knows what it is and is unashamed about it. The result is a game that, for all its themes about imprisonment and societal slavery, is free of shackles itself. That freedom makes it series-defining, genre-defining, and a must-play.

Clair Obscur: Expedition 33 may not be a ‘perfect’ game, but it was the ‘perfect’ game for me. It’s a game that left me awestruck with its unique setting and melodies, enthralled with its characters and world, hooked and held me with its gameplay, and has left me eagerly anticipating news of when I can return. This game is a celebration of the RPG genre made by a team whose heart and soul were poured into every aspect of the game. While some design decisions may not resonate with all players, Sandfall Interactive should be incredibly proud of their creation.

Nitpicks and minor annoyances aside, Final Fantasy VII Rebirth is a grand expansion of the sense of possibility birthed by Final Fantasy VII Remake. Not only does it builds on that earlier promise of Remake as a narrative grappling with Final Fantasy VII's greater impact, but as a game it is a singular, lovingly-crafted synthesis of design philosophies both past and present, augmenting modern scale with a deep and long-lived appreciation for its characters.

Even if you never had any intention of returning to Xenoblade 3 after clearing the game, much like I had, Future Redeemed is more than a compelling enough reason to pick up the Expansion Pass to gain access to it. Part of me wishes it could have gotten a standalone phyiscal release like Torna did, but understanding all of the baggage attached I can't exactly say it was the wrong decision to keep it shackled to Xenoblade 3's DLC. In a year as stacked as 2023 has been, it might have been hard for it to stand out - but nevertheless, Future Redeemed remains one of the best RPGs of the year, and any Xenoblade fan on the fence should make an effort to play it.

Shadow of the Erdree is an excellent expansion to Elden Ring. Even when I was frustrated trying to find the hidden paths toward new zones, I was still exploring and discovering completely new things instead — there is almost no wasted space, and the game never feels like it was wasting my time. It's the perfect ending for a nearly perfect game.

Regardless of my qualms with how Bluepoint handled the boss themes, I believe this is a tremendous remake of Demon’s Souls. It plays exceptionally now that its framerake is silky smooth and is one of the most visually sublime games today. This is one of the best launch titles I’ve seen, and I’ll certainly be coming back to it again and again. If this is a small glimpse of what I can expect to see in the future of this generation of games, I’m ecstatic.

Not only is the story welcoming to both returning fans and newcomers to the franchise, but the various difficulty settings, specifically Story Mode, give an accessible option for beginners to experience this style of gameplay with minimal frustration.

Metaphor: ReFantazio is an amazing game. I fully completed it in 75 hours and enjoyed it the entire way through. Though it may suffer from a few blemishes, such as its lackluster graphical fidelity in some areas and performance optimization issues, what it brings to the table is utterly compelling. It is a huge RPG adventure that celebrates Atlus’ history as it combines some of the best ideas from many of its previous titles into a lovely fantasy setting. The amount of detail put into Metaphor: ReFantazio’s worldbuilding and characters is captivating. Plus, the flow of its combat system’s interactions with the extensive Archetype job classes is a ton of fun. I’m always a big fan of when developers decide to tackle a brand-new IP, and Atlus knocked it out of the park with Metaphor: ReFantazio.

Chained Echoes is an extremely impressive game, especially considering the bulk of the game's creation came from just a few people, led by Mattias. As trite as it might be to say, this isn't just a pale imitation of great RPGs, Chained Echoes is a great RPG in its own right. A few small quibbles won't stop me from recommending this game to anyone, especially those fond of the golden era of RPGs.

Dragon Quest XI isn't going to be a game that is going to win any award on innovation, but it is a game that has great fundamentals on what makes a traditional RPG good and does it perfectly. If you have already played the previous release of Dragon Quest XI on PS4 or PC, there are plenty of quality of life changes added here to give it the Definitive Edition tag and Dragon Quest XI S is a must-have title for anyone's game library. However, I feel the newly added content doesn't really add all that much if you have previously beaten Dragon Quest XI from last year, so you're basically paying a full-price game for quality of life improvements. If this is important to you, then you should get this right away, and if you haven't played it before, this is one of the best RPGs of this generation and the perfect port on the Nintendo Switch.

To say this remake is worthy of its namesake would be to sell it short - it's a tremendous achievement that goes well beyond expectations. While I am not a fan of every artistic decision Bluepoint has made, overall the essence has been preserved brilliantly.

Disco Elysium is a wonderfully written RPG that defies preconceptions of what RPGs can be. Whether or not it somehow marks its own paradigm shift or inspires a new sub-genre remains to be seen, but for now, I encourage anyone who wants to experience some of the best game writing on offer to give it a try.

If you've never played a Dragon Quest game before, this is the best introduction to the series you could ask for. If you're a Dragon Quest fan and haven’t played it yet, then you need to get on this. This game made me re-approach how I view not just past Dragon Quest games, but every RPG I play from now on. Dragon Quest XI S is a near unrivaled masterpiece, one I wish I could erase my memory of and re-experience for the first time. Having said that, this second time through has been special in its own way. Going back and playing older Dragon Quest games has only increased my appreciation for it. This final version of the Definitive Edition of one of my favorite RPGs is a great send-off as we await the anticipated release of Dragon Quest XII.

Shin Megami Tensei V: Vengeance makes a litany of adjustments and additions to improve an RPG that I was already quite fond of. It doesn't fundamentally change what Shin Megami Tensei V is, and those disappointed in the direction Atlus took with the original game may not be swayed by this new version either, but Vengeance gives Shin Megami V the revamp it deserves.

It leans on the past without being shackled to it, taking elements from the classics while adding technical flourishes to liven up the proceedings. It doesn't simply try to copy the classics or provide a facsimile of a retro experience. Instead, it recreates the experience of feeling those games, allowing us to revisit what it felt like to perceive the spectacle and grandeur for the first time. By those measures, Sea of Stars might be inspired by the classics, but it feels in league with them, too.

Though some players might be turned off by its one-and-done nature, I would prefer to describe Ghost Trick: Phantom Detective as "singular". It's an experience that, once cleared, feels complete from any angle, with nothing needing to be added or cut to be unforgettable.

Monster Hunter: World re-invents and re-imagines many of the series' core tenets while also maintaining the ideas that made earlier entries in the series great.

Considering its availability on modern platforms, The Legend of Heroes: Trails from Zero is potentially the best and easiest starting point currently for players to easily jump into this behemoth of a series. With this release, it is the easiest of the games to play while spoiling the least amount of events from other games and also having a solid and slightly more modern feel to it. I fell even more in love with the SSS after finally being able to see their beginnings and experience the start of their stories together and their home of Crossbell. I loved exploring the hills of Amorica and the mines of Maize, heading off the goons of Revache while befriending the gangs of the Downtown district. I loved reading every witty response from each treasure chest I opened (seriously, after opening a chest, check it again for some great messages and puns), and each new reveal I uncovered. Having primarily played this on my Steamdeck, it led to many late nights and hushed gasps as I tried not to wake my wife after a shocking twist, a feeling that Falcom seems to have mastered.

Trails 1st is the type of RPG I can definitively point towards and say “This is a must play.” It’s up there with Dragon Quest XI as a fantastic entry into RPGs for newcomers, as well as a master-class in RPG design for genre veterans. The world, the characters, the progression — everything just flows extremely well. It’s not often that developers get a second crack at an existing game, and remakes can sometimes miss the mark, but I feel more than satisfied as a new player with the game, and am eager to see what comes next. Now begins the long (but not too long) wait for the Trails 2nd remake. Maybe I’ll check out some of the older Legend of Heroes games while I wait...

Monolith wasn’t playing around when they set out to make this version of Xenoblade the “Definitive Edition”. I found it to not only live up to the heavy legacy of the original game but surpass it in every way. All of the quality life improvements make the game more accessible, while not taking anything away from the original game. The battle system is one of the most addicting I’ve played in a very long time, the overworld is gorgeous and a joy to explore, the music is a work of genius, and the story is told with a level of maturity rarely seen in JRPGs.