For 4,545 reviews, this publication has graded:
-
56% higher than the average critic
-
3% same as the average critic
-
41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
-
Positive: 2,928 out of 4545
-
Mixed: 987 out of 4545
-
Negative: 630 out of 4545
4545
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Peter Travers
What’s missing? Let’s start with intangibles such as heart, soul and the faintest hint of originality.- Rolling Stone
- Posted Jul 17, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
The Art of Self-Defense sets itself up as the 90-pound weakling destined to live forever in the shadow of "Fight Club." The good news is that writer-director Riley Stearns gets in a few good licks at toxic masculinity before odious comparisons to David Fincher’s masterpiece blunt the film’s comic and dramatic impact.- Rolling Stone
- Posted Jul 12, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
Like the apex predators slithering at the center of it all, it gets the job done once it lets is more brutal, primal instincts take over. Bon Appétit.- Rolling Stone
- Posted Jul 12, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Stuber traps two talented dudes — Kumail Nanjiani and Dave Bautista — in a car that’s going nowhere so fast that Thelma and Louise would hop right on.- Rolling Stone
- Posted Jul 11, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
In The Farewell, Wang builds a funny, touching and vital film about what makes a family in any culture. It’s simply stunning.- Rolling Stone
- Posted Jul 11, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
Maron may not go wide in terms of range yet. But damned if he can’t go deep.- Rolling Stone
- Posted Jul 10, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
What makes this film unmissable, however, is the fact that we get Marianne’s story more or less in full as well. It’s a fleshing out of someone who was more than just a muse, more than just an object of affection for a notorious ladies’ man, a famous singer and an infamous bastard.- Rolling Stone
- Posted Jul 3, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Ari Aster is a bold new voice in psychological horror, the kind that messes ruthlessly with your head. He proved that last year with "Hereditary," featuring Toni Colette in one of cinema’s most memorable meltdowns. And now, with the hypnotic and haunting Midsommar, he ventures into fresh territory without losing his grasp of what nightmares are made of.- Rolling Stone
- Posted Jul 2, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
There’s no contrived digital sleight-of-hand in Spider-Man: Far From Home that can match what Holland does: He makes the MCU feel new again.- Rolling Stone
- Posted Jul 1, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Some of the footage, shot by crew members, radiates hold-your-breath suspense, especially when the Maiden pushes through the ice floes of the Southern Ocean, near Antarctica. You’ll have your heart in your mouth as the yacht enters the final stretch.- Rolling Stone
- Posted Jun 27, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
Annabelle Comes Home is not out to reinvent the wheel, or to even rotate the franchise tires. It may not leave you petrified to the core, but it won’t you leave angry, and in this, the Summer of Our Perpetual Disastrous Sequel, that’s no small feat.- Rolling Stone
- Posted Jun 26, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Yesterday has its heart firmly in the right place. It’s the challenge to take it to the next level that’s missing.- Rolling Stone
- Posted Jun 26, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
This kind of Cold War-a-go-go, deadly-honeypot intrigue is harder to do well than you might think — just ask the folks behind "Red Sparrow." So you appreciate it when someone like Besson can make it move like a pro.- Rolling Stone
- Posted Jun 22, 2019
- Read full review
-
Reviewed by
-
- Rolling Stone
- Posted Jun 21, 2019
- Read full review
-
-
Reviewed by
Peter Travers
For a series that began nearly 25 years ago, this classic in the making couldn’t go out on a more fitting note of tender, tear-drenched resolution.- Rolling Stone
- Posted Jun 20, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
To watch The Quiet One at this particular moment in time is to feel that not only is this a highly subjective take, but that you’re being a little jerked around here. Even the most diehard Stones fan is bound to leave feeling a little conflicted. It’s a documentary that lives up to its name in all the wrong ways.- Rolling Stone
- Posted Jun 19, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
This classically trained Irish singer and actress was a runner-up on a BBC singing competition and won roles in film (Beast) and TV (War and Peace, HBO’s Chernobyl). She’s a skyrocketing talent — and the full range of her gifts are on display here.- Rolling Stone
- Posted Jun 19, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
It’s part tour diary, part trickster handbook and totally mesmerizing. Rockumentary-wise, you’ve never seen or heard anything like it.- Rolling Stone
- Posted Jun 17, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
(It) feels like a pale facsimile of Jarmusch. There are a few lovely, random laughs and a resonant political subtext, but the tone is off.- Rolling Stone
- Posted Jun 17, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Hemsworth and Thompson, who has the makings of a major star, do the heavy lifting. And, miraculously, they keep it light, breezy and watchable. Memorable? That’s asking too much.- Rolling Stone
- Posted Jun 17, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
By the end, when the three Shafts hit the streets in identical long coats like something out of The Matrix, the message is clear. Rough justice is back to stay. Women are out of the picture, except for sex. Dinosaurs again walk the earth with misogynistic and homophobic impunity. These are the laughs, folks. Don’t be surprised if they stick in your throat.- Rolling Stone
- Posted Jun 17, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
Australian filmmaker Grant Sputore, making his directorial debut, has a knack for keeping things moving, whether its within the claustrophobic walls of the “safe” house or, briefly, in the evocative scorched-earth landscape above ground.- Rolling Stone
- Posted Jun 8, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
For some, the chance to hear the divine sound of that voice and see that smiling mug once again will be worth it. For others, it will simply feel like song half sung.- Rolling Stone
- Posted Jun 6, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
Funny, poignant, personal and a rage-filled valentine to a metropolis that’s seen its fair share of gentrification.- Rolling Stone
- Posted Jun 6, 2019
- Read full review
-
Reviewed by
-
- Rolling Stone
- Posted Jun 5, 2019
- Read full review
-
-
Reviewed by
David Fear
The whole thing is a blast, which doesn’t mean you don’t sense that the stakes are high or that the tension between this threesome isn’t threatening to smother a great creative collaboration in the crib.- Rolling Stone
- Posted Jun 5, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
David Fear
And while the arrest and trial take up the bulk of the film’s focus, no amount of famous folks mouthing lines can compare to the compelling, grainy black-and-white clips of the real-deal DeLorean getting busted by the feds.- Rolling Stone
- Posted Jun 5, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Dark Phoenix doesn’t just suck big time. It’s the worst movie ever in the X-Men series.- Rolling Stone
- Posted Jun 5, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Thompson, Kaling and up-for-anything director Nisha Ganatra spin comic gold.- Rolling Stone
- Posted Jun 4, 2019
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
It’s an irresistible romantic romp that turns the familiar into something sweet, sassy and laugh-out-loud funny.- Rolling Stone
- Posted May 30, 2019
- Read full review
-
Reviewed by