Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. No use fighting it. this laugh-getting, tear-jerking, part-affecting, part-appalling display of audience manipulation is practically critic-proof...The result can best be described as shamelessly entertaining.
  2. The film is rapturously beautiful, enticing us into a lush, aristocratic world.
  3. This bracing, original comedy may be mostly smoke and air, but it's not insubstantial. Mystery Train insinuates itself into the memory and lingers on.
  4. Throughout his life, Brown refused to give in to public convention or his own despair; he wouldn't play the victim. Brown labored to express all of his feelings, not just the acceptable ones. Day Lewis works the same way. My Left Foot, a keen match of actor and subject, stands as an eloquent tribute to the talents of both.
  5. In this risky, riveting film, our most prolific and provocative moviemaker uses his wit to touch a nerve. Crimes and Misdemeansors is so funny it hurts.
    • Rolling Stone
  6. This flabby comedy deserves only one thing: to fall on its fat one.
  7. Pfeiffer is a knockout; she’s the sexiest presence in movies today and an exceptional comic and dramatic actress, to boot.
  8. Drugstore Cowboy improves. Not much, but in provocative ways.
  9. It's risky making an action picture that breaks its violent stride to emphasize the difficulties of living up to preconceived ideas of masculinity. But it's that risk that makes Black Rain distinctive. By refusing to beat its Eastern and Western protagonists into comic-book pulp, the movie pays them, and the audience, a rare compliment.
  10. When Short is onscreen, a movie that provides only fitful laughter bubbles over into bliss.
  11. What makes the film distinctive, devastating and unforget-table is the way De Palma lets the actions of the characters speak volumes. There is no conflict between what De Palma and Rabe are trying to say. But their methods are different. De Palma shows; Rabe tells...This is a portrait of hell so harrowing it’s impossible to shake.
  12. Stupendously exciting and emotionally engulfing... With probing intelligence and passionate feeling, Cameron has raised the adventure film very close to the level of art.
  13. A movie of prodigious power and feeling that is also high-spirited, hilarious and scorchingly erotic.
    • 82 Metascore
    • 88 Critic Score
    Parenthood, heartfelt and howlingly comic, also comes spiced with risk and mischief. Just when you fear the movie might be swept away on a tidal wave of wholesomeness, a line, a scene or a performance poke through to restore messy, perverse reality.
  14. Drab in the extreme. Timothy Dalton's second and wheezing, final turn as 007 was barely recognizable as a Bond film.
  15. A ravishing, romantic lark brimming over with style, intelligence and flashing wit.
  16. All cast members seem willing to make total fools of themselves for our delectation. A fine but futile gesture. The bad news is that even with such yeoman efforts, it's still impossible to drag one tired joke around for nearly two hours. Like Bernie, the movie ends up dead on its feet.
  17. Lee offers no reassurance, no uplift, no call for all races to join hands and spout liberal platitudes. What he does offer is a devastating portrait of black America pushed to the limit, with the outcome still to be written. There’s only one way to do the wrong thing about Do the Right Thing: that would be to ignore it.
  18. Lewis’s vintage rock is still cause for cheering. Too bad the movie that contains these Killer sounds never rises above a whimper.
  19. The bloodsuckers in this thriller may not have much bite, but here's a movie that can -- it's guaranteed -- drain the life out of an audience in minutes.
  20. Once again, it’s the script (by newcomer David Rich) that shoots the picture’s promise all to hell.
  21. Forgive the airhead plot that hinges on a spaceship crash-landing in the swimming pool of a Valley-girl manicurist, played by Geena Davis. The fun comes from Temple's protean visual wit and the irresistible charm of Davis, who just won an Oscar for her role in The Accidental Tourist. The agreeably tacky Earth Girls earns points for warmth, color and high spirits.
  22. Go Ahead And Scoff. But This cheap-jack sequel to the 1982 cult favorite about a hunky scientist (Dick Durock) turned talking plant delivers more tacky hit-and-miss hilarity than a Cineplex-ful of teen-sex comedies.
  23. Until the end, when Robinson allows the lunacy to run into rant, the provocative Advertising adds up to frightful good fun. That is, if you’re not put off by accepting a preening pocket of pus as a leading man.
  24. Miss Firecracker is a spirited lark that happily survives most missteps; it’s shot through with enchantment.
  25. To be honest, I started hearing things, too. Just when Jones was delivering an inexcusably sappy speech about baseball being "a symbol of all that was once good in America," I heard the words "If he keeps talking, I'm walking."
    • 71 Metascore
    • 75 Critic Score
    The plot ambles along, and Denzel is the essence of laid-back professionalism as he deals with corrupt officials, grisly crimes, lustful housewives, and his own divided loyalties. It's an odd, captivating little movie.
    • 55 Metascore
    • 80 Critic Score
    They Live, Carpenter’s 1988 paranoid freakout, deserves to be thought of as a masterpiece, an artist’s defiant last grab at substance before losing the thread. It’s a cheesy but lovable movie.
  26. When a forty-four-year-old man makes a movie about his family and friends sitting around singing old tunes, you certainly don't expect an unforgettable amalgam of humor and heartbreak. But that is precisely what Terence Davies delivers.
    • 80 Metascore
    • 80 Critic Score
    If it is indeed possible for a film to be both stylish and tasteless, then A Fish Called Wanda certainly fills the bill.

Top Trailers