Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. At best diverting, at worst drearily conventional, The Rum Diary is pre-gonzo Thompson, before the fusion of fact and trippy fantasy that flowered into a brilliant delirium.
  2. Tom Cruise starring in the fact-based story of a plot to kill Hitler by Nazi Col. Claus von Stauffenberg sounds like Oscar bait. It isn't. And the sooner you accept it, the more fun you'll have at this satisfying B movie.
  3. Rozema's minimalist approach pays dividends until a final third hobbled by overdone effects and a thrashing musical score. Too bad. The story being told on the faces of Page and Wood had eloquence and power enough to hold us rapt.
  4. Just when you're ready to puke, the old Bill Conti theme ("Gonna Fly Now") kicks in -- are you feeling it? -- Stallone steps in the ring and every day is Christmas. All together now: Rock-ee! Rock-ee!
  5. The film is most riveting in its early scenes, when Soderbergh's digital cameras locate germs everywhere – don't touch those peanuts!
  6. Allen, who stays behind the camera, brings too little wit and too much contrivance to material that quickly dissolves into warmed-over Dostoevski.
  7. A ghost story in which superior camerawork, costumes and production design work together to put the audience in a trance. It's tough on actors not to get swallowed up in the scenery.
  8. But, oh, that dragon. I'd endure another slog through Middle-Earth just to spend more time with Smaug.
  9. Lucky for us, Dench and Frears pick up the slack and turn slim pickings into a fun time at the movies. But Victoria & Abdul could have been oh so much more.
  10. Director Andrew Currie is better at laughs than scares, but he can’t sustain either as Fido runs out of steam in the final stretch. Till then, it’s fiendish fun.
  11. The film, which is literary to a fault, includes an earthquake, but if the earth moves at all, thank Hayek, who gives the tale a smoldering life that finally lifts it from the page.
  12. Whatever Works feels like something out of time and, worse, out of step. Hell, Allen wrote the script back in the 1970s for Zero Mostel.
  13. Is Knoxville going soft on us? Nah. Bad Grandpa is still the f***ed-up family movie of choice, especially if your family has done jail time.
  14. It's the spirit that Biggie Smalls, born Christopher Wallace, put into inventing himself and his music that ignites Notorious, a biopic that sees the flaws in the man but can't help accentuating the positive.
  15. Director Bryan Singer, who started the whole thing in high style with 2000's "X-Men," returns for a fourth time. Singer shows a lot of energy, but he and screenwriter Simon Kinberg (Fantastic Four, yuck) let the movie get way overcrowded.
  16. The movie is marred by overkill, especially in the brutal and bloated allegorical ending, which feels lifted, clumsily, from The Godfather. State of Grace is most powerful and gripping when it stays true to the emotions of its characters.
  17. Li is action poetry in motion. Damn them for spoiling our popcorn fun with salty tear-jerking.
  18. Stay in your seat for the end credits, in which Murray waters a dying plant and karaokes to Bob Dylan's "Shelter from the Storm." That alone is worth double the price of admission.
  19. In this muddled but marvelous blend of documentary and concert film, director Lian Lunson takes you down to a place where it's possible to look closely at the life and art of cult troubadour Leonard Cohen.
  20. The voice work is exceptional, with a special nod to Maggie Gyllenhaal as a toxic-tongued baby sitter and Jason Lee as her raunchy-to-the-point-of-depraved boyfriend. Kenan is a talent to watch, even in a flick that doesn't know when to quit.
  21. The intensity of Leto and Hayek goes deeper than the script into revealing what makes these two sociopaths in heat impervious to bloody murder. When Hayek and Leto are onscreen, you do not look away.
  22. Now that the fanboy hype has cleared, we can see Cloverfield for what it is: borrowed inspiration, trite screenwriting and amateurish acting all in the service of a ballsy idea -- that a horror movie could maybe, just maybe, have a soul.
  23. Homer even jokes that it takes a sucker to pay for a show you can get for free on TV. D'oh! That hurts.
  24. Say what you will about the Runaways – they never played it safe. The movie does.
  25. Though Poison Ivy is more than whoopee, audiences may find the movie easier to get off on than to get into. But why settle for the usual walk around the exploitation block when Shea offers a wild ride with the top down into uncharted territory?
  26. Starting at infantile and regressing hysterically from there, Step Brothers flies on the comic chemistry of Will Ferrell and John C. Reilly.
  27. Go Ahead And Scoff. But This cheap-jack sequel to the 1982 cult favorite about a hunky scientist (Dick Durock) turned talking plant delivers more tacky hit-and-miss hilarity than a Cineplex-ful of teen-sex comedies.
  28. Special kudos to Freeman, who kills it on the dance floor and later while drunk off his ass on vodka and Red Bull. You'll groan as much as howl at the jokes, but the veteran stars have a ball acting their age. Even when all else fails them, they're good company.
  29. Coscarelli junkies won't be bothered by the film's herky-jerky rhythms. Go for the freaky fun of it, though a little soy sauce on the side sure wouldn't hurt.
  30. Like "Born To Be Blue," Miles Ahead is allergic to all things biopic, especially the cheap psychology and the effort to tie up a complex life with a neat bow.

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