For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
DiCaprio's swaggering, swinging-dick performance is the wildest damn thing he's ever put onscreen.- Rolling Stone
- Posted Dec 18, 2013
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Peter Travers
Jackson’s visionary triumph, heightened by the blazing performances of Lynskey and Winslet and by Alun Bollinger’s whirling camera, is in capturing the delirium as the girls whip themselves into an erotic frenzy with Mario Lanza records, semi-naked dances in the woods and revenge fantasies.- Rolling Stone
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David Fear
Poetic is a word that gets thrown around willy-nilly, but it fits perfectly here. So does woozy. It feels less like a film than a high fever, burning slow but hot in order to incinerate a virus.- Rolling Stone
- Posted Apr 13, 2018
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Reviewed by
Peter Travers
Eastwood's direction here is a thing of beauty, blending the ferocity of the classic films of Akira Kurosawa (Seven Samurai) with the delicacy and unblinking gaze of Yasujiro Ozu (Tokyo Story).- Rolling Stone
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Peter Travers
No film this year has moved me more with its humor, heart and humanity.- Rolling Stone
- Posted Nov 16, 2016
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David Fear
If "Get Out" reminds folks that you can smuggle intelligent social commentary and timely conversation-starters in to theaters via explosive genre packages, then Ducournau's feature debut doubles down on the notion. In terms of the female-body politic, it's an art-horror dirty bomb.- Rolling Stone
- Posted Mar 16, 2017
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Peter Travers
Stupendously exciting and emotionally engulfing... With probing intelligence and passionate feeling, Cameron has raised the adventure film very close to the level of art.- Rolling Stone
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Reviewed by
Peter Travers
Duvall is a blazing wonder in a film that ranks with the year's best.- Rolling Stone
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David Fear
We expect cinematic fireworks with a stylist like [Park]. It’s his sense of restraint and his substance, however, that makes what could have just been a clever check-out-these-moves exercise feel like a genuinely emotional showstopper.- Rolling Stone
- Posted Oct 13, 2022
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David Fear
The doc is a capsule history lesson on an eons-old natural phenomenon. But it’s also the greatest lava-fueled love story ever told, and the fact that those two elements remain as inseparable as the spouses at the center of it all is a testament to how sublime this stranger-than-fiction masterpiece really is.- Rolling Stone
- Posted Jul 7, 2022
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David Fear
It takes you right up past the stratosphere alongside these souls. Then it brings everything back down to Earth with equal agility and grace. It is a revelation.- Rolling Stone
- Posted Feb 28, 2019
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The Bad News Bears is about kids, but they're real kids, not bland, cutesy, lovable Hollywood moppets. These pre-teens are unwashed, obnoxious, cynical, fractious, gleefully profane, unrepentantly juvenile, and deeply untrusting of any sort of authority — in other words, just like the kids you probably played team sports with.- Rolling Stone
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Reviewed by
Peter Travers
Other films this year will have to sweat bullets to match the explosive power and subversive wit of David Cronenberg's A History of Violence. It slams you like a body punch and then starts messing with your head.- Rolling Stone
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Peter Travers
Michael Gerbosi's script might have reduced Crane to a clueless cliche were it not for the bruised humanity that Greg Kinnear brings to the role. Kinnear is dynamite.- Rolling Stone
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- Rolling Stone
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Reviewed by
David Fear
What makes Trier’s movies so rich, so exhilarating, so vital, is the way he and his longtime screenwriter Eskil Vogt pitch these stories somewhere between a saga and an anecdote, fit-to-burst with lifelike textures, details and detours.- Rolling Stone
- Posted Nov 7, 2025
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Peter Travers
It's a wild, whacked-out wonder. Coenheads rejoice.- Rolling Stone
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Peter Travers
The exquisitely wrought tale of four British women of different backgrounds who rent a villa in Portofino, Italy, is delivered with a witty feminist twist by director Mike Newell (Dance With a Stranger) and an outstanding cast.- Rolling Stone
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- Rolling Stone
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David Fear
The sounds are finite, yet the benefits of tuning in to the film’s wavelengths are endless. It’s the greatest documentary you’ve ever heard.- Rolling Stone
- Posted May 2, 2023
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David Fear
Once you’ve seen this deft blend of genres and tones, all of the inspired laughter and the lumping of throats, you see exactly how Hit the Road fits all of its elements together with remarkable seamlessness.- Rolling Stone
- Posted May 2, 2022
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Peter Travers
Alive with beauty, spirit and wit, Roan Inish is pure magic.- Rolling Stone
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Peter Travers
If you're going to interpret on film the searching mind of an indisputable genius, it helps not to make too many dumbass moves. On that basis, score a triumph for Steve Jobs, written, directed and acted to perfection, and so fresh and startling in conception and execution that it leaves you awed.- Rolling Stone
- Posted Oct 8, 2015
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David Fear
It’s a tribute to everyday people of another era that walks its own poetic path, content in the knowledge that one unremarkable person’s journey is remarkable enough to deserve such cinematic treatment.- Rolling Stone
- Posted Nov 12, 2025
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Peter Travers
Nothing in Joe Wright's screen version of Ian McEwan's dense, internalized 2001 novel of secrets and lies should really work, but damn near everything does. It's some kind of miracle. Written, directed and acted to perfection, Atonement sweeps you up on waves of humor, heartbreak and ravishing romance.- Rolling Stone
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David Fear
Tótem is one of those films about death that overflows with life, and it’s a testament to filmmaker Lila Avilés that this gentle drama never collapses under its own weight or lets sorrow fully take the wheel.- Rolling Stone
- Posted Jan 29, 2024
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- Rolling Stone
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Peter Travers
Gilliam, along with the gifted cinematographer Roger Pratt and production designer Jeffrey Beecroft, fashions a disturbing and dazzling lost world.- Rolling Stone
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Peter Travers
In terms of excitement, imagination and rule-busting experimentation, it's a gusher.- Rolling Stone
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Peter Travers
This dizzyingly intricate film reveals new facets each time you see it. We leave Vertigo unsettled, like Scottie, who ends up on the edge of a precipice. Hitchcock is daring us to leap. He has prepared the ultimate fix for a cinema junkie: a movie to get lost in.- Rolling Stone
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