Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. DiCaprio's swaggering, swinging-dick performance is the wildest damn thing he's ever put onscreen.
  2. Jackson’s visionary triumph, heightened by the blazing performances of Lynskey and Winslet and by Alun Bollinger’s whirling camera, is in capturing the delirium as the girls whip themselves into an erotic frenzy with Mario Lanza records, semi-naked dances in the woods and revenge fantasies.
  3. Poetic is a word that gets thrown around willy-nilly, but it fits perfectly here. So does woozy. It feels less like a film than a high fever, burning slow but hot in order to incinerate a virus.
  4. Eastwood's direction here is a thing of beauty, blending the ferocity of the classic films of Akira Kurosawa (Seven Samurai) with the delicacy and unblinking gaze of Yasujiro Ozu (Tokyo Story).
  5. No film this year has moved me more with its humor, heart and humanity.
  6. Raw
    If "Get Out" reminds folks that you can smuggle intelligent social commentary and timely conversation-starters in to theaters via explosive genre packages, then Ducournau's feature debut doubles down on the notion. In terms of the female-body politic, it's an art-horror dirty bomb.
  7. Stupendously exciting and emotionally engulfing... With probing intelligence and passionate feeling, Cameron has raised the adventure film very close to the level of art.
  8. Duvall is a blazing wonder in a film that ranks with the year's best.
    • Rolling Stone
  9. We expect cinematic fireworks with a stylist like [Park]. It’s his sense of restraint and his substance, however, that makes what could have just been a clever check-out-these-moves exercise feel like a genuinely emotional showstopper.
  10. The doc is a capsule history lesson on an eons-old natural phenomenon. But it’s also the greatest lava-fueled love story ever told, and the fact that those two elements remain as inseparable as the spouses at the center of it all is a testament to how sublime this stranger-than-fiction masterpiece really is.
  11. It takes you right up past the stratosphere alongside these souls. Then it brings everything back down to Earth with equal agility and grace. It is a revelation.
    • 84 Metascore
    • 100 Critic Score
    The Bad News Bears is about kids, but they're real kids, not bland, cutesy, lovable Hollywood moppets. These pre-teens are unwashed, obnoxious, cynical, fractious, gleefully profane, unrepentantly juvenile, and deeply untrusting of any sort of authority — in other words, just like the kids you probably played team sports with.
  12. Other films this year will have to sweat bullets to match the explosive power and subversive wit of David Cronenberg's A History of Violence. It slams you like a body punch and then starts messing with your head.
  13. Michael Gerbosi's script might have reduced Crane to a clueless cliche were it not for the bruised humanity that Greg Kinnear brings to the role. Kinnear is dynamite.
  14. A new crime classic.
  15. What makes Trier’s movies so rich, so exhilarating, so vital, is the way he and his longtime screenwriter Eskil Vogt pitch these stories somewhere between a saga and an anecdote, fit-to-burst with lifelike textures, details and detours.
  16. It's a wild, whacked-out wonder. Coenheads rejoice.
  17. The exquisitely wrought tale of four British women of different backgrounds who rent a villa in Portofino, Italy, is delivered with a witty feminist twist by director Mike Newell (Dance With a Stranger) and an outstanding cast.
  18. A landmark musical tribute.
  19. The sounds are finite, yet the benefits of tuning in to the film’s wavelengths are endless. It’s the greatest documentary you’ve ever heard.
  20. Once you’ve seen this deft blend of genres and tones, all of the inspired laughter and the lumping of throats, you see exactly how Hit the Road fits all of its elements together with remarkable seamlessness.
  21. Alive with beauty, spirit and wit, Roan Inish is pure magic.
  22. If you're going to interpret on film the searching mind of an indisputable genius, it helps not to make too many dumbass moves. On that basis, score a triumph for Steve Jobs, written, directed and acted to perfection, and so fresh and startling in conception and execution that it leaves you awed.
  23. It’s a tribute to everyday people of another era that walks its own poetic path, content in the knowledge that one unremarkable person’s journey is remarkable enough to deserve such cinematic treatment.
  24. Nothing in Joe Wright's screen version of Ian McEwan's dense, internalized 2001 novel of secrets and lies should really work, but damn near everything does. It's some kind of miracle. Written, directed and acted to perfection, Atonement sweeps you up on waves of humor, heartbreak and ravishing romance.
  25. Tótem is one of those films about death that overflows with life, and it’s a testament to filmmaker Lila Avilés that this gentle drama never collapses under its own weight or lets sorrow fully take the wheel.
  26. A riveting screen adventure.
  27. Gilliam, along with the gifted cinematographer Roger Pratt and production designer Jeffrey Beecroft, fashions a disturbing and dazzling lost world.
  28. In terms of excitement, imagination and rule-busting experimentation, it's a gusher.
  29. This dizzyingly intricate film reveals new facets each time you see it. We leave Vertigo unsettled, like Scottie, who ends up on the edge of a precipice. Hitchcock is daring us to leap. He has prepared the ultimate fix for a cinema junkie: a movie to get lost in.

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