Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. May lack the mythic pow of the 1984 original and the visionary thrill of T2, but it's a potent popcorn movie that digs in its hooks and doesn't let go until an ending that ODs on apocalyptic hoo-ha.
  2. What kind of a movie takes place entirely on one screwed-up teen's computer screen? That would be Unfriended, a creep-you-out experiment in terror that damn near pulls off every trick up its cyber sleeve.
  3. Shot in the West Bank, the film radiates authenticity. Even when he plays the action like a thriller, Abu-Assad is in search of a deeper truth.
  4. This is ambitious, challenging filmmaking, elevated by Franco's compassion and Haze's revelatory acting. OK, the film trips up on its attempt to lace tragedy with gallows humor. But Franco is out there trying something, balancing literature and cinema in a tightrope act that is never less than exciting to watch.
  5. Allen has crafted a suspenseful mind-teaser that might feel too much like an intellectual exercise if Phoenix and Stone didn't infuse it with raw humanity. The conceptual bubble Allen creates in Irrational Man is potent provocation built to keep you up nights.
  6. In Guncrazy, Davis delivers pow entertainment with a twist: It matters.
  7. Whedon, without skimping on the tale’s tragic undercurrents, has crafted an irresistible blend of mirth and malice.
  8. Don't think you can take another Hollywood version of Sherlock Holmes? Snap out of it. Apologies to Robert Downey Jr. and Benedict Cumberbatch, but what Ian McKellen does with Arthur Conan Doyle's fictional detective in Mr. Holmes is nothing short of magnificent.
  9. You will laugh yourself silly.
  10. The result is an uncommon intimacy, the kind you find in a Judy Blume novel. Her grit and grace are all over this heartfelt adventure of a movie. She gives it a spirit that soars.
  11. John waters and Kathleen Turner bring out the sicko best in each other in Serial Mom. It’s a killingly funny spoof of crime and nonpunishment that couldn’t have come at a better time for us or them.
  12. Romantic yearning hasn't looked this sexy onscreen in years.
  13. Gerwig is the mistress of all things funny and fierce, and her byplay with Kirke (Gone Girl) is killer. You won't know what hit you.
  14. If you've had it with all that feel-good holiday sludge, hook up with the combustibly nasty Bad Santa. It could become a Christmas perennial for Scrooges of all ages.
  15. It's impossible to quantify what it takes to be a quality director – but damn, you know it when you see it. And you'll see it clear and strong in Paint It Black, a staggeringly impressive feature directing debut for actress Amber Tamblyn.
  16. Douglas never makes a false move, delivering a tour de force in human weakness.
  17. Screenwriters Jarrad Paul and Andrew Mogel, in an auspicious directing debut, are attempting to tackle emotional areas that can't be glibly resolved. Sure, they trip up a few times. But it's exhilarating watching them aim high.
  18. For special effects alone, there's no problem: They're spectacular. And there's no faulting Mark Rylance, a newly-minted Oscar winner for Spielberg's Bridge of Spies, whose motion-capture performance as a 24-foot giant is both subtly nuanced and truly monumental.
  19. In Darkness is an agonizing experience, especially when Jews are publicly humiliated in the streets and a driving rainstorm nearly drowns those cowering in the depths. Holland means to shake you. In Darkness has the power to haunt will haunt your dreams.
  20. A hand-me-down cast? Far from it. Masterson and Stoltz possess talent and charm to spare... Wonderful aspires to be little more than the hot-and- happening teen flick of the moment. At that it succeeds.
    • Rolling Stone
  21. The best of what's onscreen is a mesmerizing mind-teaser.
  22. Doing his own singing (an uncanny imitation), Spacey is a marvel.
  23. What sounds like undiluted melodrama with the hounds forever nipping at Ewa's heels is transformed by Gray into a mesmerizing meditation on the broken American promise.
  24. Want your skin to crawl? This one's for you.
  25. Funny as hell.
  26. The plot is flimsy, but director Mark Waters (Freaky Friday) trusts Fey's tart dialogue to carry the day. Wise man. Fey subverts formula to find comic gold. She's a brash new voice in movie comedy. Boy, do we need her now.
  27. Judge is in the business of social satire, and his laughs can sting, but his movie is a comic salute to free enterprise. And, boy, do we need it now.
  28. A hack would have turned Frank and Sam into overnight sensations. Instead, the writer-director recognizes the compromises that reality forces on dreams – and this soft breeze of a movie emerges as a scrappy surprise that's hard to shrug off.
  29. Smith wins our hearts without losing his dignity, as Chris suits up for success by day and fights off despair by night. The role needs gravity, smarts, charm, humor and a soul that's not synthetic. Smith brings it. He's the real deal.
  30. John Wick is the kind of fired-up, ferocious B-movie fun some of us can't get enough of. You know who you are.

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