Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Fusing animation and live action with a series of outrageous props, Gondry veers dangerously close to being precious. But make no mistake: Gondry's hallucinatory brilliance holds you in thrall.
  2. To those who see no purpose to this film, I say the purpose is learning not to turn a blind eye. The unique and unforgettable Elephant keeps its eyes wide open.
  3. You may have doubts about which side to choose, but there's no doubt about this mind-bender. It'll pin you to your seat.
  4. Sidney works as a tribute, or a beginner’s course. More probing questions about Poitier’s “meaning,” the impossibility of his position, the way it served as a measuring stick for taking stock of Black politics over many decades — these are problems bigger than, and largely beyond, this movie.
  5. In this roaringly comic and powerfully affecting road movie, Terence Stamp gives one of the year's best performances.
    • 70 Metascore
    • 70 Critic Score
    You can always count on del Toro to put the “grand” in Grand Guignol. Nightmare Alley is no exception, though it’s a little dreamier than it should be.
  6. Gere gives 'em the old razzle-dazzle with his roguish charm and sharp comic timing. The surprise is the unexpected feeling he brings to this challenging role.
  7. You won't see more explosive acting this year.
  8. Look, it's fun to watch Shepherd hate on bratty children, classical music and liberal pieties. Smith's acid tongue makes any line sound better. But the subplot about a blackmailer (Jim Broadbent) who terrorizes Shepherd in the dead of night adds nothing, least of all a purpose.
  9. Yup, it could have been a bucket of bleak. But the electric talent of Harrelson and Moverman is too exciting to be anything but exhilarating.
  10. The effects here run the gamut from grandiose to goofy, but watch the upside-down ballroom sequence again. It's a set piece of pure destructive bliss, set to a symphony of screaming and breaking glass. Awesome.
  11. LaBute achieves a bracing originality by observing human folly as a means to understand rather than condemn. Love or hate his films, LaBute is one of the most challenging filmmakers to emerge in years.
  12. This is still star-driven, big-screen goofiness writ large, something to be consumed with popcorn and a crowd, and that fact its hitting U.S. screens during the summer dog days couldn’t be more welcome. You just might want to wear two masks in the theater.
  13. Thompson, Kaling and up-for-anything director Nisha Ganatra spin comic gold.
  14. It’s not exactly the second coming of Walk Hard, though it’s the best Weird Al movie since UHF [cue laugh track and maybe a Whoppee Cushion sound effect] — and like Al himself, it still hits each beat with an infectiously goofy exuberance.
  15. What’s missing is history. What’s missing is a sense that men like this really lived.
  16. Theron has already showed her talent for bringing a deeper dimension to action as Furiosa in "Mad Max: Fury Road." Here, the actor reveals the toll that living forever is taking on Andy, who took a year off to heal emotional scars before her reluctant return to battle.
  17. The film is most riveting in its early scenes, when Soderbergh's digital cameras locate germs everywhere – don't touch those peanuts!
  18. Director Andrew Currie is better at laughs than scares, but he can’t sustain either as Fido runs out of steam in the final stretch. Till then, it’s fiendish fun.
    • 70 Metascore
    • 60 Critic Score
    Hallelujah isn’t a definitive, life-spanning doc on Cohen’s life, nor does it claim to be, but the tale of “Hallelujah” serves as a metaphor for Cohen’s life.
  19. Holmes nails every laugh without missing the dramatic nuances. She makes April and her movie well worth knowing.
  20. If you've had it with all that feel-good holiday sludge, hook up with the combustibly nasty Bad Santa. It could become a Christmas perennial for Scrooges of all ages.
  21. Does this sound like rock heaven? It is.
  22. Whether the climax, which veers close to magical realism and even closer to cloying, undoes the good will its built up will defend on the filmgoer. But for a long while, the tour these unlikely dreamers take you on is worth the trip. Samuel Clemens would have approved.
  23. Is this vulnerable Madonna the real thing or a ploy to ingratiate herself with film audiences who’ve found her chilly and strident? You be the judge. But there’s no denying that Truth or Dare is at its raunchy best when Madonna is kicking ass instead of kissing it.
  24. This may be the first film in which mutual attraction is commodified by cold, hard business talk.
  25. There’s a lived experience pulsing at the center of this slice-of-life tale, which helps guide it over some of the more generic elements and weaker patches, especially when things threaten to detour directly into poverty-porn and/or Amerindie miserablism territory.
  26. You leave impressed that Anderson can still manage to do what his does best without succumbing to self-parody here. The blueprint may be familiar. But it’s still a pretty foolproof plan.
  27. Cedar Rapids had me smiling at hello.
  28. The creative workaround does drop you into the middle of the shady-as-hell action in a way that, say, recordings playing over a close-up of a grainy photo does not. But it also starts to become more than a little distracting, and you find yourself tuning into the performances instead of the particulars of the case.

Top Trailers