Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
    • 72 Metascore
    • 100 Critic Score
    Planes, Trains and Automobiles is the ultimate Thanksgiving film: John Hughes understood that it's all about the buildup. No matter if your journey is filled with near-death experiences, cars going up in flames, punches to the face and other disasters – getting to enjoy Thanksgiving with family and friends make the odyssey worth it. Everything else is just turkey.
  1. Even more than the gloriously gross-out stuff, designed for big laughs and OMG body-horror reactions, it’s the blunt, unfiltered way they treat the ties that bind these two women that sticks with you. The humor is hormonal. Everything else is pure heart.
  2. Director Colin Trevorrow and writer Derek Connolly keep the film humming with funny and touching surprises. And Plaza is a flat-out enchantress.
  3. Kudos to Abrams for going bigger without going stupid. His set pieces, from an erupting volcano to the hell unleashed over London and Frisco Bay, are doozies. So's the movie. It's crazy good.
  4. Just know that Famuyiwa keeps the action spinning with vibrant speed and rare sensitivity. He's made a comedy of social expectation that plays like an exhilarating gift.
  5. It truly is a solid match of moviemaker and source material. Yet none of this would work as well as it does without Craig.
  6. You’re never sure which truth is out there, exactly, in Lanthimos’ caustic, chilling, and occasionally chuckle-inducing poke in the eye. You just acknowledge that no one seems to find one we can all agree on.
  7. The fact that it adds an ode to intergenerational storytelling, a parody of time-travel narratives, some oddball left-turns, and a near-transcendent coda that feels very much in line with Kaufman’s body of work — all while still giving the kids what they want — makes this more than a cut above your average rainy-afternoon distraction. It’s really a low-key blast.
  8. Your reaction to Author will come down the question that haunts the film, and assuredly Albert herself: Do the widely-praised writings of LeRoy become less praiseworthy when you know they were crafted under false pretenses? It's a question worth chewing on even if the film asking it stacks the deck.
  9. The out-of-bodiness you feel from the filmmaking is almost more unsettling than the actual story. It’s pure cinematic dysmorphia: to watch this movie carefully is to feel completely out of place, right alongside the people onscreen.
  10. Here's a movie that starts in your face and, amazingly, keeps coming at you. That's a good thing.
  11. A movie handled with this kind of care is a rare gift. Refusing to hide from pain or bow to it, 50/50 makes its own rules. It'll get to you.
  12. I lost it just watching Corky show off such memorabilia as "My Dinner With Andre" action figures and a "Remains of the Day" lunch box. Priceless.
  13. This movie, a true beauty, will put a spell on you.
  14. War Horse gets to you. It's one from the heart.
  15. Killer-funny documentary.
  16. The jokes are hit-and-miss. But Stone is one sassy babe and a breakout star who nails every zinger and brings genuine warmth to her scenes with her parents, played by the priceless Patricia Clarkson and Stanley Tucci. You mean girls can eat it.
  17. Simon Niblett's cinematography, utilizing drones to catch impossible scenes of flight, is extraordinary, especially in the winter hunting sequences that end the film.
  18. When you have Vince Gilligan operating near the peak of his powers, and taking the time to fix one of the few things the show didn’t get quite right, it makes for one hell of an entertaining gift.
  19. What the movie’s effortful attempts at symbolism and meaning do most effectively are undercut what’s smart about the questions it raises — and DaCosta’s fine hand at creeping us out. The movie wants to be more than it is. The result is that it winds up amounting to less than it could have been.
  20. You inherently felt that he had incredible work in him if you could simply wait out his enfant terrible phase. Golden Exits is the first of Perry's people-behaving-badly pieces to start to make good on that promise.
  21. Pine is the secret sauce that keeps this thing buoyant and fleet-footed, even when the plot turns start piling up. He’s the guy at the center of this ensemble who’s shining but not eclipsing everybody. More than the VFX and the grand-gesture spectacle, he’s the one making this movie fun. Like vintage summer-blockbuster kind of fun.
  22. It may not be Larraín’s best film (we’d nominate No). But it’s unquestionably the movie he was, in so many ways, born to make.
  23. Gangs of New York is something better than perfect: It's thrillingly alive.
  24. Scores a solid hit.
  25. Sadly, Howard blands out in the final third, using old-age makeup and tear-jerking to turn a tough true story into something easily digestible. Until then, you'll be riveted.
  26. James approaches A Compassionate Spy with a compassionate touch; this is more a profile of a man and a 52-year marriage than a History Channel-style march through events. And it is certainly not an indictment.
  27. The documentary rightly keeps coming back to the music and the band's delight in making it. Good move. It truly is a joy forever.
  28. Relationships are killers, and this tough, tender, deeply satisfying romantic comedy from writer-director Lynn Shelton is also bruisingly funny.
  29. Ari Aster is a bold new voice in psychological horror, the kind that messes ruthlessly with your head. He proved that last year with "Hereditary," featuring Toni Colette in one of cinema’s most memorable meltdowns. And now, with the hypnotic and haunting Midsommar, he ventures into fresh territory without losing his grasp of what nightmares are made of.

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