Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Do not come to Conclave in search of some divine messages about power, corruption and lies percolating within a sacred space. Just embrace it for being the type of gobsmacking, pope-up-the-jams entertainment that will have you genuflecting with gratitude over its over-the-top ridiculousness.
  2. In a summer of clones, Harvard Man is something rare and riveting: a wild ride that relies on more than special effects.
  3. Passes muster as an old-style biopic with its heart in the right place. There won't be a dry eye in the house.
    • Rolling Stone
  4. The Invisible Man is a chilling mind-bender that strikes at our deepest fears — the ones we can’t see.
  5. Winds up being faster and funnier than the first time. Chan's acrobatic high jinks play strikingly off of Tucker's wiseass humor.
  6. Perhaps the best thing that can be said about Tár is that it is far more than a mere vehicle for one showboating performance. And even if it were, with a performance like this, who would mind?
  7. It takes a while for this oddball film -- a mosaic of stories in the style of "Magnolia" -- to take hold, but when it does, it grabs you hard.
  8. The movie hits you like a shot in the heart.
  9. Say what you will about this grand gesture at filtering Edward Gibbon’s history lessons through a lens darkly, it is exactly the movie that Coppola set out to make — uncompromising, uniquely intellectual, unabashedly romantic (upper-case and lower-case R), broadly satirical yet remarkably sincere about wanting not just brave new worlds but better ones.
  10. First-time director Peter Care crafts something darkly funny and touching from a coming-of-age fable that might have drifted into formula without deeply felt performances from Culkin and Hirsch and dazzling animation from Todd McFarlane (Spawn) that brings the boys' comic fantasies to jolting life.
  11. With the help of cinematographer Christopher Blauvelt, composers Isobel Waller-Bridge and David Schweitzer, and Alexandra Byrne’s spectacular costumes, the film captures the whirl of a predatory society that can no longer hide behind surface prettiness. That sounds a lot like right now.
  12. Despite its well-worn triumphant narrative, King Richard proves convincing at giving credence to the idea of Williams as a fact already stranger than fiction — the kind of man you can’t help but feel is a real character, in the everyday-life sense of that phrase: a one-of-a-kind guy, hard to reproduce.
  13. Panahi creates a raw, riveting film.
  14. How much self-inquiry Park himself has put into Shortcomings is pure speculation, but you can’t deny he’s put his soul into bringing his vision of a movie that explores everyday identity politics — but isn’t just about identity politics — to life.
  15. It’s a fast, not as cheap, and much better than decent cover version of another song, one that knows very well that it’s a cover version.
  16. Somehow, The Beach Bum is even nuttier, less logical, more visually beautiful and down-in-the-gutter uglier than the film you just imagined from that description.
  17. It’s riveting from start to finish.
  18. In a perfect world, viewers would get college credit after watching Lynch/Oz. You may not walk away any closer to a degree, unfortunately, but you will definitely land over this rainbow with an entirely different view of a maverick filmmaker’s work, as filtered through Hollywood canon fodder.
  19. Taymor's visual and visceral flair makes Titus a grabber.
    • Rolling Stone
  20. Booksmart changes the game and opens the genre up to greater possibilities. Directed by the actor Olivia Wilde in a smashing feature debut, this femcentric spin on Freaks and Geeks is high on girl power.
  21. Writer-director Raymond De Felitta creates something wonderfully funny and touching.
    • Rolling Stone
  22. You don’t have to know about Erice’s own backstory to appreciate this mournful, seeking work about life, art, loss, and the space where they all overlap.
  23. As the film moves toward its painfully inevitable climax, Queen and Slim fulfills the promise made by Waithe and Matzoukas to create a new form of protest art. Their film isn’t meant to lionize these two everyday people-turned-folk heroes, but to celebrate their strength and pride.
  24. It's a revolutionary movie in more ways than one.
  25. Even more than the gloriously gross-out stuff, designed for big laughs and OMG body-horror reactions, it’s the blunt, unfiltered way they treat the ties that bind these two women that sticks with you. The humor is hormonal. Everything else is pure heart.
  26. A black-comedy gem.
  27. Count this rehab a success.
    • Rolling Stone
  28. What’s remarkable is how [Torres] never overplays anything, or goes for easy histrionics and rending of garments even when the movie itself becomes heavy-handed in the back half.
  29. The fact that it adds an ode to intergenerational storytelling, a parody of time-travel narratives, some oddball left-turns, and a near-transcendent coda that feels very much in line with Kaufman’s body of work — all while still giving the kids what they want — makes this more than a cut above your average rainy-afternoon distraction. It’s really a low-key blast.
  30. This is a tale that’s carefully crafted as much as told, with hints hiding in plain sight and surreal touches that add more to the vibe than the momentum. But you never feel like you’re in the hands of someone who doesn’t know exactly what he’s doing.

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