Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Green Room is way more than crass exploitation. It's a B movie with an art-house core.
  2. All praise to acting dynamo Robert Downey Jr., who brings so much creative juice to the party that Iron Man achieves instant liftoff.
  3. That Walker knows how to handle such things without being sensationalistic, as well as tenderly sketching the tension and sensitivity that characterize female friendships at that age, is what keeps the film from being a boozy, sunburnt tragedy.
  4. Jarmusch, as ever, has the power to sneak up on you. He's a spellbinder. The same goes for his movie.
  5. In fact, Bell the writer, director, producer and actress knows how to set a savvy trap. While we're laughing, she pulls the rug out, making us see Carol's world as a microcosm for the world every working woman lives in. That she does it with subtlety, humor and touching gravity marks Bell as a filmmaker to watch.
  6. The sad fact is that racial injustice is timelier than ever. Righteous fury is in the air. And that fervor to stand up and be counted is all over Selma.
  7. Furiosa runs on a high-octane philosophical perspective that finds hope in a hopeless place. Also, a lot of cars go fast and sh*t blows up. It’s a win-win.
  8. It’s a matter of opinion whether Thunder Road is one of the best films of 2018, a distinction best left for listmakers and marketers. (Cue “It, Me” copping to the former.) But I can say it’s one of my favorites, the sort of experience where you walk out of a theater 90 minutes later and feel like something inside you has shifted two klicks to the left.
  9. If their contribution to the man-vs-nature genre isn't exactly top-tier, Walking Out still hits its marks in terms of father-son melodrama with an uncanny precision.
  10. Green’s slow-burn style might not spell box-office windfall in a cinema era of short attention spans, but her artistry is indisputable.
  11. Dawn is dynamite entertainment, especially in the rousing first hour.
  12. A mesmerizing deconstruction of the brute nature of love.
  13. Just one talking head, that's all. But the head in this mesmerizing documentary belongs to Traudl Junge.
  14. A Best Actress Oscar nomination for Jennifer Lopez? You better believe it. Her see-it-to-believe-it performance in Hustlers is that dazzling, that deep, that electrifying.
  15. Lee uses 3D with the delicacy and lyricism of a poet. You don't just watch this movie, you live it.
  16. Reeves plugs in a live wire to play Abby, the girl vampire who's been 12 for, well, a very long time. That would be Chloë Grace Moretz, an acting dynamo (see Kick-Ass) whose mesmerizing performance goes deep.
  17. The movie of Fences doesn't need Hollywood bells and whistles. This writer, this director and these actors are all the magnificence required to grab your attention and hold it.
  18. Naranjo, a graduate of the American Film Institute, has a gift for staging action that defines character. The film is a harrowing experience. It cuts deep.
  19. Do not come to Conclave in search of some divine messages about power, corruption and lies percolating within a sacred space. Just embrace it for being the type of gobsmacking, pope-up-the-jams entertainment that will have you genuflecting with gratitude over its over-the-top ridiculousness.
  20. A fresh and unexpected documentary that plays like a nail-biting mystery and a ticket to ride the whirlwind where art and commerce do battle.
  21. Sing Street is the most romantic movie you'll find anywhere these days, brimming over with music, fun and the thrill of first love.
  22. Keane means to shakes us, and does.
  23. If many male stars of a certain age are destined to become late-act action heroes, we hope this is Vaughn's "Taken," and his particular set of skills will continue to involve dishing out such graceless, effective hurt.
  24. Abounds in pleasures.
  25. The movie would hit every bullseye it needed to even without her near-surgical deconstruction of the narcissistic monsters who scream “action” and “cut.” With Cruz’s take on artistic “genius,” however, this satire officially becomes a work of actual genius.
  26. Unique and unmissable.
  27. People may fault Coppola for dipping her toe in familiar terrain, but it’s hard to argue with the result: a transportive, heartbreaking journey into the dark heart of celebrity, and her finest film since Lost in Translation.
  28. This may be one of the few rockumentaries since Stop Making Sense to tap the cinematic potential of sound and vision in a way that feels genuinely collaborative and borderline transcendental.
  29. Portman's portrait of an artist under siege is unmissable and unforgettable. So is the movie. You won't know what hit you.
  30. You can be successfully creative or you can end taking a much more crooked path. As The Painter and the Thief so ably demonstrates, your life is worthy or compassion and consideration regardless.

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