Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Tim Burton's Nightmare Before Christmas restores originality and daring to the Halloween genre. This dazzling mix of fun and fright also explodes the notion that animation is kid stuff. The history-making stop-motion animation in this $20 million charmer transcends age. It's 74 minutes of timeless movie magic.
  2. Paris Is Burning catches the sadly hollow spectacle with acuity, wit and intelligence.
  3. "Waves" is a spellbinder.
  4. Without jerking tears or reducing the acid content of his wit, Baumbach's humane movie gets under your skin.
  5. The result is a movie miracle; it soars.
  6. Even education can't kill the demon of fun in Black. Enroll in his class and you won't stop laughing.
  7. A burst of pure filmmaking exhilaration that manages to pay homage to the classic 1960s TV series and still boldly go where no man, William Shatner and Leonard Nimoy included, has gone before.
  8. The acting is flawless, with Simmonds and young Jupe making every minute count. Blunt (Krasinski's wife off screen) is in a class by herself, taking a near-silent role and building a tour de force of expressive emotion.
  9. It’s a love letter — to New York, to the bohemians and musicians who still live there come hell or high water, to the art of crafting a damn fine customized Stratocaster, to taking pride in your work, to shooting the shit and most importantly, to finding a place for fellow freaks and misfits to call home.
  10. This is a generational family saga everyone can relate to, and Nair gives it her special magic.
  11. Baumbach, in his most compassionate film since The Squid and the Whale, catches Frances in the act of inventing herself. It's a glorious sight to see.
  12. Deeply felt sincerity of the kind that Mills offers can be a tough pill. You kind of have to be in the mood. But this isn’t a film that works despite those excesses. Instead, it makes a case for them.
  13. An artistic triumph.
  14. There's a word for the kind of comic, dramatic, romantic, transporting visions Miyazaki achieves in Howl's: bliss.
  15. Want to find the heart of rock & roll? You can hear it thundering in Anvil.
  16. Not only is this dazzler by far the best and most thrilling of the three Harry Potter movies to date, it's a film that can stand on its own even if you never heard of author J.K. Rowling and her young wizard hero.
  17. Deliberate, demanding and character-driven, Michael Clayton flies in the face of what sells at the multiplex. I couldn't have liked it more.
  18. What a kick to watch whip-smart director Rian Johnson shake the cobwebs off the whodunit genre and make it snap to stylish, wickedly entertaining life for a new generation. That’s what happens in Knives Out, a mystery that takes the piss out of Agatha Christie clichés.
  19. James Ponsoldt's funny and touching coming-of-age tale covers old ground with disarming freshness.
  20. Exciting and then some, Face/Off blends the director's supercharged images of balletic brutality and spiritual catharsis with an off-the-wall humor that allows John Travolta and Nicolas Cage to really let it rip.
    • 82 Metascore
    • 100 Critic Score
    The greatest surfing picture of all time, this unassuming piece of counterculture anthropology is so likable that it had kids around the world buying boards and heading to the California coast in search of the perfect barrel.
  21. Stick your neck out for this Swedish horror show. It's a winner, full of mirth and malice, plus a young romance you'll never see on the Disney Channel.
  22. For a film so consumed with hitting something over a net, O’Connor’s work here is practically an ode to performing without the safety of one.
  23. Pig
    It’s a good-looking, well-acted movie with a solid kicker. As for the odyssey of emotional nuance that its style and portent seem to promise, it digs beneath the surface, but to a shallower depth than it seems to think.
  24. To watch Sorry We Missed You is to realize that, despite its dedication to showing how people live and love and work (and work, and work, and work) in everyday Britain, this is a story that goes far beyond the United Kingdom.
  25. While it is gratifying to hear each woman speak on her art in her own terms, the documentary’s most illuminating moments are those that demonstrate how each musician’s work has been received by others over the years.
  26. If you're going to interpret on film the searching mind of an indisputable genius, it helps not to make too many dumbass moves. On that basis, score a triumph for Steve Jobs, written, directed and acted to perfection, and so fresh and startling in conception and execution that it leaves you awed.
  27. It becomes more of an actor’s showcase, in other words, which has always been one of Payne’s strengths — he’s an old-school director of performers, with a penchant for conjuring memories of several old schools in particular.
  28. Sound of Metal understands the importance of immersing you in this brave new noiseless world and giving you a compelling Virgil to guide you through it, but its real strength may simply be its powers of observation.
  29. Powered by Simon's brilliance, Under African Skies is a cultural lightning bolt that soars on its music and an unshakable belief in the transcendence of art.

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