For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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- Rolling Stone
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Reviewed by
Peter Travers
A triumph for the machines, more proof that we do indeed live in the Matrix.- Rolling Stone
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Reviewed by
Peter Travers
It's a modern horror story that gets you where you live.- Rolling Stone
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Reviewed by
Peter Travers
Leave it to a g-rated cartoon to give the live-action epics a lesson in action, fun and bracing originality.- Rolling Stone
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Peter Travers
Everything sly and low-key about The In-Laws, a 1979 comedy...is supersized and coarsened in Andrew Fleming's remake.- Rolling Stone
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Peter Travers
The Wachowskis have put together a mix of culture, kung fu, sci-fi and speculation, that makes them the warped wonders they are. When the film ends with a "To Be Continued," the hooks are in for The Matrix Revolutions on November 5th. Maybe I've been programmed to say it, but I am so there.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Murphy looks comatose delivering the played-out poopy jokes.- Rolling Stone
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Reviewed by
Peter Travers
The actors nail the comic sting in every line, punctuated by eleven prime Elvis Costello songs.- Rolling Stone
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Reviewed by
Peter Travers
What starts as freshly spun cotton candy ends as something pink, sticky and indigestible. You leave the theater wanting to puke it up.- Rolling Stone
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Peter Travers
A summer firecracker. It's also a tribute to outcasts -- teens, gays, minorities, even Dixie Chicks. It's not without thought or feeling, except when its mind gets bent by the gods of box office. Then it's craven and empty.- Rolling Stone
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- Rolling Stone
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Peter Travers
Bruckner is an amazement, piercing the heart without begging for sympathy. This small gem of a movie is the perfect setting for her breakthrough performance.- Rolling Stone
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Peter Travers
By the time they're onstage, your pulse is pounding right along with theirs. Spell this movie: g-r-e-a-t.- Rolling Stone
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Peter Travers
Here's a fireball documentary about the 1970s, when filmmakers were stoked by sex, drugs, rock and, oh, yeah, social conscience.- Rolling Stone
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Peter Travers
Scenes with Burns crackle with the toxic energy that makes Confidence a game worth playing.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Lukas Moodysson, a young Swedish director, crafts a stunner of a film out of familiar turf.- Rolling Stone
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Peter Travers
I've seen A Mighty Wind only twice so far. Maybe it is less fresh than "Guffman," more strained than "Best in Show." Who cares? It's still a gift from comedy heaven.- Rolling Stone
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Peter Travers
Lin is a talent to watch. There's a sting to this film that gets to you.- Rolling Stone
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Peter Travers
Despite over-ripe narration and an understandable urge to cram too much in, Ghosts of the Abyss is a thrilling documentary.- Rolling Stone
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Peter Travers
It's good fun for a while, especially the therapy sessions that feature Luis Guzman as a gay hood with a paunch he covers in Day-Glo spandex and John Turturro as Dave's "anger buddy." John C. Reilly also scores as a bully turned Buddhist monk.- Rolling Stone
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Peter Travers
Farrell is a dynamo. And Kiefer Sutherland, whose sniper role is essentially a voice on the phone, matches Farrell subtle shift for subtle shift.- Rolling Stone
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Peter Travers
It's slick girlie stuff, but the cast makes it go down easy.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
It's a little early for self-parody in the career of Vin Diesel. But he's a calamitous cliché in A Man Apart.- Rolling Stone
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Peter Travers
Nolte brings a raspy authority to the role, and director Neil Jordan (The Crying Game) surrounds him with colorful characters.- Rolling Stone
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Peter Travers
Duvall missteps in trying to mesh suspense with a love story that also involves the woman (Kathy Baker) John J. lives with and her young daughter (Katherine Micheaux Miller), on whom he disturbingly dotes.- Rolling Stone
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Peter Travers
The Core -- with its by-the-numbers plot and performances -- isn't offensive, just unblushingly tacky and derivative.- Rolling Stone
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Reviewed by
Peter Travers
Doesn't seem directed at all; you half expect the actors to crash into each other. Still, give me the attempted satire of Head of State over the racial stereotyping of "Bringing Down the House" anyday. You can feel a mind at work when you watch Rock.- Rolling Stone
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