For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Blethyn's solid-gold charm turns Saving Grace into a comic high.- Rolling Stone
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Peter Travers
The plot is too implausible to rank with "Unforgiven," but, oh, what a fun ride.- Rolling Stone
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Peter Travers
Verhoeven, who inflicted "Showgirls" on us, skips the provacative questions raised by invisibility and goes straight to rape and murder.- Rolling Stone
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Peter Travers
Paradis sizzles in a star-making role that gleams like one of Gabor's blades. She's a spellbinder.- Rolling Stone
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Peter Travers
Eyes sees what it wants to see, but it's a riveting glimpse.- Rolling Stone
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Peter Travers
The comic screenplay...pivots on a toothless premise: Russ needs to get in touch with his inner child.- Rolling Stone
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Peter Travers
Would it be asking too much if the hit-and-miss jokes could maybe nudge an inch beyond the obvious?- Rolling Stone
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Peter Travers
It's shocking, considering the talent involved, the The Perfect Storm looks and feels fake.- Rolling Stone
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Peter Travers
It's sledgehammer whimsy, and it's not talking to me.- Rolling Stone
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Peter Travers
It may sound silly, but Lord and Park conjure up a world of visual miracles.- Rolling Stone
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Peter Travers
It's a haunting, hypnotic film that exerts an escalating grip on the heart and the conscience.- Rolling Stone
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Peter Travers
Branagh's take on the play comes right up to the edge of disaster but stubbornly refuses to leap in.- Rolling Stone
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Peter Travers
A product that will delight car junkies and drive cinephiles to swear off film until fall.- Rolling Stone
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Peter Travers
Wilson is flat-out hilarious, playing this cowboy like a surfer dude zapped back in time.- Rolling Stone
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Peter Travers
Keeps the pulse pounding without sacrificing laughs or logic.- Rolling Stone
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Peter Travers
The Woodman has recovered his common touch. On him, it looks good.- Rolling Stone
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Peter Travers
As long as Green is onscreen, which is not nearly enough, Road Trip is easy to get revved up about.- Rolling Stone
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Peter Travers
The cliched script by Carol Heikkinen plays like "Dawson's Creek" in toeshoes.- Rolling Stone
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Peter Travers
With this kind of epic ineptitude -- hell, the flick is set in the year 3000 -- you go for "worst of the millennium."- Rolling Stone
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Peter Travers
It's fun to see Sean Penn portray a playboy, like Bogart in "Casablanca," who hides his true heart behind a layer of cynicism.- Rolling Stone
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Peter Travers
Plods along in the Oscar-winning, yawn-inducing tradition of "Out of Africa," making me yearn for something less "National Geographic."- Rolling Stone
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Peter Travers
It's a one-joke premise that ultimately wears thin, but Krueger works some playful variations on a theme.- Rolling Stone
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Peter Travers
The time shifting raises questions the movie never answers, but it's hard not to enjoy the ride.- Rolling Stone
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With shocking humor and surprising grace, Von Trier creates something unique and memorable.- Rolling Stone
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Peter Travers
Even with sex, drugs, hip-hop and a murder, these four stories are dull, dull, dull, dull.- Rolling Stone
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Peter Travers
Taut, tense and enthralling, as smart and surprising as it protagonist.- Rolling Stone
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Peter Travers
Coppola gives Suicides a haunted quality that is undeniably affecting, a feeling intensified by a wonderfully funny and touching Dunst.- Rolling Stone
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Peter Travers
A funny and touching date movie that dares to celebrate decency.- Rolling Stone
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Peter Travers
An uneven movie that nonetheless bristles with stinging wit and exerts a perverse fascination.- Rolling Stone
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Peter Travers
With Newman, the movie emerges as a lively character piece with flashes of humor and grace.- Rolling Stone
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Peter Travers
Get your titles straight -- this is the good one, and a roaring good time.- Rolling Stone
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Peter Travers
Director Regis Warginer ("Indochine") lets his film degenerate into a turgid melodrama.- Rolling Stone
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Peter Travers
It's a tall order that Tucci is not up to filling. But don't discount the pleasure of watching him try.- Rolling Stone
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Peter Travers
Friedkin turns on the juice and Jones and Jackson let it rip.- Rolling Stone
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Peter Travers
A top cast, guided by actress Bonnie Hunt in her directing debut, mixes comedy and corn with savvy.- Rolling Stone
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Peter Travers
This lively mess proves that when Toback loses his head, he does it with style.- Rolling Stone
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Peter Travers
All the pieces hang together. You can't say that about many movies.- Rolling Stone
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Peter Travers
Gorden teases out some affecting scenes, but not enough to carry a film that promises more than it delivers.- Rolling Stone
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Peter Travers
This comedy is packed with p---- jokes, the cruder the better.- Rolling Stone
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Peter Travers
Essentially an old-fashioned weepie gussied up for Y2K.- Rolling Stone
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Peter Travers
Michael Douglas digs deep and delivers one of his best performances in Wonder Boys -- a comic dazzler of roguish wit and touching gravity that is driven by characters, not jokes.- Rolling Stone
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Peter Travers
It bristles with the brute force he brought to 1986's underrated "52 Pick-Up."- Rolling Stone
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Peter Travers
Some movies are too good to miss. Judy Berlin is one of them...It works like magic.- Rolling Stone
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Peter Travers
The film falls short; only Peet goes the whole nine yards.- Rolling Stone
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Peter Travers
The idea of the boiler room as a Y2K gladiator ring for disenfranchised youth provides a proactive new twist.- Rolling Stone
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Peter Travers
Colorful and exciting, as far as it goes. But Boyle and Hodge pull back on their usual wit and grit.- Rolling Stone
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Peter Travers
Elliot fails to make the needed connection between the audience and a peeper who has lost his moral balance.- Rolling Stone
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Reviewed by
Peter Travers
(Shelton) knows how to write pungent dialogue that covers a multitude of sins when the film goes off the rails.- Rolling Stone
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Peter Travers
The talented Mr. Minghella has made an imperfect movie but not an impersonal one. His morality tale means to get under the skin, and does.- Rolling Stone
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Peter Travers
You won't forget the way Carrey transcends mere impersonation to find the roots of Andy's torment.- Rolling Stone
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Peter Travers
One of the best movies of the year--startling, innovative, hugely funny and powerfully, courageously moving.- Rolling Stone
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Peter Travers
Isn't much of a movie, but it's worth a look just to see screen legend Kirk Douglas, Michael's eighty-three-year-old father, kick ass.- Rolling Stone
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Peter Travers
But just watch Hanks, with the effortless grace of a Jimmy Stewart, turn the loony into something sweetly logical. Now that is magic.- Rolling Stone
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Peter Travers
Compared with ("The Sixth Sense"), there's no contest. Stir of Echoes has been outrun and outclassed.- Rolling Stone
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Peter Travers
McTeer and Brown make magic ina film that is wonderfully funny, touching and vital.- Rolling Stone
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Peter Travers
A meditation on the racial and class conflicts at the heart of the American character.- Rolling Stone
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Gorgeous filmmaking that brims over with funhouse thrills and ravishing romance.- Rolling Stone
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Peter Travers
Pedro Almodovar's transfixing tragicomedy -- the best foreign movie of the year -- is also the best showcase for actresses in ages.- Rolling Stone
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Peter Travers
I could have done more with the edgy humor of "Diner" and "Tin Men" and less of the mythmaking of "Avalon."- Rolling Stone
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Peter Travers
Formula mother-brat stuff...It's only the deft teamwork of Portman and Sarandon that keeps the triteness at bay.- Rolling Stone
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Peter Travers
For the 148 minutes it takes "The Messenger" to deliver its message, being John Malkovich or Milla Jovovich is really no fun at all.- Rolling Stone
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Peter Travers
With it's dynamite performances, strafing wit and dramatic provocation, The Insider offers Mann at his best -- blood up, unsanitized and unbowed.- Rolling Stone
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Peter Travers
If "Mr. Holland's Opus" made you puke, you'd better bring a bucket to this true-life weepie about the importance of teaching music in schools.- Rolling Stone
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Peter Travers
The crazy-ass imagination at work in Being John Malkovich hits you like a blast of pure oxygen...this movie of constant astonishments will make you laugh hard and long.- Rolling Stone
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Peter Travers
The kind of movie that TV stars do when they're on hiatus and trying to squeeze one in.- Rolling Stone
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- Rolling Stone