For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Propaganda is a bitch to act. And this misguided movie leaves Hudgens buried in it.- Rolling Stone
- Posted Jan 23, 2014
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Reviewed by
Peter Travers
I laughed, then I wished it was funnier, then I just wished it would end.- Rolling Stone
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Reviewed by
Peter Travers
It's the Bay touch you feel in the way actors register as body count, characters go undeveloped, and sensation trumps feeling. A nightmare, indeed.- Rolling Stone
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Reviewed by
Peter Travers
Here's a true S&M date movie. Only sadistic men and masochistic women could love it.- Rolling Stone
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Reviewed by
Peter Travers
The infuriating cop–out ending reduces the premise to mush. I wanted to scream. Here goes: Arghh!- Rolling Stone
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Peter Travers
The bad news isn’t that Carrey and Daniels got old, it's that the jokes did. The spirit is still willing in Peter and Bobby Farrelly, the original writer-directors, but the sagging flesh is weak from prolonged repetition.- Rolling Stone
- Posted Nov 15, 2014
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Peter Travers
So why oh why is The Expendables such a limp-dick bust? Because Stallone forgets to include non-spazzy direction, a coherent plot, dialogue that actors can speak without cringing, stunts that don't fizzle, blood that isn't digital and an animating spirit that might convince us to give a damn.- Rolling Stone
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Peter Travers
Even the best actors – and this coming-of-age movie boasts a handful of them – can't fight this much tin-eared dialogue.- Rolling Stone
- Posted Aug 10, 2017
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Peter Travers
Morning sickness afflicts most of the potential mommies. For me, the movie itself triggered the vomiting.- Rolling Stone
- Posted May 17, 2012
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Peter Travers
This lumbering retread, subtitled The Legend of Curly's Gold, is mostly old ground slavishly covered. There are wider gaps between the jokes this time, and the slick style of British director Paul Weiland, best known for commercials (Schweppes, Heineken), can't disguise the fact that he's selling stale goods.- Rolling Stone
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Peter Travers
This comedy about a death is a funeral for the audience.- Rolling Stone
- Posted Sep 18, 2014
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Reviewed by
Peter Travers
I'm convinced there is a good movie trying to punch itself out of The Greatest Showman. What a shame that Gracey buried Jackman and company in a pile of marshmallow.- Rolling Stone
- Posted Dec 20, 2017
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Peter Travers
Me, I just think it blows. What does it matter if you spend millions on a movie - love the talking, battling bears! - if the effects are cheesy, the story runs off on tangents and after watching the movie fail utterly to be the next Lord of the Rings, you just want to go home.- Rolling Stone
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Peter Travers
Will Ferrell and Danny McBride can find the dumb fun in anything. Too bad that Land of the Lost is so much less than anything.- Rolling Stone
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Peter Travers
The Americanized version is miscast, misguided and misbegotten.- Rolling Stone
- Posted Nov 19, 2015
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Peter Travers
Blomkamp and his wife and co-writer, Terri Tatchell, stack the deck. Instead of awe, we get "E.T." - aww.- Rolling Stone
- Posted Mar 5, 2015
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Peter Travers
If you laughed at Tim Story's first "Think," based on Steve Harvey's bestselling advice book for women, you'll probably ride along for this jacked-up, Vegas-set sequel in which dudes and dolls offer sexist approaches to throwing a bachelor party.- Rolling Stone
- Posted Jun 19, 2014
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Peter Travers
Overthought, overwrought and thuddingly underwhelming, this high-profile misfire makes a congealed gumbo out of Robert Penn Warren's Pulitzer-winning 1946 novel and the Oscar-winning 1949 movie that followed it, sinking a classy cast in the goo.- Rolling Stone
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Though Virtuosity connects all the dots to give audiences a roller-coaster ride, the movie begets nothing new: It's stillborn.- Rolling Stone
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Peter Travers
Even director Carl Franklin, an artful purveyor of sterner stuff in "One False Move" and "Devil in a Blue Dress," can't prevent One True Thing from descending into chick-movie hell.- Rolling Stone
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Peter Travers
There's nothing to distract you from a plot so tired there are tire tracks from other racing movies all over it.- Rolling Stone
- Posted Mar 13, 2014
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Peter Travers
I left this movie feeling I’d been had. And not in a good way.- Rolling Stone
- Posted May 30, 2013
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Peter Travers
Veering between sentimentality and exploitation with a few misguided stops at raunchy sex farce, Reign Over Me never finds a tone to suit its purpose.- Rolling Stone
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Peter Travers
How did talent like this conspire to pump out such bilge? I mean, really.- Rolling Stone
- Posted Oct 9, 2014
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Peter Travers
It's not so bad that it's good. It's so bland that it's boring. Not even worth a hissss.- Rolling Stone
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Peter Travers
A manipulative script about dog reincarnation that whacks your emotions like a piñata – that's forgivable. Not this. It shouldn't happen to a dog.- Rolling Stone
- Posted Jan 27, 2017
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Peter Travers
Leslie Mann and wild-card Chris Hemsworth, as her cock-flashing hubby, get the heartiest hoots. The rest is comic history warmed over.- Rolling Stone
- Posted Jul 29, 2015
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Peter Travers
Jammed with story threads that don’t cohere, Cirque commits the cardinal sin for a vampire movie: It’s bloodless.- Rolling Stone
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Peter Travers
Independence Day: Resurgence pretends there's fresh ground to cover. There isn't, but director Roland Emmerich makes a good show of faking it.- Rolling Stone
- Posted Jun 24, 2016
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Reviewed by
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- Rolling Stone
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