RogerEbert.com's Scores

  • Movies
  • TV
For 7,546 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Ghost Elephants
Lowest review score: 0 Buddy Games: Spring Awakening
Score distribution:
7546 movie reviews
  1. It’s ultimately a film that works on its own terms, a long-delayed enriching of the story of a beloved character that will make her ultimate sacrifice in “Avengers: Endgame” feel even more powerful in hindsight. Every blockbuster this Summer is being touted as the sign that the world is back to normal—“Black Widow” is more a reminder of what fans loved before it shifted off its axis.
  2. Here, [Ruben] lets loose with many of the goofy, creepy impulses that make him such a welcome voice in crowd-pleasing horror, creating a giddy spirit with his long roster of future household names.
  3. Despite its many perils, both natural and human, The Ice Road is surprisingly dull.
  4. Despite its over orchestration, director Vanessa Roth’s slight, hagiographic documentary Mary J. Blige’s My Life, manages to provide profound truths concerning its self-admitted insecure subject.
  5. Gaia does not feel like homework. It's a thought-provoking and disturbing experience rather than a lecture.
  6. Watching the scientists research the mysteries of humpback whales is an inspiring tribute to the power of curiosity, purpose, and the triumphant joy of adding one more piece to the jigsaw puzzle of knowledge.
  7. I Carry You with Me is a complicated film, in many ways, and it covers a lot of ground, but the emotions portrayed are simple and human-sized.
  8. Never as giddily awful as Gotti, this movie suffers more from a case of what film critic Andrew Sarris called “Strained Seriousness.” Except the ostensible seriousness here never runs particularly deep. Lansky is for Keitel completists only.
  9. A deftly made suspense film, but one that falls somewhat short of its aspirations, both as a satire and as a psychological thriller with a critical societal eye.
  10. Cuartas' film provides a generally interesting spin on both the vampire mythos and more typical dysfunctional family dynamics. And while I can't promise it will provide you with a good time at the movies, at least in the conventional sense, I can tell you it's one that's likely to stick with you for a while.
  11. Like the DisneyNature films, it’s strikingly pretty, not just in its gorgeous views of the Austrian countryside, but also in the interiors populated by talking heads and delectable foodstuffs. It’s also startlingly tame, as if its subject, famous celebrity chef Wolfgang Puck, was a commodity whose brand needed to be protected.
  12. But in spite of its form not being as compelling as its subjects, Rebel Hearts is still an inspired and inspirational recounting of a historical moment and the women at the center of it.
  13. Although Sisters on Track has some gaps in its narrative that seem as if certain chunks of the girls’ lives were compressed or skipped over, it's most impactful when offering a thoughtful analysis of the rapidity with which children grow, adapt, and change.
  14. Good on Paper sometimes gets silly, sometimes serious, but it never waivers from its mission of being funny through it all.
  15. The action set-pieces are thrilling and intentionally hilarious, though the digital effects and compositing vary in quality.
  16. Fatherhood is at its best and most watchable when it’s just Hart and Hurd onscreen. Matt and Maddy’s undeniable and reciprocated love for one another radiates from the actors, even in their broadest scenes of comedy.
    • 77 Metascore
    • 75 Critic Score
    Moreno, who is brash and self-effacing, thoughtful and charismatic, has such a commanding presence on camera; every time she speaks, you unintentionally lean in a little closer, hanging on to every word she has to say.
  17. Filmmaker Nancy Buirski has an elegant, judicious way of imparting the facts of the case, taking not just the political temperature of the moment (boiling) but finely sketching the character and minds of the people involved.
  18. Summer of 85 plays like a bad parody of movies like Love Story and Summer of ’42, stories where some undeserving male learns a valuable lesson from a love affair and death.
  19. In many ways Rise Again feels like something that would be perfect to show to a middle-school classroom—an even-keeled introduction to a crucial facet of American history and how it lives on painfully in the present—and yet whether this film would even be allowed to be utilized is currently a contentious subject of public debate.
    • 59 Metascore
    • 38 Critic Score
    Co-written by Ferrara and Christ Zois, who also wrote the Ferrara films Welcome to New York, The Blackout and New Rose Hotel, this picture can be described best as minimalist pretentiousness, a lot of angst and suffering with no particular place to go.
    • 72 Metascore
    • 75 Critic Score
    A soulful, uplifting, but also heartbreaking look at race and poverty's impact on troubled childhood, Alexandre Rockwell's Sweet Thing is a welcome return to form for the accomplished indie filmmaker.
  20. Overall, Les nôtres fails to dive into the depths of its subject matter, hinting at a dark underbelly that it never full explores.
    • 74 Metascore
    • 75 Critic Score
    Von Horn has crafted an impressive art film that tells a story outside of the pathological narcissism commonly associated with the world of social media influencers. Even surrounded by the alarmingly curated lifestyle, von Horn and Koleśnik together bring to life a story with more nuance, sophistication and genuine moral curiosity than we’ve seen from the genre.
  21. Once again, Edgar Wright has proven himself to be the master of whimsical filmmaking. Never I have seen a documentary as fun as Wright's The Sparks Brothers, which is thrilling from beginning to end.
  22. While some material may hit with younger audiences, Luca makes for Pixar’s least enchanting, least special film yet.
  23. In depicting one woman’s fight for justice, Kaufman’s indelible documentary becomes an empowering three-dimensional story of resistance and courage.
    • 32 Metascore
    • 75 Critic Score
    Directed by Patrick Hughes, this comic book-energy spy adventure, gorgeously captured by cinematographer Terry Stacey and keenly scripted with barbed laden dialogue from Tom O’Connor, Brandon Murphy, and Phillip Murphy, is heavy on blood, guts, action, and star power.
  24. Nicole Riegel's debut feature Holler is a film to treasure—an intimate drama about family and work, steeped in details that can only have been captured by a storyteller who lived them.
  25. There may be one too many obstacles placed in Prerna's way (the pet goat is a prime example), stacking the deck against her so there will be an even bigger payoff. But overall Skater Girl is so gratifying it doesn't matter.

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