RogerEbert.com's Scores

  • Movies
  • TV
For 7,545 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Ghost Elephants
Lowest review score: 0 Buddy Games: Spring Awakening
Score distribution:
7545 movie reviews
  1. Pretty much everyone in this movie is annoying all the time, and Spindel yanks us around in tone from one moment to the next: wacky, then romantic, back to wacky, then dramatic, before ending on a disastrously wacky note. Every new situation, whether it’s shopping at Toys “R” Us, a school field trip or a pre-natal therapy workshop, provides the set-up for wild humor that doesn’t land.
  2. It is the compassion the film has for its characters that is the film’s true grace.
  3. Visually, Chenillo’s film doesn’t stand out, but it’s a pleasant enough story with a hopeful tone, celebrating each of Lucca’s victories, from holding on to the sides of the tub with both hands to kicking a ball for the first time to taking his first steps.
  4. I haven’t seen anything quite like it before. That alone makes it worth seeing, as long as you accept the proposition that a movie like this is unique, in some ways beyond genre labels, and feeling its way towards the right flow and shape as it goes.
  5. You’re Cordially Invited is reheated comedy leftovers, for the most part, but there’s enough warmth, sentimentality, and belly laughs to make for a raucous timewaster.
  6. There’s no cheating in The Monkey. It’s coming for you. And it’s gonna be messy.
  7. Hancock’s film is not revolutionary nor particularly thoughtful past the outline of its concept. Regardless, it’s an enjoyable romp in the sci-fi horror sphere.
  8. Co-directors Sam and Andy Zuchero also wrote the script, and while there are a lot of vibrant ideas at play, there are about ten ideas too many. The film ponders existential questions but keeps them at a remove.
  9. Marcello Mio, written and directed by French filmmaker Cristophe Honoré, and starring Chiara Mastroianni, Catherine Deneuve, and a host of other European artistic luminaries, is a cinema in-joke elongated beyond all reason.
  10. Like Father Like Son is at once unintentionally hilarious and borderline reprehensible, and it’s the closest approximation to the disaster of “The Room” since Tommy Wiseau’s cult favorite first graced arthouse theaters over 20 years ago.
  11. Here, finally, is the movie that you likely wanted to see in the first place, replete with fantastic beasts, computer-generated spells, and other supernatural attractions. If you embrace this superior sequel for what it is, you’ll find a lot to like in “Creation of the Gods II: Demon Force.”
    • 44 Metascore
    • 38 Critic Score
    While I appreciate writer/director/Canadian horror slinger Lowell Dean for helming a thriller where the most sensible, resilient characters are either dark-skinned or an ally to dark-skinned folk, the rest of the movie ain’t that deep. In fact, it’s insanely clumsy.
  12. Dog Man, based on Dav Pilkey’s popular series of graphic novels for kids, is sublimely silly, a mixture of comedy, action, and heart, all done with such high spirits it seems effortless.
  13. Ostensibly a commentary on celebrity culture and the fawning journalists around it, “Opus” is one of those movies that throws talking points at the wall without having an actual point of view on any of them.
  14. Parts of it aren’t perfect, but that’s also kind of its charm in that it feels like a family film made by flesh-and-blood people in an era when computers are doing so much of the work. Even when “The Legend of Ochi” stumbles, it does so in a way that’s almost sweet.
  15. The film bewitches you with its seemingly spontaneous humor, a cadre of original soulful folk tunes, and its adoration of the breathtaking surroundings.
  16. Melodically vital and bracingly frank, Questlove’s uptempo Sundance documentary “Sly Lives! (aka The Burden of Black Genius)” is a sonic kick to the soul.
  17. Suffice to say that in the end, “Presence” is less of a horror movie or even a traditional ghost story than a drama about personal morality, responsibility, self-inquiry, and personal evolution, told from the perspective of someone who’s not alive anymore.
  18. As it sits in this passenger’s estimation, “Flight Risk” is a supremely bumpy ride that doesn’t quite justify its logline.
  19. You always get the sense that you are watching a screenplay’s first draft that never got the fleshing-out that it clearly needed to make it stand out, either from a dramatic or emotional standpoint.
  20. Inspired in part by Saada’s own grandmother, the filmmaker infuses “Rose” with an infectious sense of joie de vivre. It’s a film about appreciating the small pleasures in life, like dancing alone in your kitchen while baking sweet treats for a lover.
  21. It’s the kind of movie where text will appear on the screen as a character reads an article explaining what’s going on in the plot, the kind of solid programmer that takes its audience for a slick and satisfying ride without challenging them too much.
  22. Liza, a tribute to someone still alive, is gentle in its intentions, but the overall effect is meaningful.
  23. The Pivens, who literally grew up together and made this as a passion project, have a shared vision, and a level of comfort and communication that brings sincerity and authenticity to the performances at every level.
  24. This strikingly eye-filling movie, directed by Matty Brown and shot by Jeremy Snell, is deliberately low on exposition.
  25. Regardless of where you fall on the issue, “Eternal You” is undeniably beautiful, with artful cinematography from Tom Bergmann and Konrad Waldmann that creates an air of mystery from the very beginning.
  26. Harris, as always, imbues his characters with a wearied conviction, which goes a long way towards making Stan feel a bit more layered than the feel-good Ned Flanders type the script saddles him with.
  27. Star Trek fans have been waiting nearly a decade to see a proper film in the franchise since 2016’s sorely underappreciated Kelvinverse entry “Star Trek Beyond.” “Section 31,” a cynical whimper of a Trek adventure, isn’t likely to scratch that itch.
  28. It’s time in a bottle and a pleasure to soak up.
  29. One of Them Days satisfies like a high-five landed after three whiffs: a rewarding win on account of the stumbles it took to get there.

Top Trailers