RogerEbert.com's Scores

  • Movies
  • TV
For 7,545 reviews, this publication has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Ghost Elephants
Lowest review score: 0 Buddy Games: Spring Awakening
Score distribution:
7545 movie reviews
  1. The movie is straightforward, brisk, engaging, and sometimes even moving. One might entire feeling wary that the movie, in depicting an attempt to duplicate Vermeer's achievement, might also glibly undercut it; but that's not the point at all. Rather, Tim's Vermeer wants to expand the audience's understanding of what the actual practice of art is.
  2. At the very least, the makers of That Awkward Moment should get credit for savvy casting.
  3. Actors of the caliber of Brolin and Winslet can do nothing but the best with what they're given, struggling to find nuance and humanity in romance-novel archetypes.
  4. Jean-Claude Van Damme, whose work as the villain in Enemies Closer is the only reason to see this film.
  5. It's Glass who gives Visitors something like a structure, alternating between long, contemplative stretches and moments of ecstatic grandeur, like the crowd of sports fans who erupt in (extreme slow-motion) joy at some victory.
  6. This latest, a thriller about a photographer who might be a killer, is wild pop fly that disappears in the stands.
  7. The film never says the words "pro-life" or "pro-choice." It genuinely seems to be about how the system has broken down entirely, and how sometimes it is up to privately funded charities to provide a light at the end of the tunnel.
  8. This all sounds painfully glum and ultimately mawkish. But—like the active verbs that constitute its title — Run & Jump is surprisingly alive, full of jolts and unexpected bursts of humor and earned emotion.
  9. A grievously ill-advised motion picture on every level.
  10. There is that feeling you get inside when a movie suddenly starts to push your every button, creating an emotional connection that goes beyond pure reason and mere emotion. It elevates your mood to such a point that you wish you could hug the screen out of sheer joy and recognition. That is what Gloria did to me.
    • 82 Metascore
    • 100 Critic Score
    Guiraudie's directorial assurance is stunning: the entire movie is a master class in audiovisual storytelling, as well as an exemplary case of immersing the viewer in an environment.
  11. Some have compared Maidentrip to a young female version of Robert Redford's "All Is Lost". But in Dekker's case, all seems to be found.
  12. The film is shot in a pretty stock manner, with jokes falling flat (when one does land, it feels like a miracle) and musical cues guiding us toward appropriate emotional responses.
  13. The poems — and the film as a whole — fail to flesh James out as a whole and complicated human being worth rooting for.
  14. Brown's story is a good one, though, and solid performances — especially from star Cuba Gooding Jr. — elevate the film slightly above the familiar trappings of its genre.
  15. The movie finds its feet, and unrolls as a pretty suspenseful, largely engaging, and hardly ever too-over-the-top spy thriller.
  16. Plays like an extended tribute to the torture scene in "Reservoir Dogs," a description that alone should tell readers whether they'll find it appealing or not.
  17. Ride Along really isn't much of a movie, but the quality that makes it mostly watchable, and occasionally enjoyable, is the fact that it seems to know that it isn't much of a movie, and doesn't push against that fact too much.
  18. Once this self-consciously campy fairy tale stops trying so hard to emulate every high-school comedy and TV show from the past 30 years and relaxes into a stream of clever repartee and amusing situations, it eventually offers enough LOL opportunities to deserve a passing grade.
  19. Too bad that the makers of The Nut Job eagerly purloined Scrat's primal motivation—food—but failed to note the charm of his minimalist approach.
  20. It's sad when a movie that aspires to tell a sad, even tragic, story can't quite connect, and lies there inert on the screen instead of galvanizing or even stirring emotions the way it means to.
  21. While I’m not a parent myself, I can see how Like Father, Like Son would be a tough sit for any parent. Tough, but extremely worthwhile.
  22. Devil's Due is one of those films that borrows so many key elements from other and often better movies that genre buffs could amuse themselves by composing lists of all the titles that it blatantly rips off throughout.
    • 29 Metascore
    • 50 Critic Score
    The compositions are dull. The scenes are flimsy and shapeless. The pacing is the direct antithesis of what normally induces the excitement of adventure.
  23. It features one good performance from Dennis, who struggles to show us a real woman doing her best to live up to her expectations for herself and accept love into her life again. But Dennis can't save the whole thing. It's too big of a mess.
  24. Worst of all: Dumbbells is never as shocking as it so desperately strains to be. What is shocking is the fact that this movie is seeing the light of day in actual theaters — even during the January dumping-ground time.
  25. Divorce Corp is directed and edited at roughly the same level of imagination as a network newsmagazine story: talking head, talking head, talking head, cut to a chart, exterior shot of a courthouse, cut to another chart, talking head.
  26. Like "Cat People", The Banshee Chapter is both elegant and terrifying.
  27. Meh and double meh on this movie. That's my story and I'm sticking to it.
  28. Writer-director Francesca Gregorini's film just feels tonally off like that most of the time, and the inclusion of magical realism elements — while attractively photographed — only muddle matters further.

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