RogerEbert.com's Scores
- Movies
- TV
For 7,557 reviews, this publication has graded:
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55% higher than the average critic
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3% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | Ghost Elephants | |
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| Lowest review score: | Buddy Games: Spring Awakening |
Score distribution:
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Positive: 4,950 out of 7557
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Mixed: 1,249 out of 7557
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Negative: 1,358 out of 7557
7557
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Sheila O'Malley
The montage of footage—New York street scenes in the 1950s, 1960s, the press conferences, speeches, footage of the men getting off airplanes, surrounded by a crush of people, or laughing together, talking together, is mesmerizing. Individually and together, both men “shook up the world.” Blood Brothers shows why.- RogerEbert.com
- Posted Sep 9, 2021
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Christy Lemire
Ron’s Gone Wrong is an indictment of the invasive, insidious tactics of Big Tech, and of the ways we relinquish a little more of our privacy with every click and view.- RogerEbert.com
- Posted Oct 22, 2021
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Reviewed by
Sheila O'Malley
It's a very insightful insider-baseball look at the creative process.- RogerEbert.com
- Posted Oct 16, 2020
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Brian Tallerico
There are times when Anderson’s Buddhist leanings can be a bit overwhelming, and the piece ends a bit too abruptly for my tastes, although that almost seems thematically appropriate.- RogerEbert.com
- Posted Oct 22, 2015
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Sheila O'Malley
Tukel takes that tired cliché and blows it to smithereens. Let's hear it for unvarnished hatred expressed with no holds barred.- RogerEbert.com
- Posted Mar 3, 2017
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Brian Tallerico
If it falls victim to a bit too many college film student clichés, it’s easy to forgive Meyerhoff due to the great performance she draws from her talented young star and what this film means for her bright future.- RogerEbert.com
- Posted May 29, 2015
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Odie Henderson
I am always game for a movie that makes me reckon with my personal feelings and biases, and I’m glad this one exists because representation will always speak volumes. If nothing else, Critical Thinking reminds you what a chess player can look like.- RogerEbert.com
- Posted Sep 4, 2020
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Robert Daniels
It’s a fun soulful documentary that’s rarely ever invasive, depicting the type of statesman we’re sorely missing today.- RogerEbert.com
- Posted Sep 9, 2020
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Tomris Laffly
Thanks to Øvredal’s visual flair and visceral dedication to the monsters of Guillermo del Toro, clearly a major influence on the “Trollhunter” director’s bittersweet approach to the field, this satisfying though far from innovative dish boasts comforting flavors throughout.- RogerEbert.com
- Posted Aug 9, 2019
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Tomris Laffly
While it on the whole doesn’t feel as engrossing as some of the filmmaker’s former, more innovative movies (the terrific What Happened, Miss Simone? comes to mind), Becoming Cousteau is still as immersive and warmly inviting as non-fiction biographies come.- RogerEbert.com
- Posted Oct 22, 2021
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Christy Lemire
Director Steve Gomer approaches dire and potentially devastating situations in understated fashion, allowing the purity of their prevailing humanity to shine through.- RogerEbert.com
- Posted Aug 25, 2017
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Sheila O'Malley
Winkler, and featuring three very strong central performances and eye-catching poetic visuals, Jungleland is more of a mood-piece than anything else, and on that level it works beautifully. The mood is strange, sad, and hypnotic.- RogerEbert.com
- Posted Nov 6, 2020
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Brian Tallerico
While Kim’s filmmaking is typically engaging, it’s really Song Kang-ho who carries the viewer’s interest.- RogerEbert.com
- Posted Sep 24, 2016
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Susan Wloszczyna
An action adventure that puts brain ahead of brawn as a valued commodity is always reason to celebrate. Add in the considerable heart that Baymax contributes (with elements borrowed from both “WALL-E” and “Up”), and you have a winner.- RogerEbert.com
- Posted Nov 6, 2014
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Odie Henderson
At times, Premature has the same fly-on-the-wall, near-improvisational and casually meandering qualities of a Cassavetes film, though its refreshingly honest and direct depiction of Black sexuality made me think of early Spike Lee or Bill Gunn.- RogerEbert.com
- Posted Feb 21, 2020
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Sheila O'Malley
One of the strengths of the film, also written by Pearce, is how much it is willing to withhold, without descending into "Gotcha!" manipulation.- RogerEbert.com
- Posted May 11, 2018
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Clint Worthington
A tight, restrained, worthwhile first feature from a cast and crew whose next jaunt into the woods will surely worth sharpening our teeth for.- RogerEbert.com
- Posted Aug 1, 2025
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Glenn Kenny
People can find ways to be happy now because they have more choices, more resources. In a world that seems in many respects to be headed to hell in a handbasket, that’s a fact worth celebrating, and this movie does so in an appropriately humane manner.- RogerEbert.com
- Posted Jul 20, 2018
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Christy Lemire
Too often, Kane and Koury don’t seem to trust entirely what they have, and they needlessly pad Voyeur with miniatures, re-enactments and an overall light, playful tone. It all seems at odds with the story’s fundamentally disturbing — yet gripping — content.- RogerEbert.com
- Posted Dec 1, 2017
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Matt Fagerholm
As awe-inspiring as this footage is, it’s every bit as amazing to envision how the filmmakers had to prepare for framing these moments with impeccable precision.- RogerEbert.com
- Posted Dec 2, 2016
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Sheila O'Malley
Housebound is a standout, though, because of its satirical mood and its multiple scenes of almost screwball comedy.- RogerEbert.com
- Posted Oct 17, 2014
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Nell Minow
We might not come away understanding Jacobs or his world better, but we can still enjoy spending time with him.- RogerEbert.com
- Posted Mar 25, 2026
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But there is much to like, and pay attention to in First Match. It’s a film of small moments.- RogerEbert.com
- Posted Mar 30, 2018
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Reviewed by
Christy Lemire
I am here to tell you that you will be shockingly entertained. Dora and the Lost City of Gold manages to ride a fine line between being true to the characters and conventions of the series and affectionately skewering them.- RogerEbert.com
- Posted Aug 9, 2019
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Odie Henderson
The plot description is a good old-fashioned okey-doke, a distraction that lulls you with its absurdity so you’ll be blindsided by the lean, suspenseful and effective movie director Jon Watts delivers.- RogerEbert.com
- Posted Aug 7, 2015
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Matt Fagerholm
The overwhelming positivity in this footage is illuminating and encouraging, yet also more than a touch puzzling, raising questions of precisely where this intolerance hibernates when cameras aren’t around to support such devastating legislation.- RogerEbert.com
- Posted Oct 30, 2019
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Glenn Kenny
This lively and engaging documentary could just as well be titled “The Labyrinths of Umberto Eco.”- RogerEbert.com
- Posted Jun 30, 2023
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Nell Minow
Garcia and Estefan and all of our feelings about weddings bring so much warmth and good humor to the movie that it calls for a "yes" on the RSVP.- RogerEbert.com
- Posted Jun 16, 2022
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Glenn Kenny
Blow the Man Down isn’t an earth-shaker, but it’s a small pleasure that makes you wish for more from its filmmakers, and soon.- RogerEbert.com
- Posted Mar 20, 2020
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Tomris Laffly
While some of these struggles are specific to the French communities the film follows, they are also universal, with recent echoes deeply familiar here in the US. And despite a morally ambiguous parting note, Athena incisively engages with these battles despite a brassy style that at times overpowers them.- RogerEbert.com
- Posted Sep 23, 2022
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