Because of its occasional bursts of rhythm and melody, Post Self is one of the more accessible Godflesh albums.

As esoteric as the use of language translation software might seem, Doran and Carlile work their magic on these dialects and accents.

The band's mix of disco, funk, new wave, dancehall and West African music would in most hands sound muddled or derivative. What happens instead is music filled with life and imagination of the kind described by Stuart Evans, the cofounder of the Green Door Studio, who once likened Golden Teacher to seeing "a robot dancing with a leopard."

It may not have the broad appeal of past Steffi albums, but that was never the point. It's modern-day braindance for listeners willing to find meaning from within.

At over three hours of half-lidded drone and ambient, Rainbow Mirror is one of the quietest Prurient albums, yet also one of the most demanding.

Other M.E.S.H. records--including his 2015 debut LP, Piteous Gate--were narrow beam; Hesaitix is the full spectrum.

Klein's work exists entirely on its own terms. It's a vocalist and her piano presenting a form of singer-songwriter music that doesn't need words to get its feelings across.

Afternooners is deceptively complex for soundtrack music.

The album's mix of chipmunk samples, sound shards and tender melodies sounds contemporary, but it fails to bring out the ingenuity and energy of Carnell's best music. On Value, he bares his soul, but we don't learn much.

His latest LP, Prins Thomas 5, is a less extravagant take on space disco. ... The LP's calmest moments are its standouts.

Dunn fulfills the title's promise by exploring other styles, though most fall squarely within the "old-school house" category. ... Other digressions don't fare as well. ... Still, when My House From All Angles hits, it hits hard.

The producer's peacenik ambitions are never far away, though, and the more naked they become, the more his music loses its depth and subtlety.

while it's not perfect, Les Fleurs Du Mal is a brave leap into the dark, a place so suffocating, black and unknown that it bears revisiting just to see what you might encounter on your next descent.

With enough listens, you'll even catch yourself humming its melodies, but the ideas come close to feeling generic.

By faithfully spotlighting the range and craftsmanship of Japanese computer game music, Diggin In The Carts pays effective tribute to the place from which that pride stems.

The dark liquid that once represented Björk's emptiness becomes a source of love that gushes and flows through her. Where once it felt suffocating, here it feels open and endless.

Though Arpo draws from Seaton's private life, its heady daydream vibe is open and accessible.

Clarke sounds reinvigorated here. It's clear he feels he has nothing to prove to anyone but himself.

But even if it isn't brilliant all the way through, Belief System is still an achievement. 12 of its tracks are as electrifying and giddy as you'll hear all year.

If The Inheritors was the sound of the former trance artist undergoing a spiritual rebirth, The Animal Spirits is as close as he's come to transcendence.

As you would expect on a 17-track compilation, in places the experiment really works and elsewhere it probably could have been left alone, but there are enough killer moments here to make it all worthwhile.

DJ-Kicks lays out each of his influences piece by piece, almost like listening to a deconstructed Lone album. For fans of Cutler's singular music, it's an essential entry in his discography.

It never feels like Dreijer is playing catch-up. Plunge is the natural next step, a realization of impulses that have long lain dormant, or at least unrecognized.

The Centre Cannot Hold is about flux, about the flow of change through cycles of destruction and serenity. It's a more hopeful record than you might think.

The Fabriclive mix was much more than the sum of its parts, but to have some of its best tracks available in this way makes for both a solid album and a chance to wonder what you could build with them yourself.

While it's called The Kid, the LP shows Smith has matured as an artist.

Colleen's most immediate and affecting LP to date.

At a little under 40 minutes, Screen Memories is a concise LP with few faults. Its sequencing brings out the variety on offer.