ReelViews' Scores
- Movies
For 4,658 reviews, this publication has graded:
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62% higher than the average critic
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3% same as the average critic
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35% lower than the average critic
On average, this publication grades 1.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Arrival | |
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| Lowest review score: | A Hole in My Heart |
Score distribution:
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Positive: 3,354 out of 4658
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Mixed: 845 out of 4658
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Negative: 459 out of 4658
4658
movie
reviews
- By Date
- By Critic Score
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Reviewed by
James Berardinelli
Viggo Mortensen looks the part but never brings it home with great conviction or passion. I never believed in the character and that greatly diminished the film's ability to argue its ethical case.- ReelViews
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Reviewed by
James Berardinelli
Revolutionary Road is a fine motion picture, but it's not a good choice to lighten a burden or brighten a night. It rewards in the ways that only tragedies can.- ReelViews
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Reviewed by
James Berardinelli
There are good things to be said about The Spirit, but not enough of them to outweigh the bad.- ReelViews
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Reviewed by
James Berardinelli
There's no denying the film's power of compulsion and the sense that, when it's all over, it means something. Most viewers will be entertained and moved, and some will find their intellect aroused.- ReelViews
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Reviewed by
James Berardinelli
This is a rare time when young ones will get more out of a Sandler movie than their parents, who may have grown up with him when he was on "Saturday Night Live."- ReelViews
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James Berardinelli
Dustin Hoffman and Emma Thompson bring credibility to Last Chance Harvey merely by their presence. The result is a holiday parfait.- ReelViews
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James Berardinelli
It's an enjoyable and unpretentious perspective of life that reminds us how important and rewarding the little things can be.- ReelViews
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Reviewed by
James Berardinelli
Valkyrie, despite being a more straightforward thriller, is less gripping than "Downfall," the most recent film in which Hitler had significant screen time.- ReelViews
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James Berardinelli
While the voice acting is fine and the story is nicely paced, the visuals are disappointing.- ReelViews
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- ReelViews
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Reviewed by
James Berardinelli
Considering the strength of performances given by the 25-or-so teenage actors portraying the students, it's amazing that none of them have previous experience.- ReelViews
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James Berardinelli
There are no big-name stars. Barbara Serafian, who is excellent, has a thin, eclectic resume. She looks a little like Frances McDormand.- ReelViews
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James Berardinelli
Seven Pounds works better the more the viewer feels and the less he/she thinks. On an emotional level, one could decree that the movie is satisfying. On an intellectual level, it's disappointingly shallow.- ReelViews
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James Berardinelli
Aronofsky's directorial style is simple and spare. There are no flourishes or attempts to convince us that he is a master of his craft.- ReelViews
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Reviewed by
James Berardinelli
It lacks the simple elegance and intelligence of the earlier film, and employs special effects and pointless action scenes to replace passages of dialogue.- ReelViews
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Reviewed by
James Berardinelli
An intellectually and emotionally exhausting and engrossing experience. It is drama of the highest caliber.- ReelViews
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James Berardinelli
An amazingly over-the-top anti-racism parable but, despite its obvious shortcomings, it is nevertheless effective and affecting.- ReelViews
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James Berardinelli
Like fruitcake, movies like this are ubiquitous at this time of the year but rarely are they devoured with great relish or enthusiasm.- ReelViews
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James Berardinelli
What potentially could have been the greatest asset possessed by Che - its unapologetic length - turns into its greatest detriment.- ReelViews
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James Berardinelli
The Reader is closer to a near miss than a rousing success but, on balance, this is still worth seeing for those who enjoy complexity and moral ambiguity within the context of a melodrama.- ReelViews
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James Berardinelli
The transformation undergone by Michelle Williams to play this role is nothing short of astounding.- ReelViews
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James Berardinelli
Howard and Morgan have transformed this story into something more than an embellished re-telling of recent history. They have shaped a tragedy that is almost Shakespearean in force.- ReelViews
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James Berardinelli
There are plenty of small pleasures to be found throughout Darnell Martin's feature, but a compelling storyline featuring three-dimensional characters is not among them.- ReelViews
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James Berardinelli
This is essentially a Steven Seagal movie without the Ponytailed One, and may appeal to those who enjoyed Seagal's rather bland, cookie-cutter action films.- ReelViews
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James Berardinelli
Transporter 3 is the most frustrating entry into a series that has never set the bar terribly high.- ReelViews
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James Berardinelli
Four Christmases is waste of time and a disappointment, but it's also relatively painless.- ReelViews
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Reviewed by
James Berardinelli
Milk feels like an important picture, but not in a way that makes it tedious to watch. There's no pretentious sheen to the proceedings.- ReelViews
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James Berardinelli
Twilight isn't an especially good movie, but neither is it an abomination. At times, the dialogue is laugh-aloud bad - almost to the point of being hilarious.- ReelViews
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Reviewed by
James Berardinelli
The film's biggest problem is its director. Marc Forster is an experienced art house filmmaker with impressive credits (most recently, "The Kite Runner)", but he is clueless when it comes to action sequences.- ReelViews
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