ReelViews' Scores

  • Movies
For 4,652 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Arrival
Lowest review score: 0 A Hole in My Heart
Score distribution:
4652 movie reviews
  1. While there are a lot of similarities between Rohmer's body of work and Baumbach's latest, the most crucial aspect linking the films is a difference: Rohmer's love of conversation and languorous pace engages the intellect; Baumbach provides a good alternative to an over-the-counter sleep aid.
  2. The movie makes a variety of changes to Jeffrey’s story to make it more cinematic, but without the kind of narrative reworking needed to streamline the material, the result feels unfocused and shapeless.
  3. This is a film for anyone who prefers to leave the theater smiling.
  4. Scream is a rarity: a horror movie spoof that succeeds almost as well at provoking scares as laughs.
  5. The best superhero movie since "The Dark Knight" (and far less serious in tone or approach), Kick-Ass earns its name in every way.
  6. Not only was I touched by the characters and engrossed by their story during the 120 minutes they were on screen, but I could have easily spent another hour or two with them.
  7. The limp climax doesn't undo the solid humor, wicked social commentary, and delicious satire that precedes it, but it leaves an unpleasant aftertaste. In the end, Mean Girls isn't mean enough.
  8. As much heralded, "edgy" movies go, Transamerica fails to live up to expectations.
  9. The story is timely and powerful, and the performances of Hanks and Washington assure that the characters will not immediately vanish into obscurity.
  10. An engagingly lighthearted rags-to-riches romp with a David vs. Goliath element, the movie uses its real-life basis to formulate a modern day fairy tale.
  11. Visually, The Good Dinosaur boasts some of the most amazingly photo-realistic sets I have seen in any animated film.
  12. The two best words to describe the 2006 motion picture Miami Vice are "stylish" and "intense."
  13. Master is something of a mixed bag but and, for those hoping to find the next Get Out, the search must go on.
  14. There are things to like about the second Hobbit film - the director's vision of Middle Earth is as beguiling as ever - but the bloating that was a problem with An Unexpected Journey is an even bigger issue here.
  15. For me, this is as deflating a movie as I have seen all year. Not the worst, to be sure, but a project so utterly unnecessary that it made me want to gnash my teeth in frustration.
  16. In this motion picture, Oliver Stone presents his vision of the forces that drove and motivated the late President. And, factual or not, there's no denying that Nixon has moments when it is nothing short of compelling.
  17. This one delivers.
  18. The movie is jovial without being silly; it retains the sense of adventure that characterizes the Western, but replaces the often somber mood with one that is airy and, at times, almost comedic.
  19. By limiting the film’s time frame, the narrative is allowed to breathe and, as a result, we get a distinct snapshot not only of the main character but of the setting that resulted in his becoming historically important.
  20. Splice is as much a psychological thriller and drama about bio-ethics as it is a horror movie. Like the vastly superior "The Fly," it uses gore sparingly; delivering shocks to the audience is a secondary consideration.
  21. Has once again caught lightning in a bottle and unleashed it on audiences, blending humor, adventure, and a lot of nifty special effects-enabled gadgets and creatures into a movie that provides 1 1/2 hours of unfettered entertainment for children, grandparents, and everyone in between.
  22. Beautifully filmed and emotionally on-target when confined to 1924, Mothering Sunday loses its way once unmoored in time and left adrift on the currents of the years to come.
  23. Elf
    More likely to end up on the snow pile of forgettable Christmas-themed movies than in the vault of memorable ones.
  24. Although targeted primarily for girls in the 12-to-19-year old range, there's enough truth about friendship, love, and life in The Sisterhood of the Traveling Pants to offer solid entertainment to almost anyone who gives it a chance.
  25. By blending facts, myths, and made-up material, Lemons weaves a strong, engaging tale but, at least on some level, there’s a sense of a missed opportunity to do something grander.
  26. The battles and a climactic action sequence are well filmed but Kingdom isn’t trying to outdo the other summer films when it comes to edge-of-the-seat viewing. In a strange way, I find that refreshing.
  27. Shelton took a chance with this film. Given a less talented performer, Cobb could have been an awkward, over-the-top melodrama. As it is, however, the movie works much as Mrs. Parker and the Vicious Circle does -- as an unobstructed view of human degradation and the damage it wreaks.
  28. Fantastic Beasts is an enjoyable stand-alone but its position as the progenitor of a new franchise remains unclear.
  29. It’s a reasonable way to get out of the heat for a few hours and give your kid a treat but don’t expect to get as much out of it as you would if you were part of the under-10 crowd.
  30. Anyone approaching it today will find it horribly dated, badly produced, and filled with uninspired musical numbers and over-the-top performances. This is the kind of movie that turns off children of today's generation from titles made during the early talkie era.

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