It’s mostly an off-kilter road trip that accomplishes what the Coens do best - seamlessly merging drama, violence, and quirky humor into a whole.

A nearly flawless example of movie composition, with close examination revealing how carefully it was put together. For those who take a less studious and more visceral approach to movie viewing, it's also worth noting that Chinatown is a superior thriller - one that will keep viewers involved and "in the moment" until the final, mournful scene has come to a conclusion.

Despite its various deficiencies and occasionally antiquated style, King Kong remains not only a milestone of movie-making, but a magical experience.

Represents the director at his best -- unsentimental yet powerful, funny and poignant, and, in the end, undeniably satisfying.

Despite a seemingly straightforward slice-of-life storyline, The Florida Project achieves something rare and magical: presenting existence from the perspective of a young child while, at the same time, providing enough “clues” that viewers are able to decipher what’s really going on.

Cool Hand Luke is a metaphor for the social climate in which it germinated. Luke represents that segment of the population who will not submit, no matter how viciously they are beaten. They repeatedly rise up, convinced not only of the rightness of their actions, but that, in the end, they can make a difference. In the midst of the burgeoning '60s cultural revolution, it's impossible to ignore.

Maborosi is a worthwhile movie experience not because it ventures into virgin territory, but because its presentation is so precise and unique.

Spielberg has always shown a penchant for overt manipulation, but nowhere is this more obvious than in E.T., where he pulls out all the stops in an effort to bleed tears from the eyes of every audience member. It doesn't take a cynical nature to recognize what the director is doing. [2002 re-release]

Apocalypse Now is one of those flawed films that contains enough masterful sequences to compel a viewer. Redux is merely a curiosity, and of interest only to those die-hards who believe this movie to be one of the greatest pictures ever to be projected in a theater.

The beating heart of Never Rarely Sometimes Always isn’t Autumn’s struggle with terminating her pregnancy; it’s the way the two girls discover companionship and the strength it offers.

This is one of the most effective depictions of Arendt’s “banality of evil” that I have seen and that’s in large part due to the unconventional tactics employed by Glazer in bringing this story to the screen.

One of the reasons that Quiz Show is so extraordinary is because it spins a story as compelling on the personal level as on the national one.

Toy Story 3 enhances the legacy of its brand while providing exceptional entertainment value for viewers of all ages, especially for those who favor the brighter, livelier 2-D iteration over the 3-D gimmick.

This Is Spinal Tap is virtually guaranteed to appeal to nearly everyone. The film contains everything from laugh aloud moments to scenes that will have even the most dry, humorless viewers smiling with unrestrained mirth.

With patience, care, and strict attention to detail, Scorsese has staked out an impregnable position in the history of motion pictures.

Fatoumata Coulibaly's peformance is striking. She plays her character with a mixture of determination and compassion.

Lately, it seems that film noir has become the province of independent productions. As a result, it's refreshing to see a big-budget, studio effort of this sort that does nearly everything right.

Despite its flaws, White is an excellent character study, and the presentation of a twisted love story is compelling.

Simply put, Sofia Copolla's Lost in Translation is an amazing motion picture.

Even had it possessed a less intelligent script, After Life would have been intriguing on the basis of its central conceit alone. However, with Kore-eda's skillful hand behind both the camera and the pen, the result is a rewarding cinematic experience.

The film’s contribution is the unique perspective it provides about what it meant to work in a death camp.

As much as the later movies diluted the character of the Frankenstein creature, nothing could blunt the impact made by Karloff in the role of the most memorable movie monster of all time.

It's audacious but also genuine. It's emotionally true and demands much from its audience not in terms of suspension of disbelief but of empathy with the main character.

Gerwig is trying for something a little different, juggling the time frame and creating a “meta” ending to make the story’s feminist themes overt and incorporate an ambiguous “twist” that some will see as clever and others may find heretical.

One of Bogart’s best acting performances. It shows his range – although having normally played an “alpha” character, here he is easily manipulated by the strong-willed Rose.

A highly satirical work, albeit without the "in your face" style of "South Park."

The quality of the humor - irreverent, smart, and challenging - is one of the things that differentiates Monty Python and the Holy Grail from so many other motion picture comedies.

All Quiet on the Western Front is the definitive World War I motion picture, the best of a surprisingly small class of movies.