ReelViews' Scores

  • Movies
For 4,652 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Arrival
Lowest review score: 0 A Hole in My Heart
Score distribution:
4652 movie reviews
  1. The result is a grim, startling motion picture.
  2. Girls Town does an excellent job of uncovering the angst, pressure, and doubt associated with the late teenage years. Its a refreshing film, not only because it shines the spotlight exclusively on girls (all the male characters are incidental) but because it does so without a whiff of exploitation.
  3. The film has been crafted with a consideration that the best family movies appeal not only to a young target audience but to the parents who accompany their offspring to theaters.
  4. Darkly effective, and its grip lasts longer than we might be entirely comfortable with.
  5. Bright, colorful, and exhilarating.
  6. The result is an effective portrait of a damaged individual uncertain about the meaning of love and commitment and the two key relationships in his life that teach him lessons about both.
  7. The movie succeeds because screenwriter Howard Himelstein keeps Wilde's best lines intact and the actors speak the words with practiced confidence.
  8. [The film] occasionally had me convulsed with laughter.
  9. Cloverfield's gritty, in-your-face style is uncompromising. If you're looking for a nice, clean movie filmed with a steadycam, you'll have to look elsewhere.
  10. This is a film of powerful ideas, impressive set design, and compelling performances.
  11. A tender movie about a poignant and difficult subject.
  12. Not a daring film, but it is immensely likable. Every once in a while, a movie comes along that, despite traversing familiar terrain, is made with enough all-around skill that it overcomes its clichéd origins. About a Boy is such a movie.
  13. It's a rousing adventure that keeps the audience involved for the entirety of the two hour running time while opening a window into the culture that gave birth to Christopher Marlowe, Edmund Spenser, Francis Bacon, and William Shakespeare.
  14. A feel-good movie that offers enough comedy and romance to warm the heart without risking a sentimental overdose.
  15. The Drop's unpredictability is organic rather than sensationalistic. The movie doesn't pull surprises out of thin air for the sole purpose of shocking an audience - it lets them develop naturally.
  16. Historical fudges aside, Hidden Figures provides an example of determination and talent triumphing over an unfair and repressive system.
  17. It is a dark, violent, sexually explicit motion picture that will surely offend timid viewers.
  18. There's no question that State of Play feels a little rushed and the density of plot can be daunting, but the resulting tale unfolds with an urgency and sense of verisimilitude that will keep most viewers intrigued and involved without losing many along the way.
  19. A fairly routine thriller that gets high marks as a result of tight pacing and top-notch acting.
  20. One of those pleasant movie-going experiences that doesn't offend, excite, or challenge anyone. There are all sorts of likable things about it.
  21. Green Room is a simple movie with a straightforward premise. The film works for two reasons: Stewart’s presence and Saulnier’s execution.
  22. The three leads provide convincing performances, with Dakota Fanning being the standout.
  23. The movie’s failings come during its final act when contrivances and an adherence to big budget conventions transform Passengers into a less compelling experience than what it starts out as.
  24. The movie eventually achieves a level of powerful drama…but only after dithering for more than an hour.
  25. The film is fascinating and at times disturbing, but Winterbottom's arms-length style mutes any emotional impact.
  26. The strength of the screenplay and acting provide a satisfying, although not overwhelming, two hours of romance, drama, and tragedy.
  27. The Vanished Element provides an opportunity for those who enjoy the conceits and stylistic approach of neo-noir thrillers but are looking for something less entrenched in the standard narrative structure.
  28. Easy A may not be a great movie, but it is a knowing and enjoyable one.
  29. Kids for Cash may not be inherently cinematic (a lot of the footage, after all, first appeared on television) but it is compelling.
  30. The effectiveness of the film’s overall aesthetic cannot be understated: what F1 lacks in narrative development it more than compensates for with its thrill-ride aspects. Watching the film, you may not believe you’re in a racing car but you will feel like you’re doing more than passively sitting in a theater seat.

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