Record Collector's Scores

  • Music
For 2,506 reviews, this publication has graded:
  • 51% higher than the average critic
  • 5% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.1 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Queen II [Collector's Edition]
Lowest review score: 20 Relaxer
Score distribution:
  1. Negative: 6 out of 2506
2506 music reviews
    • 76 Metascore
    • 80 Critic Score
    "We're blossoming," she sings of a new romance, but she could easily be talking about herself and her artistic trajectory, having pulled off a daring makeover with such style. [Apr 2026, p.104]
    • Record Collector
    • 85 Metascore
    • 80 Critic Score
    You may rejoice, you may be bemused, or you may soil your drawers and run for the nearest exit. It's quite an experience, however you find it. [Apr 2026, p.109]
    • Record Collector
    • 80 Metascore
    • 80 Critic Score
    If 2021's Vertigo Days was impressive but remote, News... is more approachable and tactile in its tunes and textures, reflecting a decision to record live in the studio. [Apr 2026, p.108]
    • Record Collector
    • 82 Metascore
    • 100 Critic Score
    An immediate contender of one of the best psych albums of 2026. [Apr 2026, p.101]
    • Record Collector
    • 84 Metascore
    • 80 Critic Score
    A dense, lush and melodic blend of krautrock, psych pop, art-rock, dubby soundscaping and other styles that will forever be cooler than Keanu Reeves' icetray. [Apr 2026, p.107]
    • Record Collector
    • 82 Metascore
    • 60 Critic Score
    A woozy, jazzy soundscape. [Apr 2026, p.98]
    • Record Collector
    • 80 Metascore
    • 80 Critic Score
    Mixing habitual anxieties and a kind of caught-in-the-moment clarity with intuitive fluency, Creature Of Habit is the Sound of an in-character transition smartly captured, bottled with instinctive assurance. [Mar 2026, p.102]
    • Record Collector
    • 86 Metascore
    • 80 Critic Score
    There are moments of relative sonic reserve here (the understated The Ceiling Underground; the lithe indie-pop of Inhospitable/Hospital; the bending shoegaze riff of Chestwound To The Chest), but – as with the tumultuous finale of TV People Still Throwing TVs At People – it’s an album which is largely turned up to 11, emotionally and sonically. [Mar 2026, p.104]
    • 71 Metascore
    • 60 Critic Score
    While the sharp electric riffs pair neatly with the existential themes of the 26-year-old's lyrics on Agony Freak, its sounds are a little generic in the realm of contemporary indie-rock. Jordan does much better with the warm, Sundays-inspired jangle chords in Tractor Beam and my Maker, the album's high points. [Apr 2026, p.109]
    • Record Collector
    • 75 Metascore
    • 60 Critic Score
    This is a reasonably entertaining album. [Apr 2026, p.106]
    • Record Collector
    • 75 Metascore
    • 80 Critic Score
    These 11 tracks attack from a more humanistic point of view, rather than a didactic one, especially on The Information, an emphatic antidote to this awful AI-addled age, the highly-charged Organoid and the gorgeously dreamy Can't Lose. [Apr 2026, p.106]
    • Record Collector
    • 85 Metascore
    • 100 Critic Score
    One of the most powerfully intense live acts on the circuit, Prostitute have miraculously transferred that intensity to this truly extraordinary record. [Apr 2026, p.108]
    • 87 Metascore
    • 80 Critic Score
    High-octane strutters You Call This A Good Time and Profane Prophecy reconnect with the classic Crowes of their earliest albums, while the bluesy back-porch strum of Pharmacy Chronicles and the laconic testifying of Eros Blues remind us that Chris has one of the best white soul voices in the business. [Apr 2026, p.105]
    • 81 Metascore
    • 80 Critic Score
    Leaves us keen to hear what she does next. [Apr 2026, p.106]
    • Record Collector
    • 77 Metascore
    • 60 Critic Score
    It feels almost improvised half the time, but there's a quiet, escalating intrigue to their murmurings. [Mar 2026, p.105]
    • Record Collector
    • 82 Metascore
    • 80 Critic Score
    Powerful, and relentless in its attack. [Feb 2026, p.103]
    • Record Collector
    • 74 Metascore
    • 80 Critic Score
    What stands out most from this time is the sense of possibility and spirit of adventure. [Feb 2026, p.96]
    • Record Collector
    • 82 Metascore
    • 80 Critic Score
    Between bookending tracks Why Is The Lion?/Bride Of The Lion, reflections on modern fars both, (Everybody's Got A) Friend Named Joe and Vietnam Sunshine meditate gracefully and playfully on friendship and commitment. Spare settings offer breathing room, with strings, sax, flute and more colouring in the songs' fringes. [Mar 2026, p.103]
    • Record Collector
    • 80 Metascore
    • 80 Critic Score
    It succeeds by drawing in the listener and urging them to do some interpretative work. [Mar 2026, p.103]
    • 83 Metascore
    • 80 Critic Score
    Trixie’s bears many of the hallmarks the group would, a few years later, become celebrated for. Several hooks and melodies offer up the kind of earworms that helped establish Squeeze as one of the UK’s most dependable and radio-friendly singles bands, and there is already an astonishing maturity to Difford’s lyrics, often taking the form of poignant character studies. [Feb 2026, p.98]
    • 59 Metascore
    • 60 Critic Score
    Sometimes predictably frustrating, sometimes pleasingly fresh, Make-up Is A Lie is a reminder that Morrissey probably couldn’t stop at this stage of the game, much less change. [Mar 2026, p.100]
    • 65 Metascore
    • 80 Critic Score
    Praying at the church of Eighties pop and boingy synths - from Madonna to Tears For Fears - they add just enough heavy-ish rock detail to prevent it getting sickly-sweet, and the beaming bravado wins you over. [Feb 2026, p.101]
    • Record Collector
    • 83 Metascore
    • 80 Critic Score
    The musical palette has broadened, the lyrics sharpened. [Mar 2026, p.104]
    • Record Collector
    • 83 Metascore
    • 80 Critic Score
    The Mirror radiates a collaborative spirit if curiosity, seeking - and finding - wonder and mystery in the everyday. [Mar 2025, p.103]
    • Record Collector
    • 75 Metascore
    • 80 Critic Score
    These shoegaze lovers from Philadelphia pick up where they left off with their first record in five years. Nothing excel at dynamics. [Mar 2026, p.105]
    • Record Collector
    • 87 Metascore
    • 80 Critic Score
    The intensity with which she details her local ecosystem is something to behold. .... On this evidence, the cult of Mitski isn't about to die down anytime soon. [Feb 2026, p.102]
    • Record Collector
    • 79 Metascore
    • 80 Critic Score
    The result is a record of many radiant treasures, inviting and rewarding maximum immersion. [Mar 2026, p.105]
    • Record Collector
    • 82 Metascore
    • 80 Critic Score
    Arguably his most intimate and revealing album yet. [Mar 2026, p.102]
    • Record Collector
    • 86 Metascore
    • 80 Critic Score
    The Mountain is a rich, rewarding take on living with and after loss, brimming with feeling, character and vibrant pop purpose. [Feb 2026, p.100]
    • 80 Metascore
    • 80 Critic Score
    These are more than covers, more bold reworkings. [Mar 2026, p.102]
    • Record Collector