Record Collector's Scores

  • Music
For 2,518 reviews, this publication has graded:
  • 51% higher than the average critic
  • 5% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.1 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Queen II [Collector's Edition]
Lowest review score: 20 Relaxer
Score distribution:
  1. Negative: 6 out of 2518
2518 music reviews
    • 55 Metascore
    • 60 Critic Score
    Unexpectedly enjoyable, the only real misfire comes with If God Made Everyone, which starts off like a Quadrophenia outtake before verging into unpalatable mid-90s U2 territory.
    • 55 Metascore
    • 40 Critic Score
    It’s experimental in a kitchen sink (including Chris Isaak) way rather than studied and arty à la Everything Everything. Too often, the results are a bit of a mess.
    • 55 Metascore
    • 60 Critic Score
    Some of the bombastic stadium moments are so silly they’re fun but the more rustic pieces are where this Starr shines brightest. Speed Of Sound and Shake It Up have good-time rockabilly swagger, while the record’s highlight is So Wrong For So Long: a pedal-steel breakup tune which reaffirms Starr’s scouse-cowboy croon as one of the great lost voices of country music.
    • 55 Metascore
    • 40 Critic Score
    Only the hushed Living Lux, which closes the album in delicate velvet drifts, escapes unscathed. It is, sadly, not enough to give Bloc Party redemption.
    • 55 Metascore
    • 60 Critic Score
    Theis ruminative reminder that at their core they're equal parts inspired by Cohen and Bowie is a shrewd, often stirring step. [Jun 2025, p.103]
    • Record Collector
    • 55 Metascore
    • 60 Critic Score
    The 16th studio album by the former singer of punk band The Adverts sees a typically fierce set of lyrics set to a bunch of poppy tracks to excellent effect.
    • 55 Metascore
    • 60 Critic Score
    Fans of ST’s metal era (basically everything from the late 80s on) will appreciate Lombardo’s solid presence, though there’s a feeling that the master is slightly under-utilised here, more of his Cuban influences would have freshened up the slightly over-familiar sound a bit.
    • 54 Metascore
    • 60 Critic Score
    The album may not provoke the US Spring the band hopes for but, as an expression of rancour and frustration, it’s a teeth-baring smasher.
    • 54 Metascore
    • 20 Critic Score
    Move on, there’s nothing to see here.
    • 53 Metascore
    • 80 Critic Score
    Even the bluntest songs (Angry Bird, Party Liquor) have a dark, cautionary subtext, while the bereft, beautiful Something From Nothing (“about becoming dependent upon faith, which is as much a danger as a source of solace in troubled times”) genuinely stands shoulder to shoulder with Rundgren’s finest ballads.
    • 53 Metascore
    • 60 Critic Score
    Musically, Heaven And Earth is (generally) concise and catchy.
    • 53 Metascore
    • 60 Critic Score
    All Fired Up, though, is a touch too generic to have Young and his new cohorts making too many changes to the live setlist.
    • 51 Metascore
    • 20 Critic Score
    The guitar solos are the album’s single saving grace.
    • 48 Metascore
    • 40 Critic Score
    Sadly, Wyman can neither sing nor write a decent song.
    • 43 Metascore
    • 60 Critic Score
    There are a few misses here but Unleash The Love is a fun upbeat song that bounces along with the help of a choir, and both Pisces Brother and Cool Head, Warm Heart are strong ballads that sit comfortably in the live set of the touring Beach Boys. ... Disc Two is a head scratcher.
    • tbd Metascore
    • 80 Critic Score
    10 tightly produced co-writes with the massively influential polymath suggest they might finally strike lucky.