Achilles Last Stand and Nobody's Fault But Mine notwithstanding, Presence sounds as rushed as it was. [Sep 2015, p.121]

It's aged remarkably well and All My Love is breathtakingly beautiful. [Sep 2015, p.121]

Coda mopped up odds and sods and two new discs include Page and Plant's 1972 recordings with the Bombay Orchestra. [Sep 2015, p.121]

Death Magic feels like the work of a band who have pulled themselves together, but might be more fun falling apart. [Sep 2015, p.110]

The remaining selections cover Newport appearances from all the major phases of his career. [Sep 2015, p.119]

Confrontational yet communal. It's what his fans adore the most and, more than any of his previous five studio albums, Positive Songs For Negative People has it in spades. [Sep 2015, p.115]

As the album goes on, however, Marks To Prove It becomes a heavy dose of reflection upon reflection and a similarity of pace means the songs begins to merge into one another. [Sep 2015, p.108]

[A] blistering debut. [Sep 2015, p.109]

Sticking largely to the budget yacht rock, hazy indie sounds of its predecessor, Another One finds our hero circling the plughole of heartbreak, with stop-offs into anguish, pique and confusion. [Sep 2015, p.110]

God only knows how they stay this angry, or this compelling. [Sep 2015, p.110]

Momentary Masters is a big beast with swagger in its bones and craft in its soul. [Sep 2015, p.110]

Largely they hit the sweet spot by turning these songs into tunes that could be straight off their own LPs. [Sep 2015, p.110]

Whenever the energy flags and the songs become a little so-so, she turns on the voice and dazzles again. [Sep 2015, p.113]

The psychedelic haze of second LP Kaleidoscope Dream us toned down, replaced by a quixotic take on the R&B and rock landscape that, more than anything, stakes a claim for otherness. [Sep 2015, p.113]

Opting to name your album Magnifique certainly suggests a renewed confidence and the music here largely supports that. [Sep 2015, p.115]

Not the new sound of now, perhaps, but they play with enough fury to make the ancestors proud. [Sep 2015, p.117]

Cabic is most effective when he's closer to home. [Sep 2015, p.117]

There's an unmistakable, tightly drilled quality to all his [Tony Esposito's] work. [Sep 2015, p.117]

While there's throat-shredding fervour, it becomes a crazily overextended blur of goofy anthemics. [Sep 2015, p.117]

Exuberant party-banging love songs. [Sep 2015, p.116]

Blood is all about accentuating the positives, an ambitious and assured album that refuses to move any direction but up. [Aug 2015, p.105]

With hints of Maurice Jarre on the title song and Love Reign O'er Me achieving full-chest-beating catharsis, it suits its new symphonic frame. [Aug 2015, p.114]

The world's finest rock'n'roll combo. [Jul 2015, p.119]

The melting-pot approach, amplified by Toure's raw, yearning vocals, is what makes these 10 tracks so tantalising and evocative. [Jul 2015, p.119]

If the songs on St. Catherine are remarkably pretty, there's also a lurking sense that their beauty isn't built to last forever. [Aug 2015, p.104]

Still work to be done here. [Aug 2015, p.106]

Cod-reggae and sunny R&B are the order of the day here, which as beach bar background music would no doubt suffice. But unless Stone is content with coasting she needs a serious rethink. [Aug 2015, p.112]

Entirely instrumental, it retains the band's elasticated, rhythmic approach but stretches and softens it to create something much more atmospheric and evocative. [Aug 2015, p.105]