Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 81 Metascore
    • 70 Critic Score
    There's a lack of clutter to songs such as To The Open Spaces and the title cut, with its barely-there brass arrangements, which makes them simple pleasures, and among the best songs of her career. [Jun 2003, p.102]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Shine is a work of subtlety and hushed intimacy that, at times, barely seems to exist at all. [May 2003, p.109]
    • Q Magazine
    • 78 Metascore
    • 70 Critic Score
    Some songs haven't quite matured and a new mainstream polish sometimes dulls the emotional edge. [Aug 2003, p.102]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Comeliness and brutal candour in equal measure. [Jun 2003, p.92]
    • Q Magazine
    • 60 Metascore
    • 70 Critic Score
    An engagingly quirky rock record. [Oct 2003, p.100]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    A very understated record, the kind that will be treasured by diehards, pull in one or two casual bystanders and leave the world pretty much unchanged. [Apr 2003, p.106]
    • Q Magazine
    • 60 Metascore
    • 60 Critic Score
    It's a record about being Madonna. [Jun 2003, p.90]
    • Q Magazine
    • 58 Metascore
    • 80 Critic Score
    The results are just wonderful. [Sep 2003, p.112]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    A haunting, left-field album of some class. [Jun 2003, p.96]
    • Q Magazine
    • 62 Metascore
    • 60 Critic Score
    It's not all bad, though, as the album possesses a killer repertoire of filthy bass lines and an undeniable pedal-to-the-metal verve. [Aug 2003, p.116]
    • Q Magazine
    • 62 Metascore
    • 20 Critic Score
    This debut has her trilling like Mariah Carey on fluffy R&B tunes. [Oct 2003, p.103]
    • Q Magazine
    • 76 Metascore
    • 70 Critic Score
    As complex and remarkable as everything that preceded it. [Jun 2003, p.92]
    • Q Magazine
    • 52 Metascore
    • 30 Critic Score
    Tough to endure even once. [Aug 2003, p.110]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    At their worst The Stratford 4... are as far out as a Chapterhouse B-side. When they hit their freaked-out stride, however... they shake off the enervation and kick up some genuine rock'n'rool aggro. [Oct 2003, p.114]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Beautiful stuff: sunny with a sad undertow, like The Beach Boys, Beck and The Beatles put in a blender. [Nov 2003, p.110]
    • Q Magazine
    • 50 Metascore
    • 20 Critic Score
    At least Nickelback know how to write a tune. [Jul 2003, p.104]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    Here, they may have taken self-effacement too far. [May 2003, p.114]
    • Q Magazine
    • 87 Metascore
    • 80 Critic Score
    She sounds gloriously rough-edged and authentic. [May 2003, p.114]
    • Q Magazine
    • 88 Metascore
    • 40 Critic Score
    Most tracks follow a simple formula: the vocal from Don't Stop by the Stone Roses + layers of chimes + dog barks + crashing drums = mess. [Jun 2003, p.100]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    A lesson in untouched simplicity, raw groove and my-woman-done-left-me throat wobbling. [Jun 2003, p.94]
    • Q Magazine
    • 54 Metascore
    • 20 Critic Score
    A numbing montage of half-formed ideas and too-slick production. [Jul 2003, p.100]
    • Q Magazine
    • 70 Metascore
    • 40 Critic Score
    In a world where Interpol already exist, it's hard to get too excited about the twitchy Anglophilia here. [Dec 2004, p.136]
    • Q Magazine
    • 92 Metascore
    • 90 Critic Score
    A record sufficiently impressive to suggest that White Blood Cells caught Jack and Meg using only a fraction of their talents. [Apr 2003, p.98]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Once upon a time rock'n'roll was all about the sex you really shouldn't have. The Kills haven't forgotten. [Apr 2003, p.108]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    Spikily brilliant. [Apr 2003, p.111]
    • Q Magazine
    • 53 Metascore
    • 60 Critic Score
    His straitjacket is an entrenched reliance on "lighters aloft" ballads, or, ironically, Oasis-derived anthems. [Dec 2002, p.113]
    • Q Magazine
    • 64 Metascore
    • 40 Critic Score
    Even the Sharks and the Jets might find ARE Weapons' street hassle a touch quaint. [May 2003, p.98]
    • Q Magazine
    • 62 Metascore
    • 70 Critic Score
    Uneasy, strangely compelling listening. [Mar 2003, p.111]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    His best since 1995s Is The Actor Happy? [May 2003, p.100]
    • Q Magazine
    • 73 Metascore
    • 40 Critic Score
    At its best... Rules of Travel is deft adult pop; at worst... it's like Steel Magnolias scored by glib sessioneers. [May 2003, p.100]
    • Q Magazine