Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 79 Metascore
    • 70 Critic Score
    They might have a shelf life shorter than a pint of milk but, with a good tune underpinning each over-egged slice of rock pudding, are all the more thrilling for it. [Aug 2003, p.104]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Bowie's best music since Scary Monsters. [Oct 2003, p.101]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Amid such moments of clarity, however, there's the kind of meandering you originally expected from such an arty bunch. [Nov 2003, p.105]
    • Q Magazine
    • 66 Metascore
    • 40 Critic Score
    There are some crisp pop tunes--Next To Nothing; So Easy, So Cool--but the country-tinged folk of Convince Us and Say Goodbye reek of "will this do?" [Nov 2003, p.124]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    It's the kind of record you hate yourself for liking. [Dec 2003, p.132]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    5
    It retains all the allure of the most hypnotic electronica with none of the digital cliches. [Jan 2004, p.122]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    Showcas[es] [Shields'] typically speaker-buckling white noise. [Nov 2003, p.126]
    • Q Magazine
    • 56 Metascore
    • 30 Critic Score
    Most of it already sounds a decade old. [Dec 2003, p.137]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    Unabashed whimsy merges seamlessly with melodious garage rock. [Jul 2003, p.100]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    Mostly brilliant and, most surprising of all, never pretentious. [Oct 2003, p.102]
    • Q Magazine
    • 83 Metascore
    • 90 Critic Score
    Finds their meld of expansive rock, country melodies and myriad other elements scraping truly inspirational heights. [Oct 2003, p.111]
    • Q Magazine
    • 68 Metascore
    • 40 Critic Score
    An orgy of harmonica, squalling guitar, plodding ballads and ill-fitting minimalist trousers. What on earth is going on? [Oct 2003, p.113]
    • Q Magazine
    • 71 Metascore
    • 30 Critic Score
    Suffers from the same faults as previous efforts: limp tunes, pompous guitar solos and an overhwlming sense of "Will this do?" [Sep 2003, p.98]
    • Q Magazine
    • 60 Metascore
    • 60 Critic Score
    Jones's voice and melodic savvy means this album boasts--if you will--just enough entertainment to perform. [Jul 2003, p.109]
    • Q Magazine
    • 78 Metascore
    • 70 Critic Score
    Sees WK adding a little more classic rock sensibility to his high-energy party metal. [Oct 2003, p.100]
    • Q Magazine
    • 74 Metascore
    • 70 Critic Score
    Frequently explodes with ideas. [Oct 2003, p.112]
    • Q Magazine
    • 85 Metascore
    • 40 Critic Score
    The Meadowlands represents an impressive triumph of persistence over talent. [Oct 2005, p.121]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    For all its wit and occasional beauty, Passionoia lacks the killer anthem that would make the band genuine subversives rather than cult wags. [Mar 2003, p.102]
    • Q Magazine
    • 51 Metascore
    • 20 Critic Score
    Most disappointing of all... is the drab nature of Ryder's contribution: slurred, incoherent, and largely based around drug stories and lots of swearing. [Aug 2003, p.103]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    There's a lack of emotional intrigue or maverick charm here that keeps everything at a shrug-inducing distance. [Sep 2003, p.100]
    • Q Magazine
    • 78 Metascore
    • 70 Critic Score
    This is a very minor-chord affair. [Feb 2004, p.104]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Cinematic, loaded and decadent. [Sep 2003, p.109]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    The most intimate record of the year, and one of the warmest. [Oct 2003, p.113]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    There's a thin line between quirky powerpop and being They Might Be Giants. [Feb 2004, p.106]
    • Q Magazine
    • 72 Metascore
    • 40 Critic Score
    Much of Love & Life... is a procession of syrupy ballads with added self-help litanies. [Nov 2003, p.113]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    Poignant beyond words... but never mawkish. [Dec 2003, p.140]
    • Q Magazine
    • 52 Metascore
    • 30 Critic Score
    They wouldn't be totally awful if Client A could actually sing. [Oct 2003, p.103]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    An uneasy hybrid of furious, three-minute punkers and would-be anthemic ballads in the time-honoured Ramones style. [Aug 2003, p.115]
    • Q Magazine
    • 84 Metascore
    • 70 Critic Score
    While dull moments are few and far between, there's little among these 19 tracks to rival such hummable past glories as Time Bomb or Roots Radicals. [Oct 2003, p.113]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    As synth-rock rebirths go, it's highly convincing. [Jun 2003, p.95]
    • Q Magazine