Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 65 Metascore
    • 60 Critic Score
    Although this is certainly flawed, the Cardigans deserve kudos for recognising their faults, trying with all their might to rectify them. [Apr 2003, p.103]
    • Q Magazine
    • 43 Metascore
    • 60 Critic Score
    Crass, brash, open freeway excess at its best. If only he didn't spend half the album apologising for them. [Jul 2004, p.118]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    [They] have shifted further toward airy accessibility. [Jun 2004, p.107]
    • Q Magazine
    • 63 Metascore
    • 80 Critic Score
    It's the laziest of comparisons, but their harmonies--and they do it expertly live, so fear not--do have the ring of The Beach Boys. [May 2003, p.99]
    • Q Magazine
    • 61 Metascore
    • 20 Critic Score
    [They] continue precisely where they left off on 2002's Static Delusions..., bashing their way through 11 indistinguishable songs without recourse to wit, style or tune. [Jul 2004, p.112]
    • Q Magazine
    • 74 Metascore
    • 40 Critic Score
    Her attempts to swagger on songs like Dirty Dog will fool nobody. [Aug 2004, p.112]
    • Q Magazine
    • 56 Metascore
    • 60 Critic Score
    It's too wordy by half, but underneath the psychobabble lies the most solid collection of AOR you're likely to encounter this year. [Jun 2004, p.105]
    • Q Magazine
    • 78 Metascore
    • 70 Critic Score
    Mclusky are unique and getting better. [Jul 2004, p.118]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Teeters between over-studied perfection and heavenly pop glory. [May 2004, p.101]
    • Q Magazine
    • 80 Metascore
    • 90 Critic Score
    Terrifying, but in a good way. The bar is raised. [Jun 2004, p.105]
    • Q Magazine
    • 70 Metascore
    • 50 Critic Score
    Perfectly pleasant, but with none of the edge that might mark them as another Arcade Fire. [Oct 2005, p.117]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    Like a technology-phobic Beck, Desser tells his off-kilter tales with a wry eye. [Sep 2004, p.119]
    • Q Magazine
    • 51 Metascore
    • 80 Critic Score
    Kanye West's debut aside, it's the essential hip hop album of the year so far. [Jun 2004, p.102]
    • Q Magazine
    • 60 Metascore
    • 80 Critic Score
    It is by turns funny, dark, ridiculous, exhilarating and -- most strikingly of all -- relentlessly personal. [Apr 2004, p.104]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    A spiralling blend of infectious psychedelic pop that froths and fuzzes for a noisy hour. [Jul 2004, p.122]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Unusually direct. [Jun 2004, p.98]
    • Q Magazine
    • 72 Metascore
    • 40 Critic Score
    In Our Trip and Remember Today, the trio manage to strike the right balance between amp-popping fury and pop finesse--unfortunately everywhere else, they don't. [Jul 2004, p.124]
    • Q Magazine
    • 74 Metascore
    • 70 Critic Score
    Once you've bequeathed them your synapses, the rewards are great. [Aug 2004, p.116]
    • Q Magazine
    • 91 Metascore
    • 100 Critic Score
    The best album of 2004 so far, and by some distance. [Jun 2004, p.92]
    • Q Magazine
    • 72 Metascore
    • 40 Critic Score
    Those looking for the kind of soaring poetry that defined The Smiths will surely be depressed by lyrics that are often boringly solipsistic and prosaically worded. [Jun 2004, p.106]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    There's such a huge feelgood swagger it's impossible not to be swept along in its wake. [Jun 2004, p.96]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    Post-industrial punk with little to smile about. [Aug 2004, p.110]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    i
    A proper treat for aficionados of the laugh-out-loud lyric. [May 2004, p.106]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    It's all linked by a sense of dignity, wisely chosen collaborators and David Hidalgo's voice. [Aug 2004, p.115]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Geographically, one would here have to imagine a borough between The Stills and The Walkmen. [Nov 2004, p.120]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Someone still plays the Devil's music. [Jun 2004, p.98]
    • Q Magazine
    • 76 Metascore
    • 70 Critic Score
    Sounds like a recently awakened Aphex Twin in warm snooze mode. [Oct 2004, p.133]
    • Q Magazine
    • 88 Metascore
    • 80 Critic Score
    Even more mesmeric and deep into Nick Drake territory: intense and slightly damaged. [Jun 2004, p.94]
    • Q Magazine
    • 84 Metascore
    • 70 Critic Score
    This shows they've lost little of their sonic clout. [Jun 2004, p.103]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Much of it is lovely, but marred somewhat by the whispery sub-Kate Bush vocals of Kristin Valtysdottir. [Apr 2004, p.117]
    • Q Magazine