Q Magazine's Scores
- Music
For 8,545 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 67
| Highest review score: | A Hero's Death | |
|---|---|---|
| Lowest review score: | Gemstones |
Score distribution:
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Positive: 4,112 out of 8545
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Mixed: 4,355 out of 8545
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Negative: 78 out of 8545
8545
music
reviews
- By Date
- By Critic Score
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- Q Magazine
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- Q Magazine
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- Critic Score
Melodic, understated, yet with much natural warmth too, Ritter's time has surely come. [Apr 2006, p.119]- Q Magazine
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- Critic Score
Its wilful lack of song structure may make for a think-piece album rather than a jukebox favourite, but it's hard to deny its still-powerful magic. [May 2006, p.137]- Q Magazine
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- Q Magazine
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- Critic Score
It's hardly revolutionary and nothing eclipses their finest career moment At Your Funeral, but there's nothing too wrong here. [Jun 2006, p.118]- Q Magazine
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- Critic Score
Green is a one-man game of musical consequences, mismatched but endlessly fascinating. [May 2006, p.124]- Q Magazine
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- Critic Score
Mogis finds a spectrum of hues in their previously monochrome sound. [Apr 2006, p.113]- Q Magazine
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- Critic Score
It's a record that might even disappoint on first listen, but one that reveals many subtleties and wonders over time. [May 2006, p.118]- Q Magazine
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- Critic Score
What we are left with is a sense of something not quite finished... It makes Ringleader Of The Tormentors feel like a transitional album. [Apr 2006, p.108]- Q Magazine
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- Critic Score
Be warned: wisdom, soul searching and politics often lead to earnest power chords and clenched fists when coupled with poodle rock. [May 2006, p.123]- Q Magazine
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- Q Magazine
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- Q Magazine
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- Critic Score
If there's a problem, it's Bubba's one-track rhymes. All he ever talks about is himself. [Jun 2006, p.119]- Q Magazine
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- Critic Score
Like Solomon Burke and Johnny Cash before her, she's turned to the likes of Will Oldham, Dolly Parton and Merle Haggard for source material, and turns in an album of love, pain, suffering and redemption to rival any of them. [May 2006, p.130]- Q Magazine
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- Critic Score
Electronic showboating even the original authors would struggle to identify. [May 2006, p.138]- Q Magazine
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- Critic Score
At times Return To The Sea can be too clever for its own good. But there's also an ambition here that's hard to knock. [May 2006, p.126]- Q Magazine
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- Critic Score
At times they lack the focus to quite surmount their influences. [Aug 2006, p.117]- Q Magazine
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- Critic Score
With each mid-tempo riff swamped by syrupy harmonies and machine-tooled strings, this is metal with the edges filed down and all the soul sucked out. [May 2006, p.128]- Q Magazine
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- Critic Score
Against the odds, the band have managed to keep things small and strange, and learned a few thrilling new tricks along the way. [Apr 2006, p.110]- Q Magazine
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- Q Magazine
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- Critic Score
Sounding suitably big and blustery, it's also stuffed with lots of positive thinking and hopes for a better tomorrow. [May 2006, p.128]- Q Magazine
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- Critic Score
As much as The Back Room is a victory for style, it also strikes a blow for substance. [Aug 2005, p.135]- Q Magazine
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- Q Magazine
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- Q Magazine
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- Critic Score
The dual-drumkit, tribal incantations and ominous drones have a pleasing menace but when you factor in the "concept"... patience starts to wane. [Mar 2006, p.111]- Q Magazine
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- Critic Score
Get To Leave and Paradise Here Abouts unite Gelb's notoriously scattered logic into music showcasing an immense generosity of spirit and poetic warmth. [May 2006, p.124]- Q Magazine
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- Critic Score
His masturbatory approach to the stroking of his muse is very nearly obscene. [Apr 2006, p.114]- Q Magazine
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- Q Magazine
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- Q Magazine