Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 76 Metascore
    • 60 Critic Score
    Bizarre and not a little perverse. [Apr 2007, p.117]
    • Q Magazine
    • 64 Metascore
    • 40 Critic Score
    Mark appears disarmingly buoyant, his lyrics so humdrum that it's hard to take his pain entirely seriously. [Apr 2007, p.120]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Razor-sharp songs that do valiant justice to the desperate optimism of gutter-bound dreamers. [Mar 2007, p.115]
    • Q Magazine
    • 80 Metascore
    • 70 Critic Score
    Think Mogwai at their loudest or a less willfully awkward Godspeed You! Black Emperor. [Apr 2007, p.118]
    • Q Magazine
    • 80 Metascore
    • 70 Critic Score
    Such is the man's zest and pinballing musical imagination that it's hard not to be wildly entertained. [Mar 2007, p.115]
    • Q Magazine
    • 66 Metascore
    • 70 Critic Score
    [It] is the stirring, rounded collection leader Glen Hansard has hinted at since they formed in 1990. [Feb 2007, p.99]
    • Q Magazine
    • 65 Metascore
    • 70 Critic Score
    Sex Change is the sound of a band having fun. [Mar 2007, p.117]
    • Q Magazine
    • 70 Metascore
    • 40 Critic Score
    The problem lies in Conn himself, a mannered vocalist whose lyrics aren't as funny or provocative as he thinks. [Mar 2007, p.111]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    He might be a man out of time, but his music's timeless. [Mar 2007, p.114]
    • Q Magazine
    • 83 Metascore
    • 70 Critic Score
    Intriguing, unpredictable and far from ordinary. [Mar 2007, p.110]
    • Q Magazine
    • 74 Metascore
    • 70 Critic Score
    This is laregly classic pastoral English whimsy at its best. [Apr 2007, p.119]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    It's a long, hard haul, but this is an outstanding talent at the top of her game. [Mar 2007, p.116]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    A great leap forward. [Jan 2007, p.148]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    As ever... not everything comes off. But the good bits are very good indeed. [Apr 2007, p.116]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    An album of palatable Radio 1-friendly alt-rock. [Mar 2007, p.110]
    • Q Magazine
    • 63 Metascore
    • 60 Critic Score
    Dip
    Not song-based, the album relies on mood... making its impact in a similar, slightly less accomplished manner to Brian Eno's early ambient experiments. [Feb 2007, p.102]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    His high, thin voice won't grab everyone, but will generate a gentle glow for many. [May 2007, p.125]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Gleaming with instant hooks, this is a uniformly radio-friendly album. It's also a hugely addictive and likeable one. [Mar 2007, p.108]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Forget the usual, constricting alt-country tag, this is simply a wonderful record. [Mar 2007, p.116]
    • Q Magazine
    • 87 Metascore
    • 80 Critic Score
    Sorrowful and stately, Griffin's voice is a startlingly expressive instrument. [May 2007, p.125]
    • Q Magazine
    • 75 Metascore
    • 70 Critic Score
    Anyone expecting a lot of happy-clappy Bible-thumping best rethink. [Mar 2007, p.112]
    • Q Magazine
    • 82 Metascore
    • 70 Critic Score
    It walks the line between indie and pop without stumbling. [Oct 2006, p.125]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Occasionally... it cloys. [Mar 2007, p.110]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    The overall effect is not dissimilar to Sugababes, only with added adult content. [Aug 2006, p.111]
    • Q Magazine
    • 63 Metascore
    • 70 Critic Score
    Though the results are less homemade-sounding than their debut, a mood of playful experimentation is evident throughout. [Feb 2007, p.99]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    With a surfeit of samey country-rock ballads, Not Too Late ultimately proves rather a long haul. [Feb 2007, p.98]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    Even if the songwriting... doesn't always match the musicianship, there's something addictively funky going on here. [Feb 2007, p.102]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Startlingly original. [Apr 2007, p.117]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    Albarn seems bent on exploring unsettling moods and shuffling rhythms rather than gleaming melodies and addictive choruses. [Feb 2007, p.94]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    Wincing The Night Away is super-smart pop music the way they (Brits, mainly) used to make it 20 years ago. [Feb 2007, p.100]
    • Q Magazine