Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 72 Metascore
    • 60 Critic Score
    Much in between sounds like Adams on autopilot. Godd, but never great. [Dec 2008, p.122]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    Exhuasting but rewarding too. [Dec 2008, p.135]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Herren's wall-of-noise productions were clearly a big influence, alongside shoegazing indie bands and Joy Division, though nothing that follows quite measures up to spectacular opening lamundernodisguise, somehow reminiscent of both MGMT and gothic folk troupe Espers. [Dec 2008, p.133]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    It's clear Russell was a true renaissance man, as at home with thoughtful guitar pop as he was with New York disco. [Dec 2008, p.143]
    • Q Magazine
    • 61 Metascore
    • 60 Critic Score
    Filth's fondness for combining high-minded conceptualism with base British humour is actually their strong point. [Dec 2008, p.123]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    Ultimately, though, it's her own barnstroming commitment and sheer affability that steer things safely home. [Dec 2008, p.123]
    • Q Magazine
    • 71 Metascore
    • 40 Critic Score
    "Lamping" is a hunting term for flooding a forest with light then opening fire on the panicking prey, and the ninth album by these Athens, Georgia oddballs is similarly scattershot. [Dec 2008, p.132]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    Their fourth album proves more than just a trendy daliance, placing them at the cutting edge being honed by Dirty Projectirs and TV On The Radio. [Nov 2008, p.117]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Its triumph is in its intimacy and honesty. [Dec 2008, p.134]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    While there is much to admire, some of the wilfully discordant tunes grate on subsequent listens. [Nov 2008, p.107]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Black Ice is the album AC/DC were always going to make. It wasn't broken. They didn't need to fix it. [Nov 2008, p.119]
    • Q Magazine
    • 71 Metascore
    • 40 Critic Score
    Often the players transform the hushed originals into rousing barnstormers, although diehards might baulk at the cluttered performances and newcomers may wonder what seperates the "Prince" from other raggle-taggle troubadours. [Nov 2008, p.107]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    It's one of the least boring records you'll hear this year. [Nov 2008, p.108]
    • Q Magazine
    • 72 Metascore
    • 40 Critic Score
    For such a distinctive voice, disappointingly run of the mill. [Nov 2008, p.123]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    It might alienate those who prefer him to wallow, but there's magic and bravery here. [Dec 2008, p.130]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    It's too entrenched in the past to take Costa forward, but there's nobody relighting the old fires with such authenticity. [Mar 2009, p.96]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    The old fervour remains intact. In truth, their third LP holds few surprises. [Feb 2009, p.116]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    For his eigth studio album he's gone over the top politically. [Feb 2009, p.116]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    Their joyous music has an even greater emotional weight. [Dec 2008, p.133]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Tobacco keeps things instrumental, lathering on freakish analogue effects but rejecting dance music's stylistic tics in favour of a pleasingly warped relative of space rock. [Aug 2009, p.112]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    It's not going to challenge anyone, but it would bring a welcome touch of class to the charts. [Oct 2008, p.139]
    • Q Magazine
    • 60 Metascore
    • 40 Critic Score
    Mostly, it's just not interesting enough to hold the listener's attention throughout. [Aug 2008, p.139]
    • Q Magazine
    • 63 Metascore
    • 40 Critic Score
    Everything Is Borrowed is a huge disappointment, riding in on the crest of the huge disappointment that was Skinner's previous album. [Oct 2008, p.140
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    A second Oasis album to better "Standing On the Shoulders Of Giants" and "Heathen Chemistry," but one too, that promises so much only to fall so short. [Nov 208, p.104]
    • Q Magazine
    • 76 Metascore
    • 40 Critic Score
    Aside from the relatively oomph-laden, piano-driven 'Sharing A Gibson Withh Martin Luther King Jr.' and a lonesome cover of Don Williams's 'I Believe In You,' there's barely a melody to savour. [Nov 2008, p.118]
    • Q Magazine
    • 61 Metascore
    • 60 Critic Score
    Arctic Monkeys and Franz Ferdinand's label is an unlikely home for these militant lesbian rappers who screech sex-filled rhymes over tough, minimal beats, although thheir punky energy should appeal to Messrs Turner and Kapranos. [Oct 2008, p.152]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    It's Hynde who steals the show with her lip-curling vibrato, part Elvis, part Dusty, never more intoxicating than on the seductive 'Almost Perfect.' [Jul 2009, p.129]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    With ace guitarist Marc Ribot on board, it's rockier than her three previous outings--but in a good way. [Nov 2008, p.121]
    • Q Magazine
    • 64 Metascore
    • 40 Critic Score
    Raposa's songs are often just a little too aimless. [Dec 2008, p.126]
    • Q Magazine
    • 86 Metascore
    • 40 Critic Score
    Nothing here is essential, but there will always be enough completeist to warrent airing of Dylan's old laundry. [Nov 2008, p.127]
    • Q Magazine