Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 82 Metascore
    • 80 Critic Score
    Some tracks are more outre than others... but throughout his sustained, idiosyncratic vision is absorbing. [Dec. 2001 p. 123]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Getting close to these chilly, inscrutable songs is like trying to hug statuary, but their marbled beauty is impressive all the same. [Dec. 2011 p. 123]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    By packing 21 tracks onto a half-hour running time, he never gets stuck too long in one grove. [Sep 2011, p.104]
    • Q Magazine
    • 57 Metascore
    • 40 Critic Score
    It's his intermittent, embarrassing rapping [that is the problem]. [Oct 2011, p.113]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    At 14 tracks long, it could have done with some editing: there are too many soggy R&B diversions. [Oct 2011, p.113]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Their debut album marks a major hike in ambition. [Sep 2011, p.116]
    • Q Magazine
    • 45 Metascore
    • 40 Critic Score
    Occasionally it's so insane that you can't help but be swept along with it. Mostly, however, it's so over the top the more likely reaction is to run it off and make sure you don't hear it again in a hurry. [Dec. 2011 p. 122]
    • Q Magazine
    • 75 Metascore
    • 100 Critic Score
    Ceremonials is quite some achievement: an accomplished pop record infused with intelligence and imagination... It offers the final, conclusive evidence that she's a pop star to believe in. [Dec. 2011 p. 118]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Techno meets dubstep in this dark twist on electronica. [Dec. 2011, p. 126]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    There's preciousness here, but so what? Craftmen out to care. [Sep 2011, p.114]
    • Q Magazine
    • 65 Metascore
    • 40 Critic Score
    His music might be expertly crafted in a bland, jazzy kind of way, but ... it still ends up being mainly about him. [Nov. 2011, p. 149]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    Occasional voyages into proggy oddness (Future Crimes)bring some esoteric intrigue to their indie insouciance, but, ultimately, this band wants you to have as much fun as they so clearly are. [Nov. 2011, p. 143]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    All told, this is a mind-blowing and powerfully emotional album, however you (or she) want to label it. [Nov. 2011, p. 143]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    This world music/indie rock mix is countered by the affecting melancholy of their quieter moments. [Nov. 2011, p. 143]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Suffice to say, the issues addressed here are as big as the music. [Nov. 2011, p. 142]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Their vampiric draining of the past cleverly becomes an energizing indie infusion. [Nov. 2011, p. 142]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Lonely, Dear offers another helping of sweet melancholy on Hall Music. [Nov. 2011, p. 142]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    Punching way above her 20 years, like a wild child Loretta Lynn, it's the sort of country music that belongs in those dives where they've got chicken wire to stop the flying glass. [Nov. 2011, p. 142]
    • Q Magazine
    • 58 Metascore
    • 40 Critic Score
    It's all pleasant enough, but sadly, there's too little here to set the pulse racing. [Nov. 2011, p. 140]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    While it's impossible to shrug off the feeling they've been here before, [Inside The Ships] remains involving. [Nov. 2011, p. 140]
    • Q Magazine
    • 60 Metascore
    • 80 Critic Score
    Having already been feted by everyone from Thom Yorke to Mark Ronson, this second album arrives with an infectious gait that's nigh-impossible to resist. [Nov. 2011, p. 140]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    If last year's Spanish El Turista was Josh Rouse embracing his new European home with a vengeance, this time around he's deployed his resources with more subtlety and made a better record. [Nov. 2011, p. 140]
    • Q Magazine
    • 62 Metascore
    • 60 Critic Score
    While Josh Davis has valiantly refused to photocopy his pioneering 1996 debut Endtroducing, this fourth album could use its mystery and cohesion. [Nov. 2011, p. 139]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Scintilli slowly builds an all-absorbing world, [with] tension between fear and beauty. [Nov. 2011, p. 139]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    This latest offering from former Hare Krishna disciples Taraka and Nimai Larson finds the Brooklyn-based sisters in typically mind-altering mood. [Nov. 2011, p. 139]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    If Pajama Club resembles anything, it's a Neil Finn solo album, although Dead Leg and Can't Put It Down Until It Ends are as well-crafted as anything he's offered since Crowded House's pomp. [Nov. 2011, p. 139]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    This follow up to Psychic Chasms displays similarly exhilarating aural ambitions. [Nov. 2011, p. 139]
    • Q Magazine
    • 52 Metascore
    • 40 Critic Score
    The third album from James Morrison isn't the musical enlightenment that its title suggests, but rather another sturdy, if predictable, collection of soul-tinged, Radio-2 friendly pop tunes. [Nov. 2011, p. 139]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Toronto outfit, The Weekend, have been hailed as one of the most exciting new sounds in modern R&B -- hype that, on the basis of this equally startling follow-up, seems entirely justified. [Nov. 2011, p. 138]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    Here, at last again, is the Ryan Adams of Heartbreaker - creating a uniformly strong collection of songs, singular in mood, each articulated by a voice that, whilst more lived in, remains a lovely instrument. [Nov. 2011, p. 137]
    • Q Magazine