Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 76 Metascore
    • 80 Critic Score
    Energy levels stay firmly in the red throughout and, perhaps, unsurprisingly given the subject matter, it sounds as though the pair had enormous fun in making it. [May 2012, p.102]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Attempts to keep one foot in the streets and another in the mainstream, and largely succeeds. [May 2012, p.102]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Kwaito beats and highlife guitars mesh with hip hop and dubstep, while love songs crash into mordant political satire. [May 2012, p.102]
    • Q Magazine
    • 63 Metascore
    • 40 Critic Score
    He's re-engaged the formula of sweet, James Taylor-ish vocals, lyrical inoffensiveness... and a laid-back Jack Johnson-like musicality where 5/6 embraces cruise ship reggae. [May 2012, p.101]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Heartbreaking Bravery's pop sensibilities take Moonface out of his bizarre world and into a place much more accessible. [May 2012, p.101]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    In upbeat mode, he's made of stirring stuff, but the real wonder here is to be found when he drops a gear into hushed beauty and sun-dappled loveliness. [May 2012, p.101]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    There is a prevailing, bleary charm in its warmest moments - Eveningness, White Galactic One - that make Lockett's latest well worth investing in. [May 2012, p.101]
    • Q Magazine
    • 56 Metascore
    • 40 Critic Score
    The problem is that when they do attempt something different [as on some parts of this album] things go horribly wrong. [May 2012, p.100]
    • Q Magazine
    • 78 Metascore
    • 40 Critic Score
    The uninitiated may find the unrelenting nerve-soothing a little too much like anaesthesia. [May 2012, p.100]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Each of the 10 songs are beautifully simple, sounding like they've been passed down in a Welsh oral tradition from generations long forgotten. [May 2012, p.100]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    Feels like reconnecting with a well-loved school friend on Facebook and finding that he's barely changed his clothes, let alone his ideas: a pleasure but not quite a thrill. [May 2012, p.100]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Super absorbing. [May 2012, p.99]
    • Q Magazine
    • 85 Metascore
    • 80 Critic Score
    It's a pleasure to get lost in. [May 2012, p.99]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    While it's less draining than some of his earlier work, it still speaks the language of lamentation. [May 2012, p.99]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    It sounds clever, rather than engaging. [May 2012, p.98]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    [Songs] worth revelling in. [May 2012, p.98]
    • Q Magazine
    • 60 Metascore
    • 40 Critic Score
    Even the album's most compelling moments... aren't strong enough to save it. [May 2012, p.98]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Evans the Death manage to make humdrum, everyday existence sound quite magical. [May 2012, p.96]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    Mesmerising. [May 2012, p.96]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    [Locked Down] offers a vivid reminder as to why his myth has endured for so long. No one else comes close to sounding like this. [May 2012, p.96]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Near-perfect "Prairie Gothic". [May 2012, p.96]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    The arch, sometimes claustrophobic Macaroni demonstrates Conn's muso-like command of often juxtaposed genres. [May 2012, p.95]
    • Q Magazine
    • 47 Metascore
    • 40 Critic Score
    Shiny slabs of US radio rock. [May 2012, p.94]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    Makes a perfect case for music as therapy. [May 2012, p.91]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    It's 10 years since MHS were hailed as the next big thing, and with this album MacIntyre may finally repay those hopes. [Feb 2012, p.108]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    She's made an album that deserves to linger in the limelight--passionate, powerful and possessed of real star quality. [Feb 2012, p.98]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Joyously propulsive... [Yet] there's little deviation from a straightforward palette of sticky basslines and boom-bap rhythms. [May 2012, p.95]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    If anything the sisters take too traditional an approach, and where their live shows are freewheeling and fun, Tell Tales sounds mannered and prim. [May 2012, p.95]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Ultimately, Iradelphic never really amounts to more than the sum of its parts. [May 2012, p.94]
    • Q Magazine
    • 71 Metascore
    • 40 Critic Score
    Deeply unengaging. [May 2012, p.94]
    • Q Magazine