Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 60 Metascore
    • 60 Critic Score
    Like those '70s Teutonic adventurers tracks such as Treten, with its aerated harmonics and oddly motorik beat, aim for mind-expanding mantric intensity. [Jul 2012, p.112]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    It's practically impossible not to fall just a little bit in love with both the singer and her beautifully fragile music. [Jul 2012, p.112]
    • Q Magazine
    • 73 Metascore
    • 40 Critic Score
    The occasional glimmer of pop genius seen in the albums past is mostly absent, with plodding piano ballads in place instead. [Jul 2012, p.112]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    Five albums along and Hot Chip continue to outdo themselves, not to mention most of their peers. [Jul 2012, p.111]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    While his debut's defiantly un-PC lyrics take inspiration from '90s gangsta mavericks such as Three 6 Mafia, the electronic murk that surrounds them on tracks such as Get Yah Head Bust is utterly of the moment. [Jul 2012, p.110]
    • Q Magazine
    • 62 Metascore
    • 20 Critic Score
    A load of rubbish. [Jul 2012, p.110]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    A low-light delight. [Jul 2012, p.110]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    The sense of the singer reclaiming a little of himself with these meditative jams is unmistakable. [Jul 2012, p.109]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Saulnier's wild-man-on-a-rampage vocals are no longer hidden behind the unfettered sequel of his equally uncivilized guitar. [Jul 2012, p.109]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    Each songwriter is honored, and often improved by Rumer's thoughtful readings. [Jul 2012, p.109]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Add some successful diversions and you'll find a gloriously grown-up spectacle here. [Jul 2012, p.108]
    • Q Magazine
    • 66 Metascore
    • 80 Critic Score
    It sounds like [he's having a lark]. [Jul 2012, p.108]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    This follow-up boasts a more cohesive sound but without sacrificing the duo's Eastern-influenced allure. [Jul 2012, p.108]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    It's a tough listen--although that might be the point. [Jul 2012, p.108]
    • Q Magazine
    • 73 Metascore
    • 40 Critic Score
    Beneath the distractingly high-pitched, multi-tracked vocals and tastefully tribal drama, there's nothing more threatening than a synthesized Florence + The Machine. [Jul 2012, p.107]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Maybe not vintage Willie, but entertaining enough. [Jul 2012, p.107]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Synthetica's relentless efficiency feels a tad mechanical. [Jul 2012, p.107]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    While Mair's wistful voice can carry the weight, it occasionally makes all the impact of a light mist. [Jul 2012, p.107]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    They have made an amazing album about how amazing pop music can be. [Jul 2012, p.106]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    The threesome's Orcadian tribute is a remarkable modern-yet-ancient mini-musical. [Jul 2012, p.105]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    A strange, spooked and deeply involving record. [Jul 2012, p.105]
    • Q Magazine
    • 65 Metascore
    • 40 Critic Score
    An experiment in performance art that'll put you in touch with your inner Brian Sewell. [Jul 2012, p.105]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    For a record that strives to sound disembodied, it has a powerful grip. [Jul 2012, p.105]
    • Q Magazine
    • 75 Metascore
    • 40 Critic Score
    More quality control wouldn't have gone amiss. [Jul 2012, p.104]
    • Q Magazine
    • 83 Metascore
    • 60 Critic Score
    Celebration Rock delivers more of the same good-time guitar-pop anthems about girls and night on the tiles, delivered at breakneck velocity and near-deafening volume. [Jul 2012, p.104]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The album's slow, soporific pace can mean it sounds similar from song to song, but Okumu's voice pivots everything. [Jul 2012, p.104]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Derivative/ Certainly. Mesmerising? Definitely. [Jul 2012, p.104]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    It's a welcome return. [Jul 2012, p.104]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    She's at her most compelling when the rhythmic cross-currents come with a deep dark undertow. [Jul 2012, p.103]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    Lex Hives fizzes with the energy of a debut album, the quintet emphatically back to doing what they do best. [Jul 2012, p.103]
    • Q Magazine