Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 53 Metascore
    • 60 Critic Score
    They veer with a refreshing lack of caution from toytown techno and smart-alec wordplay t the squeaky space-hopper electro of 'Discover Your Colors.' [Aug 2009, p.104]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    They rarely threaten to run out of steam. [Aug 2009, p.101]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The mood is largely sombre, quiet reflection the order of the day, although the odd striking lyric does leap out.... A grower. [Jun 2015, p.102]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Issues of assimilation aside, [sounding similar to Spoon] the songs are excellent. [May 2012, p.109]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Adding bassist Jonana Bolme has sharpened focus, but its' frontman Sam Coomes's guitar that brings a new strut to typically droll psychodrama such as "repusion." [Apr 2010, p.119]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    Music Go Music are talented mimics, but Impressions still makes its own presence felt. [Oct 2014, p.116]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    While the depth of the band's musicianship and production skills continues to impress, Road To Rouen feels emotionally blank. [Sep 2005, p.111]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    As long as you're up for more mood and texture experiments there's plenty of interest. [Dec. 2011 p. 135]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Side one isn't bad either, even if it doesn't quite scale the same heights.... A mostly impressive set. [Jun 2015, p.103]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    Given Mascis's croaking rasp this shouldn't work, but it does, because he's turned in his best collection of songs for a long time. [Apr 2011, p.104]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    Its grit and graft will keep his cult following happy. [Apr 2010, p.112]
    • Q Magazine
    • 57 Metascore
    • 60 Critic Score
    This seems just to mean lots of beeps and bloops and using a theremin, rather than any structural inventiveness or lyrical avant-gardisms. Still, he's conjured a neat package of 10 perfectly listenable songs. [Sep 2017, p.106]
    • Q Magazine
    • 56 Metascore
    • 60 Critic Score
    It's not for everyone. It's certainly not for Blur fans of Country House vintage. Nor is it the best dinner party album in the world ever. But it's no knottier than 13 and in its own noisy way, great fun.
    • 72 Metascore
    • 60 Critic Score
    Blood is all about accentuating the positives, an ambitious and assured album that refuses to move any direction but up. [Aug 2015, p.105]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    They appear to have tired of Love and have been listening to far more Velvet Underground. [Oct 2016, p.105]
    • Q Magazine
    • 60 Metascore
    • 60 Critic Score
    Long-vowelled and nasal - Redman without the charisma - and with a tasty line in mortuary slab terminology, he's never knowingly caught short of a rhyme.
    • 66 Metascore
    • 60 Critic Score
    This fifth album doesn't differ radically from the previous four.... Newcomers, however, should start with 2003's more cohesive Transatlanticism. [Oct 2005, p.115]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    There are a few missteps along the way--the attitudinal stomp of Wicked being one--but it is otherwise executed with authority. [Jan 2018, p.114]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    Selway is a songwriter still new to the task and yet already leaning in toward middle age, and the perspective he brings to writing adult rock music is both fresh and contemplatively knowing. [Nov 2014, p.117]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Bruce Springsteen, Tom Petty sand Bob Dylan makes their presence felt, especially on the title track, but the sci-fi sound collage that starts No Man's Land and Forever Pt. 2 underline the band's subtle warping of the Americana dream. [Feb 2018, p.108]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Award-winning country from the school of hard knocks. [Oct. 2010, p. 103]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    It occasionally delivers the eccentric, giant-chorused rock that made Faith No More so great. [Feb 2013, p.107]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    The harmonies never reach the heights of say, Toro Y Moi--though Night In The Ocean's fusion of hip-hop thud and buzzing shoegaze guitars shows a welcome willingness to try. [Mar 2012, p.113]
    • Q Magazine
    • 59 Metascore
    • 60 Critic Score
    Galoshes largely succeeds as a document of a delinquent soul finally coming to terms with his own past. [Feb 2009, p.119]
    • Q Magazine
    • 61 Metascore
    • 60 Critic Score
    This follow-up to their debut shows more polish and a firmer grasp on rhythm. [Apr 2011, p.106]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    There are rather too many old-fashioned slow songs here, and as a result, the album is predictable. [Oct 2004, p.114]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Clever, if a little monotonous; very much an LP for our times. [Nov 2019, p.112]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    True, even misdirected, Eminem's disaffection sucks you in and the wholesale nihilism can still provoke shivers. But it all used to be more fun.
    • 75 Metascore
    • 60 Critic Score
    A smart mixed bag. [Oct 2002, p.106]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    To a drumless folk palette of voice, guitar, piano and cello, he deftly blends his own compositions with covers of The Psychedelic Furs, Roxy Music and The Doors into a sweetly morose song suite that examines the heartsick mature male, post-love affair, wondering what it's all about. [Oct 2014, p.110]
    • Q Magazine