Q Magazine's Scores
- Music
For 8,545 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 67
| Highest review score: | A Hero's Death | |
|---|---|---|
| Lowest review score: | Gemstones |
Score distribution:
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Positive: 4,112 out of 8545
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Mixed: 4,355 out of 8545
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Negative: 78 out of 8545
8545
music
reviews
- By Date
- By Critic Score
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- Critic Score
They veer with a refreshing lack of caution from toytown techno and smart-alec wordplay t the squeaky space-hopper electro of 'Discover Your Colors.' [Aug 2009, p.104]- Q Magazine
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- Critic Score
They rarely threaten to run out of steam. [Aug 2009, p.101]- Q Magazine
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- Critic Score
The mood is largely sombre, quiet reflection the order of the day, although the odd striking lyric does leap out.... A grower. [Jun 2015, p.102]- Q Magazine
Posted Apr 29, 2015 -
- Critic Score
Issues of assimilation aside, [sounding similar to Spoon] the songs are excellent. [May 2012, p.109]- Q Magazine
Posted Apr 25, 2012 -
- Critic Score
Adding bassist Jonana Bolme has sharpened focus, but its' frontman Sam Coomes's guitar that brings a new strut to typically droll psychodrama such as "repusion." [Apr 2010, p.119]- Q Magazine
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- Critic Score
Music Go Music are talented mimics, but Impressions still makes its own presence felt. [Oct 2014, p.116]- Q Magazine
Posted Aug 29, 2014 -
- Critic Score
While the depth of the band's musicianship and production skills continues to impress, Road To Rouen feels emotionally blank. [Sep 2005, p.111]- Q Magazine
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- Critic Score
As long as you're up for more mood and texture experiments there's plenty of interest. [Dec. 2011 p. 135]- Q Magazine
Posted Dec 15, 2011 -
- Critic Score
Side one isn't bad either, even if it doesn't quite scale the same heights.... A mostly impressive set. [Jun 2015, p.103]- Q Magazine
Posted Apr 29, 2015 -
- Critic Score
Given Mascis's croaking rasp this shouldn't work, but it does, because he's turned in his best collection of songs for a long time. [Apr 2011, p.104]- Q Magazine
Posted May 2, 2011 -
- Critic Score
Its grit and graft will keep his cult following happy. [Apr 2010, p.112]- Q Magazine
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- Critic Score
This seems just to mean lots of beeps and bloops and using a theremin, rather than any structural inventiveness or lyrical avant-gardisms. Still, he's conjured a neat package of 10 perfectly listenable songs. [Sep 2017, p.106]- Q Magazine
Posted Aug 1, 2017 -
- Critic Score
It's not for everyone. It's certainly not for Blur fans of Country House vintage. Nor is it the best dinner party album in the world ever. But it's no knottier than 13 and in its own noisy way, great fun.- Q Magazine
- Read full review
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- Critic Score
Blood is all about accentuating the positives, an ambitious and assured album that refuses to move any direction but up. [Aug 2015, p.105]- Q Magazine
Posted Jul 23, 2015 -
- Critic Score
They appear to have tired of Love and have been listening to far more Velvet Underground. [Oct 2016, p.105]- Q Magazine
Posted Sep 6, 2016 -
- Critic Score
Long-vowelled and nasal - Redman without the charisma - and with a tasty line in mortuary slab terminology, he's never knowingly caught short of a rhyme.- Q Magazine
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- Critic Score
This fifth album doesn't differ radically from the previous four.... Newcomers, however, should start with 2003's more cohesive Transatlanticism. [Oct 2005, p.115]- Q Magazine
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- Critic Score
There are a few missteps along the way--the attitudinal stomp of Wicked being one--but it is otherwise executed with authority. [Jan 2018, p.114]- Q Magazine
Posted Nov 22, 2017 -
- Critic Score
Selway is a songwriter still new to the task and yet already leaning in toward middle age, and the perspective he brings to writing adult rock music is both fresh and contemplatively knowing. [Nov 2014, p.117]- Q Magazine
Posted Oct 3, 2014 -
- Critic Score
Bruce Springsteen, Tom Petty sand Bob Dylan makes their presence felt, especially on the title track, but the sci-fi sound collage that starts No Man's Land and Forever Pt. 2 underline the band's subtle warping of the Americana dream. [Feb 2018, p.108]- Q Magazine
Posted Dec 20, 2017 -
- Q Magazine
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- Critic Score
It occasionally delivers the eccentric, giant-chorused rock that made Faith No More so great. [Feb 2013, p.107]- Q Magazine
Posted Jan 25, 2013 -
- Critic Score
The harmonies never reach the heights of say, Toro Y Moi--though Night In The Ocean's fusion of hip-hop thud and buzzing shoegaze guitars shows a welcome willingness to try. [Mar 2012, p.113]- Q Magazine
Posted Feb 22, 2012 -
- Critic Score
Galoshes largely succeeds as a document of a delinquent soul finally coming to terms with his own past. [Feb 2009, p.119]- Q Magazine
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- Critic Score
This follow-up to their debut shows more polish and a firmer grasp on rhythm. [Apr 2011, p.106]- Q Magazine
Posted May 2, 2011 -
- Critic Score
There are rather too many old-fashioned slow songs here, and as a result, the album is predictable. [Oct 2004, p.114]- Q Magazine
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- Critic Score
Clever, if a little monotonous; very much an LP for our times. [Nov 2019, p.112]- Q Magazine
Posted Sep 24, 2019 -
- Critic Score
True, even misdirected, Eminem's disaffection sucks you in and the wholesale nihilism can still provoke shivers. But it all used to be more fun.- Q Magazine
- Read full review
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- Q Magazine
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- Critic Score
To a drumless folk palette of voice, guitar, piano and cello, he deftly blends his own compositions with covers of The Psychedelic Furs, Roxy Music and The Doors into a sweetly morose song suite that examines the heartsick mature male, post-love affair, wondering what it's all about. [Oct 2014, p.110]- Q Magazine
Posted Aug 29, 2014