Q Magazine's Scores
- Music
For 8,545 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 67
| Highest review score: | A Hero's Death | |
|---|---|---|
| Lowest review score: | Gemstones |
Score distribution:
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Positive: 4,112 out of 8545
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Mixed: 4,355 out of 8545
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Negative: 78 out of 8545
8545
music
reviews
- By Date
- By Critic Score
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- Critic Score
The Great Western is arguably stronger than either of the last two Manics albums. [Aug 2006, p.116]- Q Magazine
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- Q Magazine
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- Critic Score
He's found some endearing and unexpectedly affecting songs. [Oct 2005, p.120]- Q Magazine
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Doom's bizarre raps prove a good match for Danger Mouse's eclectic approach. [Nov 2005, p.123]- Q Magazine
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- Critic Score
Genuinely ear-popping... utterly mesmeric. [Apr 2006, p.119]- Q Magazine
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- Critic Score
Crosseyed Heart sounds fantastic and beautifully put together. [Oct 2015, p.110]- Q Magazine
Posted Aug 31, 2015 -
- Critic Score
Here the diverse mix of everything from jazz funk to Pink Floyd seems better realised. [Mar 2005, p.101]- Q Magazine
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- Critic Score
The songwriting here is less striking than that showcased on recent best of. [Dec 2003, p.130]- Q Magazine
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- Critic Score
With a too-clean production job and some filler... Origin (Phase 1) falls short of the categoric statement of greatness needed to install the group in the major league. [Nov 2004, p.122]- Q Magazine
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- Critic Score
Despite [their] obsession with the everyday... The Rakes are never mundane. [Sep 2005, p.118]- Q Magazine
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- Critic Score
A long, sometimes hard, often inspired haul, this could easily have been pared down to a uniformly excellent double disc. [Dec 2006, p.138]- Q Magazine
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- Critic Score
As admirable as Radiohead's quest ongoing quest to ignore expectations, tear up the manual and proudly rebel against the limitations of 4/4 time seems, some of Hail To The Thief comes dangerously close to being all experimentalism and precious little substance. [Jul 2003, p.98]- Q Magazine
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- Critic Score
A stark record that showcases her unsettlingly direct vocals. [Dec 2003, p.132]- Q Magazine
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- Critic Score
Intricate yet funky, it mostly comes together to mesmeric effect. [Mar 2006, p.111]- Q Magazine
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The beautiful lap steel and accordion arrangement of Beneath The Rose, majestic duet I Still Remember and lilting waltz Stand In My Way only make the roaring violence of On My Way more startling. [Sep 2004, p.126]- Q Magazine
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Of the 11 tracks, five are lovely, three are makeweights and an equal number excellent. [Dec 2006, p.133]- Q Magazine
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Swinging, scratchy indie-pop, with see-sawing melodies, emotive vocals and frustrated tales. [Jul 2004, p.127]- Q Magazine
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All very creditable though, for a man who once oozed vitriol, a tad bloodless. [Oct 2003, p.103]- Q Magazine
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It sounds a bit like a female Elliott Smith and certainly more than the sum of its genes. [Aug 2006, p.112]- Q Magazine
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She's just as full of herself, but she now has a voice brimming with womanly promise. [Nov 2006, p.149]- Q Magazine
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- Critic Score
Once you've bequeathed them your synapses, the rewards are great. [Aug 2004, p.116]- Q Magazine