Punknews.org (Staff)'s Scores

  • Music
For 515 reviews, this publication has graded:
  • 60% higher than the average critic
  • 4% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.3 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 The Center Won't Hold
Lowest review score: 10 Just Like You
Score distribution:
  1. Negative: 11 out of 515
515 music reviews
    • 70 Metascore
    • 50 Critic Score
    The big hooks don’t connect, swinging too hard for something both underground and mainstream. This is a feat these two have accomplished before, but on Material, it always sounds just out of reach.
    • 79 Metascore
    • 90 Critic Score
    When the dust clears, even though the album's length clocks in a bit long for them, you can't escape how they utilized the room to breathe. To cause chaos. Without really shouting. Paradise is ambitious and really stakes an early claim for album of the year.
    • 65 Metascore
    • 70 Critic Score
    If you’re a fan of slow, sad, acoustic songs, then this is an interesting EP for your collection. Either way, it’s a great midway point in Sorority Noise’s growing canon.
    • 68 Metascore
    • 90 Critic Score
    This is the result of three women who have perfected their sound, now it’s our job to listen.
    • 98 Metascore
    • 90 Critic Score
    Overall, Muncie Girls have created a fresh touch to the mixture of indie and punk. The band has officially mastered their sound and made ten songs the band should truly be proud of.
    • 71 Metascore
    • 80 Critic Score
    It’s a gratifying experience structured like a pop album jam-packed with catchy choruses. While it is flawed and contains a few too many niche references, that’s become a part of Weezer’s DNA.
    • 77 Metascore
    • 80 Critic Score
    Atomic is a powerful artistic knife to your skull and leaves an impression that's lasting, to say the least. It's an esoteric trip that says a lot, without words.
    • 74 Metascore
    • 70 Critic Score
    The record's a bit front-loaded for me and some of the songs don't latch on as filler but overall, it's definitely worth the pick-up. Great stuff, as expected.
    • 79 Metascore
    • 80 Critic Score
    A cool, sleazy rock record that's unmistakably a group project but also perfectly an Iggy album: sexy, nasty and darkly funny.
    • 76 Metascore
    • 60 Critic Score
    Before a Million Universes is made up of good songs. Certain ones, you'll want to listen to over and over. But as a full record with two centered roadblocks, it needs you to earn the experience.
    • 79 Metascore
    • 80 Critic Score
    Standards is definitely a major step forward, and a fearless one at that.
    • 78 Metascore
    • 90 Critic Score
    Pollard’s sheer output is intimidating. However, as this album proves, his quality control may be as good as anyone’s in the business.
    • 69 Metascore
    • 80 Critic Score
    Painting With will not compare to Animal Collective’s most lauded work but these guys are forever experimentalists. This batch of songs is quicker and sunnier, something older fans are sure to despise. But what a great change of pace it is.
    • 73 Metascore
    • 90 Critic Score
    Higher Power's brevity and the smart sequencing between aggro and anthem makes it effortlessly knowable.
    • 80 Metascore
    • 80 Critic Score
    Over twenty-one years later the band has released Going Down in History that shows even if the band’s tongue in cheek send up of David Koesh and his followers isn’t culturally relevant, this band certainly still can be.
    • 75 Metascore
    • 80 Critic Score
    While it may not be relatable, it is a rewarding journey.
    • 75 Metascore
    • 70 Critic Score
    The album's trying at times, a bit too long but trudge on and give it a chance. There's something very different here that's worth the time.
    • 84 Metascore
    • 80 Critic Score
    Cardinal feels cinematic, colourful and is a great fine-tuning of the promise shown on past EPs.... A heavy listen, but one that's worth it.
    • 55 Metascore
    • 20 Critic Score
    It's such a musically bare record. "Into The Earth" is the only song that feels like a rock song and it's also very soft and drab. So many songs riff off the same synth beats that HYMNS end up being a contemplative session that puts you to sleep as opposed to prodding at your mind.
    • 82 Metascore
    • 70 Critic Score
    Adore Life would have been stronger as an EP, cutting off the fat and making something as lean and muscular as their songs. What we have though does suffice.
    • 78 Metascore
    • 90 Critic Score
    It pulls from rock, punk, noise, industrial, hip-hop, and even African tribal music. Lyrically the album is among the first to take this kind of look at hacker culture as well as how the definition of the artist and art have changed in the digital age. Regardless of genre, this may well end up being one of the best and conceptually most important albums released this year.
    • 73 Metascore
    • 50 Critic Score
    Tell Me I'm Pretty, while poppy and as mainstream as ever, loses its sense of appeal, character and individuality in coming off too much as a carbon copy of The Black Keys.
    • 85 Metascore
    • 70 Critic Score
    Whether or not country is your genre of choice, it’s hard to knock Stapleton’s ability or skill on Traveller.
    • 87 Metascore
    • 80 Critic Score
    Recorded by a New York jazz quartet, the entire record sounds superb and oddly intimate.
    • 87 Metascore
    • 80 Critic Score
    With Delusion Moon, Meat Wave have created a batch of punk rock songs both uniquely suspenseful and crawling with creepy energy. It is also one of the year’s most engaging punk rock albums.
    • 76 Metascore
    • 80 Critic Score
    Whether it's rock songs chock-full of reverb, haze or distortion, at the end of the day Untethered Moon is another well-assembled, guitar-driven gem that will continue to keep Built To Spill as fresh and alive as ever.
    • 88 Metascore
    • 80 Critic Score
    She’s self aware and independent. She proves pop doesn’t have to be drab and, instead, can be thoughtful and boundary pushing. Art Angels exists for those who love pop but even more so for those who actively avoid it.