What Unbelievable shows is that you can make a scripted show about our broken criminal justice system that is as entertaining and human and likable and satisfying as any paint-by-numbers drama, if not more so.

A beautifully crafted account of country music’s origins and numerous personality changes and facelifts. It is entertaining and arguably has the best soundtrack of any Burns film (and I loved Jazz). Country Music is also full of provocations that should, at some point or another, unsettle everyone watching.

Sometimes it takes an ordinary thriller or procedural to make an extraordinary point. The Spy offers entertaining proof of this.

Fact-based, fast-paced, and infuriating as all hell, Free Meek benefits from having the participation and financial backing of Jay-Z and his Roc Nation company; from the support of Meek’s tight-knit family that accompanies him every step of the way; and by having a fabulous explainer in Rolling Stone’ investigative journalist Paul Solotaroff, who helped nationalize the Meek Mill story in 2017 and whose silver throat makes anything sound like butter.

Another musical rom-com seemingly designed to cherry-pick the Crazy Ex audience. ... The songs are bright and clever, and the visuals reflect the show’s slightly bigger production budget, e.g., a simple animation that turns the office copier into a flip book.

In the end, this show may wind up going the way of Rectify, an almost pure form of character drama in which storylines take a backseat to the sheer pleasure of watching a human being evolve before one’s eyes, as David Young does on David Makes Man. Either way, I know I'll be watching.

Despite the pacing, or maybe because of it, Our Boys is actually pretty engrossing. And it’s timely. ... By slowing the pace of its narrative, Our Boys buys itself enough time to see these nuances in its main characters, a luxury you don’t get on a typical episode of SVU. ... More than a crime show, this is a parable about the endlessly repeatable cycle of outrage and violence that has humans around the world in its grip right now.

You might want to have the closed captions switched on for Bulletproof, as some of the accents are Yankee-proof. Then again, if you miss out on the dialogue on this show you’re not missing much. That’s because, thanks to director Nick Love, each episode of Bulletproof is chockablock with car chases, foot pursuits and other Hollywood octane movie tropes. Another thing it’s loaded with: gunfire. Lots and lots of gunfire.