Premiere's Scores
- Movies
For 1,070 reviews, this publication has graded:
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58% higher than the average critic
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2% same as the average critic
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40% lower than the average critic
On average, this publication grades 0.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | Frost/Nixon | |
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| Lowest review score: | Gigli |
Score distribution:
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Positive: 709 out of 1070
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Mixed: 172 out of 1070
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Negative: 189 out of 1070
1070
movie
reviews
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- Critic Score
Both Harris and Gooding, Jr. are fine actors trapped in a mawkish, pandering production that wastes the latter and is a waste of time for the former.- Premiere
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Reviewed by
Glenn Kenny
While "House of Sand and Fog" remained (somewhat precariously) balanced on the knife-edge that can turn tragedy into bathos, this picture doesn't fare nearly as well, and begins weighing down the viewer with its putative significance only minutes after its opening credits.- Premiere
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As unrealistic as the talking mannequins, but we’re pleasantly surprised by how good this movie makes us feel.- Premiere
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- Critic Score
A subtly hilarious supporting performance from Frances Fisher, as Moore's mother, and a latter-day Sid and Nancy (Michael Sheen and Parker Posey, seeming deliriously inebriated the entire time) round out the thoroughly diverting cast.- Premiere
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Reviewed by
Laine Ewen
It's really rather dull, lacking in any originality or flair that might draw attention to the cause. It's lightly comedic, lightly dramatic, lightly tragic, and, therefore, lightly entertaining.- Premiere
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Reviewed by
Peter Debruge
In the age of reality television, Paparazzi feels desperately out-of-touch, the jaded grousings of an industry burnout.- Premiere
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This film should have soared, but doesn't quite get off the ground.- Premiere
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For those who loved his singing in "Velvet Goldmine," Rhys-Meyers once again proves that he has pipes.- Premiere
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Reviewed by
Glenn Kenny
Singleton’s film is, in fact, pretty enjoyable if you look at it as the B-movie it really ought to be, rather than the E-ticket major studio release it actually is.- Premiere
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Reviewed by
Laine Ewen
Television-loving children will scream for Rugrats Go Wild!, and in this case, their parents can go ahead and let them—they won't be missing much.- Premiere
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This one will make you laugh early and often, and send you out of the theater in a cheerful mood.- Premiere
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- Critic Score
The controversial subject matter will undoubtedly hit close to home for many people, but a few genuinely uncomfortable scenes will either provoke the audience into serious thought or just cause them to leave the theater angry.- Premiere
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- Premiere
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Reviewed by
Laine Ewen
Gothika deserves credit for embracing the ghost story genre so whole-heartedly, but as any ten-year-old girl can tell you, there's nothing original here to see.- Premiere
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Glenn Kenny
For adults -- even adults with fond memories of the TV series -- this is one bizarre mess.- Premiere
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Aaron Hillis
Are these iconic, antihero relics smartly satirized in a post-slasher, or is FVJ just more dated, third-wave trash? Disappointingly, it's the latter.- Premiere
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- Premiere
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Reviewed by
Peter Debruge
I suspect Scott sees Domino as the ultimate provocation, his way of grabbing Hollywood by the throat and shouting, "You want reality??! I'll give you REALITY!!!" Sort of.- Premiere
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The film wraps up in a neat, environmentally friendly package that might keep some kids entertained but will leave adults yawning.- Premiere
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To be fair Deep does have one thing going for it. While the movie never seems to end, and when it does… oh man. Think "Aquaman" meets "Training Day." It proves that sometimes a crappy drama is sometimes just a comedy in disguise.- Premiere
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Reviewed by
John DeVore
Ultimately, the reason Charlie St. Cloud loses its momentum is because a love triangle between a grieving man, a beautiful woman from his past, and a spectral shade is just too strange.- Premiere
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Reviewed by
Aaron Hillis
So go on, pay your ten bucks and get your hate on.- Premiere
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Peter Debruge
Absence of motive makes the movie provocative; the explanation renders it irrelevant and defuses any interesting debate the film might have inspired.- Premiere
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- Premiere
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Reviewed by
Laine Ewen
Clunky and riddled with clichés from start to finish, which is a shame because the cast is able and is led by Oscar-nominated director Mike Figgis.- Premiere
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Reviewed by
Peter Debruge
The beauty of You Got Served is that it delivers the moves from every vantage point.- Premiere
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Reviewed by
Glenn Kenny
This is not a film occurring in an alternate or imaginary reality; rather, it is a film of NO reality, that is, a picture that changes the rules of its universe strictly according to its creators' whims.- Premiere
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Dawson is lovely to watch, and when Smith isn't furrowing his brow and looking concerned, he's not so bad himself.- Premiere
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Overall, Little Black Book is the cinematic equivalent of chic lit--mildly amusing, but completely forgettable once you're done with it.- Premiere
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What made Aeon Flux compelling and special as an animated series had everything to do with the medium and the freedom Chung was given to shape the story as he pleased. Take away those elements, and Aeon Flux becomes nothing more than middling science fiction, which is unfortunately what the film is.- Premiere
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