Prefix Magazine's Scores

  • Music
For 2,132 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 3.1 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Highest review score: 100 Modern Times
Lowest review score: 10 Eat Me, Drink Me
Score distribution:
2132 music reviews
    • 87 Metascore
    • 80 Critic Score
    Though at times difficult to listen to, the effect is a clear view of an artist's process. Herein lies the true value of Dennis Wilson's legacy: an open invitation to simply listen.
    • 85 Metascore
    • 80 Critic Score
    Listening to Bleach now, the main thing that comes across is how little it sounds moored to a specific time.
    • 73 Metascore
    • 80 Critic Score
    The Bears for Lunch surprises from quick song to quick song (even though we know this trick well now) and maintains an overall cohesion and distinct mood.
    • 77 Metascore
    • 80 Critic Score
    Big Business boys Coady Willis and Jared Warren, the drum/bass duo, returned for their third album as members of the Melvins in 2010, keeping the hot streak going with The Bride Screamed Murder.
    • 80 Metascore
    • 80 Critic Score
    This record is the sound of a young musician being given the right chance at the right time and knocking it out of the park.
    • 61 Metascore
    • 80 Critic Score
    My Guilty Pleasure is more cohesive, its production more varied, its songwriting more effective.
    • 79 Metascore
    • 80 Critic Score
    Okkervil River has never provided easy answers in their albums--unless you read the many interviews with Sheff, who always seems willing to explain what he can--and I Am Very Far is another fine album in an increasingly finer canon.
    • 81 Metascore
    • 80 Critic Score
    The Mouse and the Mask’s levity is the antithesis of the dense Madvilliany, and it continues Doom’s steady march toward achieving legendary status.
    • 76 Metascore
    • 80 Critic Score
    All the swirling riffs and overlapping repetitions might be tiresome if not for the sad, imperfect voices at their center.
    • 82 Metascore
    • 80 Critic Score
    Like the rest of Primary Colours, this is the sound of a band finding themselves out of favor and having to really strive for greatness. The Horrors will still have a hard time winning over new converts, but they’ve done a magnificent job of confounding expectations with this release.
    • 63 Metascore
    • 80 Critic Score
    With its shameless pop-punk anthems and wonderfully irreverent lyrics, Donkey finds the members of CSS at the top of their game.
    • 88 Metascore
    • 80 Critic Score
    With the explorations of additional instrumentation as well being more comfortable with silences and with echo, SunnO))) approach the freedom and abandon of the spirit-travelers alluded to in the titles and approaches on this, the band's best record yet.
    • 82 Metascore
    • 80 Critic Score
    ike Animal Collective, Copeland's work is musician's music, geared toward the adventurous listener with a trained ear and a tendency to enjoy music as, well, an expansive, ever-shifting experiment.
    • 74 Metascore
    • 80 Critic Score
    As all over the map as A Certain Feeling is, it’s much more concise than the band’s 13-track debut, "Ears Will Pop & Eyes Will Blink." There’s not much extraneous fluff here.
    • 75 Metascore
    • 80 Critic Score
    It's the sound of a cooking band truly cooking it in the studio. Everything sounds like it's about to jump the rails at any given moment.
    • 81 Metascore
    • 80 Critic Score
    As much as the album may be a breath of fresh air, it still resembles what the Britney’s on our side of the Atlantic are putting out, closer than many would like to admit.
    • 78 Metascore
    • 80 Critic Score
    It's an often frustrating listen, but in the end the album is a triumph.
    • 72 Metascore
    • 80 Critic Score
    Christ Illusion is not a throwback; it's something new steeped in something old.
    • 64 Metascore
    • 80 Critic Score
    It's a perfect chill-out record, readymade for a sunny day or starry night, and it straddles the line between evolving style and signature sound brilliantly.
    • 71 Metascore
    • 80 Critic Score
    With Remind Me in 3 Days, they throw down a worthy challenge to hip-hop’s status quo.
    • 83 Metascore
    • 80 Critic Score
    Be
    The album is an extremely satisfying listen, but if Common is to lead the revolution, he has to make more of a statement than a great bass line and some tight rhymes.
    • 69 Metascore
    • 80 Critic Score
    Thorburn anchors every note, every contribution with a personal outpouring of emotion and heartbreak, the likes of which we've never seen from him before.
    • 81 Metascore
    • 80 Critic Score
    Thanks to his varied songwriting, there's nary a weak link in Burst Apart. It might not benefit from the easy hooks of a concept album, but if you stick around till the end, it is every bit as rewarding as Hospice.
    • 80 Metascore
    • 80 Critic Score
    Barnes's most personal and emotional album to date.
    • 76 Metascore
    • 80 Critic Score
    Zammuto excels at the opposite: deconstructing life into easily digestible songs that make you feel something.
    • 69 Metascore
    • 80 Critic Score
    Her music-box arrangements have a child-like giddiness about them, but this collection of glittering songs has an emotional and sonic maturity that will keep you listening long past bedtime.
    • 77 Metascore
    • 80 Critic Score
    If More Fish isn't as good as Fishscale -- and there's just as good a chance that it is as good -- it's the tapestry method that doesn't make for a cohesive listen.
    • 63 Metascore
    • 80 Critic Score
    As a funk or electro album, As U Were is fun to listen to. A little cheesy, maybe, but it gets the proverbial party started, which is always a clear sign that something's going well. It's when Lyrics Born tries to hang on too tightly to his old roots that things start to get messy.
    • 71 Metascore
    • 80 Critic Score
    The record's general aesthetic stays the same, docile sounds, pitter-patter polyrhythms, and shimmering vocals, but the ear-tickling mutations along the way is the appeal.