Portland Oregonian's Scores

  • Movies
For 3,654 reviews, this publication has graded:
  • 63% higher than the average critic
  • 3% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 2.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Caesar Must Die
Lowest review score: 0 Summer Catch
Score distribution:
3654 movie reviews
  1. Often-brilliant, often-reverent documentary deconstructs Bukowski's bad-boy literary persona, finds a fascinatingly messed-up guy behind the words.
  2. Powerful, subtle, quietly terrifying film about the consequences of a widow's stab at a May-December romance.
  3. A mean-spirited exercise in hypocrisy.
  4. This goopy dramedy is unfunny, mentally bankrupt and makes parenthood look like a terrifying death sentence.
  5. It's a treat to be diverted by a film that actually has a brain.
  6. There's something in the obsessiveness of these characters that pushes the film just beyond the level of believability, even for a romantic fable such as this.
    • 75 Metascore
    • 91 Critic Score
    Medal prediction: The green guy is golden.
  7. This could be the year's smartest romantic comedy.
    • 56 Metascore
    • 58 Critic Score
    In the end, the battle scenes are elegant and compelling and there are some fine moments when O'Toole, as Priam, summons his inner Lawrence of Arabia and makes us believe that we're actually watching a tragic altercation that brought down great men descended from gods.
    • 65 Metascore
    • 100 Critic Score
    Like dark chocolate -- not semi-sweet, but the exotic, nearly black stuff -- Coffee and Cigarettes won't appeal to everyone. Jarmusch is the 70 percent cacao of contemporary filmmakers, and people who love this kind of chocolate swear by it.
  8. Exists for one purpose, and one purpose only: to further the entertainment careers of Mary-Kate and Ashley Olsen. It's like an Elvis movie for 'tweenagers. That doesn't make the film uninteresting as a pop confection.
    • 35 Metascore
    • 42 Critic Score
    If an eardrum-damaging score and people getting routinely slammed into stone walls at a 100 miles an hour without so much as chipping a tooth is your idea of a good time, then Van Helsing won't disappoint.
  9. In the annals of monster movies, one name stands above all the rest, way above: Godzilla.
    • 73 Metascore
    • 91 Critic Score
    The film has accomplished something few documentaries manage: It's created a stir. It's got people thinking and talking. And avoiding the fries.
    • 38 Metascore
    • 42 Critic Score
    The larger question is not whether these two will wind up together, but rather, if the filmmakers wanted to make a teen movie, why didn't they use real teenagers?
    • 66 Metascore
    • 83 Critic Score
    Sassy and sharp.
  10. It's passable, but in telling the tale of a man known to attempt the risky drive, it's a shame the filmmakers decided to shoot for par.
  11. This combination of fatalism, nostalgia and willfully naive optimism captures something essential in the Russian soul.
  12. A charming, funny piece of wish-fulfillment for young girls -- and, if you're much older than that, a disturbing critique of modern male sexuality.
    • 47 Metascore
    • 50 Critic Score
    Scott apparently decided it was a good idea for his subtitles -- much of the film is in Spanish -- to shimmy across the screen, to fade in and out dramatically, and in general do even more to distract us.
  13. The pace of this Oscar nominee may be a bit contemplative for audiences seeking "Yojimbo"-style action, but it's surely a more realistic and moving look at life in 19th-century Japan.
  14. The film verges on hagiography as one interviewee after another testifies to Dominique's positive influence on his nation, but in this case the cynical notion that there must be another side to the story is easy to tamp down.
    • 83 Metascore
    • 100 Critic Score
    While Tarantino's famous fight sequences are grisly, funny and genuinely entertaining, his love scenes are so tender, so fraught, you fear for the safety of your own heart.
  15. May be fairly funny, sort of sweet and slightly muddled, but one thing about it is utterly certain: It loves, loves, loves some bad cabaret.
  16. It actually makes the 1989 version (starring Dolph Lundgren) look pretty good by comparison. Oh, yes. It's that ghastly.
    • 67 Metascore
    • 50 Critic Score
    In this moody, claustrophobic almost-thriller -- the pacing is as sluggish as the Scottish canals that serve as its setting.
    • 47 Metascore
    • 58 Critic Score
    Hancock's direction isn't flashy, and the pacing is a little curious...Still, he has the quiet chutzpah to suggest that a man can be both flawed and heroic, cowardly in his personal life and noble in his public one.
  17. A pleasant surprise. It's not without its problems, but it's character-driven, funny and, if not dark, then at least a pleasant shade of gray -- with tremendous performances by Hirsch and Olyphant.
  18. This is one of those movies that also hand reviewers a ton of their own quotes as ammunition. Perry, just summing it all up: "I've never been this confused in my entire life!"
    • 73 Metascore
    • 91 Critic Score
    If the slightly hurried third act and unlikely conclusion don't quite deliver on the brilliance of the first 75 minutes, it's a forgivable offense. This is a different sort of horror film, where the known is infinitely more frightening than the unknown.

Top Trailers