Portland Oregonian's Scores

  • Movies
For 3,654 reviews, this publication has graded:
  • 63% higher than the average critic
  • 3% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 2.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Caesar Must Die
Lowest review score: 0 Summer Catch
Score distribution:
3654 movie reviews
  1. In a way, it's perfect: You can't imagine anyone seeing this mess and not feeling lesser for the experience.
  2. Joins the growing list of blandly made erotic thrillers that contain no eroticism, few thrills and fewer likable characters.
  3. A bloodless film that aims for wry but leaves you merely asking "why?"
  4. A rough little comedy of tone. White, making his directorial debut, asks if the search for self is still heroic when the discoveries are unpleasant.
  5. It's inconsistent fun, and it's a little too layered with self-congratulatory irony to be truly transporting.
  6. It's all polished and slick and credible, but it never truly engages. Perhaps it's because Irving's story is well-known; perhaps it's because of the script's repetitions and tangents; or perhaps it's simply because Hallstrom himself is ambivalent about his protagonist.
  7. Weaver is hilarious and horrifying.
  8. The storytelling -- the script is co-written by Verhoeven's old collaborator Gerard Soeteman -- is messy, and the result never feels real or human or vital.
  9. Also fun: tiny characters such as Jimmy's surprisingly helpful stalker (Nick Swardson); the film's final moments, which owe more than a little to "Grease"; and the skating costumes, which take their influence from such cultural touchstones as "Tron."
  10. If you enjoyed any of Frank's previous work, or thought "Brick" was the bomb, you'll love this.
  11. It's a riveting character study/soap opera.
  12. Having heard tell of its wonders for decades, I found the actual movie less transporting than I'd been led to expect. It's clearly a brilliant debut.
  13. The film has about five endings, each sillier than the next. Before it's over, the business end of that sniper rifle looks kind of inviting.
  14. The good news is that this movie is no "Spanglish;" the bad news is that Sandler's performance is actually better than the material deserves.
  15. There are occasional moments of wisdom, drama and emotion, but we never quite forget the blunt confession of one of the founders of the world championship, who admits that the whole thing began as a joke. Psst, buddy: it still is.
  16. If you approach First Snow as a straight thriller, it's not terribly satisfying.
  17. Within this simple structure, Panahi manages at once to celebrate and critique his nation's passions, sexual politics, sporting heritage, laws, morality and class system. It's a fictional feature but, like many Iranian films, it feels uncannily real, particularly in its final rousing minutes.
  18. Chris Rock probably has a solid writer/director effort in him. This isn't it.
  19. There are moments that stir, and it's always lovely, but it's generally too remote to gain hold of you truly.
  20. You'll suspect, and even hope, that what's on screen is a hoax, but it seems to be at the very least one version of the truth.
  21. 300
    The movie swings back and forth from awesome to awful so regularly and rapidly that it's like a jai alai match.
  22. The Host isn't just a terrific monster movie. This South Korean box-office smash is also a laugh-out-loud comedy and a surprisingly angry political satire.
  23. Nair takes mostly low-key material about a traditional Indian family raising kids in America and turns it into something sensual, funny and quietly devastating.
  24. It doesn't break ground like "Seven" or "Fight Club"; it's not a thrill ride like "Panic Room." But it's a mature, thoughtful and full-bodied movie that compensates for the demands it makes with the rewards of craftsmanship, rigor, skill and art.
  25. A gorgeous, life-affirming movie. On paper, it sounds lurid bordering on ridiculous.
  26. You might not be able to picture yourself in such a life, but you'll be glad that it persists.
  27. The result is a modestly accomplished, modestly agreeable, altogether forgettable film.
  28. By film's end, you've enjoyed a middle-of-the-road episode of the series, basically. And as usual, Deputy Trudy and Lt. Dangle are getting the best lines while about one-third of the jokes hit their marks.
  29. Nothing shakes this pathetic attempt at humor from its self-satisfied torpor.
  30. If you're inclined toward women of the smart/sly variety, you'll leave with a massive crush on Hall. You might remember her as Christian Bale's long-suffering wife in "The Prestige." Here, she comes off as a sort of college-aged, raven-tressed, human rights-obsessed Emma Thompson, only cooler.

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