Sadly, this program fails to be either compelling or diverting. Instead, it is a bloated and filler-stuffed waste of time.

If it's trying to emulate Sex and the City, Love, Inc. misses the fact that that show presented us with complex characters from the get-go; here the single women are all pretty much one-shtick ponies.

While the show has little going for it, it does have Seth Green.

One could watch NCIS: Los Angeles. But one could also watch paint dry with far less pain and no less gain.

The show's acting offers no respite. Scenes unfold very slowly, as characters talk quickly but pause at the end of each speech, often holding a self-satisfied smirk as if listening to an inaudible laugh track.

Three Wishes is a veritable showcase for corporate largesse, and oh yes, self-promotion.

The network has risked its own reputation for cutting-edge, genre-busting shows by churning out a sitcom whose main joke is how derivative, unfunny, and unconvincing it is.

Fittingly--and disappointingly--his fame-hungry characters don’t raise questions concerning politics or inhabit any realm of social interest; they are as vapid as their environment.

Despite the many hard bodies on display, South Beach is flabby.

This is the central duality of the show: half fish-out-of-water tale about Todd, half underdogs-come-from-behind-to-triumph story about his staff. The problem is that neither plot has a sound foundation. For the first, it's hard to identify with Todd because he's not very likable.

If the premise intrigues you, watch or rewatch Blade Runner instead, and offer Almost Human the all-too-human body swerve.

With its stilted scenes, canned laughter, and handwringing about marriage, Whitney feels more like a step backward.

Bones is a very poor cross between the X-Files and CSI with characters stolen from NCIS, plot devices from Veronica Mars, and topicality from Law & Order.

While Life is Wild is structured as a sort of fishes-out-of-water tale, it is more accurately described as a neocolonial masturbatory fantasy.

There's no bottom to this show's sentimentality.

It will most likely be remembered for years to come, alongside My Mother, the Car and Who Wants to Marry a Millionaire, as one of TV's truly bad ideas.

A relentlessly unfunny mid-season replacement comedy from ABC that sucks all the fun out of dysfunction, the show could have been pitched to network execs as "Arrested Development meets Ordinary People." But it shows none of the former's wit or latter's intelligence.

The Cougar is not only oogy and repetitive, but also as behind the curve as TV Land‘s usual rerun fare.

We don't expect nighttime relationship dramas to be thrilling, but we have the right to expect an interesting character or two.